Ratings and Reviews by manonamora

Familiar Problems is a fantasy puzzle parser in which you wake up as some experimental familiar in a magical school, realising your creator is nowhere to be found. What to do then? Escape and plot your revenge, of course! Is it doable? As a blob of green slime, it’s going to be challenging but not impossible. Along the way, you encounter other familiars, each with different abilities, which you can consume and acquire to move around the map and solve the different puzzles. The game also includes a map and hints/nudges to progress.

It’s a well polished game, with a satisfying gameplay, and just charmingly fun! You start with limited actions, with a set of commands that builds up as you gather more power (i.e. consume things and others). The progression makes sense, as each power is there to solve a subsequent puzzle/block (sometimes even working in combination!), and the puzzles have the right amount of difficulty that it feels really good when solved (the nudges and map help a ton when stuck, but good old trial-n-error did most of the work for me). As well, the game does take advantage of the Dialog program, enabling players to choose whether to input commands or clicking on the actions (or both, in my case, especially for the map and fast travelling the places).

I really enjoyed helping the lil’ blob getting its bearing and figuring out how to get out of the building. There are a tons of fun stuff to discover in the game (the announcement messages got me to chuckle every time), that really adds to the funky atmosphere here. Honestly, one of the strongest parser I’ve played recently!

An Admirer is a horror conversational parser, in which a immaterial presence really really wants to talk to you, whether you want it or not. The conversation is mainly non-linear: you enter actions or keywords to get different bits of text (and open more topics). It is not always clear how much you can actually progress in the game, and how to reach anything but the mandated ending when inputting QUIT.

This might be one of the creepiest game I’ve played in a while. You can’t get away from the creepy voice that insists upon itself (no movement) nor can you really fight it (it’s not physically there) - only endure what it wants to tell you, all that it knows about you from watching you (on point with the stalker vibes), all the feelings it has for you, the made-up scenarios about you. It really felt that creepy, from the way the voice talks about you, how it is so sure it knows you, inside and out. Creepier still is what it wishes from you, what it plans for you. Escalating bit by bit, every time it slips up (feels on purpose) until you can’t take it any more and input QUIT to stop the madness.

This was wholeheartedly unpleasant, but in a good way. Skin crawling experience with a surprisingly responsive chat-bot.

Museum of Paranormal Phenomena is a relatively short parser made as an homage to the movie Ghostbusters. In the game, you visit the titular museum, whose rooms are decorated like scenes in the movie. Except some things seem out of place or missing. And Slimer keeps roaming around. You end the game by returning the rooms to their counterpart scenes. Knowledge of the movie isn't really required to complete the game (though it will help with speed), as the game only accepts one specific item in each room.

As is, it's a fine fetch-puzzle game, which is well built and without issue. But it didn't do much for me. It's definitely a game that plays on the nostalgia factor (hinting about the referenced movie at the start without explicitly mentioning it. So if you're not familiar with the movie (or if you don't enjoy it), the whole nudge-nudge-wink-wink will fall flat for you. The idea of having cleaning up the museum is neat, and I weirdly wondered when each room would come to life (or have some actual paranormal activities).

Forevermore: A Game of Writing Horror is a poetic Twine game in which you play as famous brooder Edgar Allen Poe, in search for inspiration for his newest poem. Except, he’s having a hard time staying on track, lacking the words and feelings for his pen to translate to paper. And distractions keep breaking his flow, when he finally gets it. There are five different endings, which the game tracks for you, and you can keep the stanza you created then too (some of them are pretty hilarious).

It’s pretty funny to see the contrast between the Brooder-in-Charge struggling to get into the mood, especially when you learn a bit more about his life. It feel a bit too fake: you practice the occult with a plaster skull, your dark study where you brood has been cleaned a bit too well by your maid (yes, a thick layer of dust is needed for the ambiance, you see), and you’re living a pretty cushioned life (a nice little cottage and a maid that cares for you). Truly, the fresh scones and tea do not bring upon the so needed ravens.

Overall, it’s a really fun game with a good sense of humour. And it’s especially fun replaying it, to find the other poems/endings (I got the “bad” ones first which were hilarious). Seeing the ChoiceScript-like stats bar on top of the screen change as you try to brood or enjoy the day.

Dark Waters on the Night Shift is a spooky puzzle game made in Twine, where shenanigans happen on your night shift at a sewer plant. You play as Oscar, a regular guy working alone at the plant on Halloween. Expecting some teenagers and their tricks, it is a succubus, Lucciana, that come entertain your night (and, in passing, literally bring hell to the plant). In order to resolve the sudden chaos, and put down the fire, a friendly ghost comes to help ((Spoiler - click to show)turns out to be some poor soul who had died at work some Halloween's ago, probably because of Lucciana).

The game provides a fun playground to explore and interact with, as the access to the different parts of the sewer plant changes with Lucciana's interference. The larger puzzle itself isn't too complicated, it's traversing the map that will be the most challenging. There are multiple locations and levels you need to take into account, especially as soon as you use the remote. I screenshot the map* before diving into the cart to make things easier on myself (and it did help!).
*Fun fact, which I realised when I beta tested: the map is an SVG element, made completely from scratch!

What worked the best for me was the descriptions of the plat itself, especially as it changed throughout the game. The acid fumes turning into hellish flames or the cool water in the tanks (which hurt me to waste... but that's for a good cause). Created a really nice horror ambiance and a sense of urgency (the fire, obviously and the countdown, even if you actually have enough time).

The Depths of Madness is a short horror piece made in ChoiceScript inspired by “The Call of Cthulhu” from Lovecraft. After receiving in a hurry the research of a now-passed coworker, you delve into one of the tome just before going to sleep. The research deals with the occult, particularly the myth of Cthulhu. It is, obviously, unwise to fall asleep with that kind of reading on your lap (unless you like thrills… or nightmares!).

So you fall (or more like sink) into the depths of a dark body of water, of which you do not see the end. The decent towards the bottom, where shadows still catch you unaware, is pretty oppressing - there’s no way but down. Only madness accompanying you. Here, the inspiration from Lovecraft is clear, and the writing does a good job at conveying this otherwordly horror.

Since the game provides you with choice at multiple point during the story, I got curious to what other paths would bring me (as I played essentially a rational chicken the first time around). It was a bit disappointing to find that few of the choices really did something, only there to provide and illusion of choice (which, is fair, you can’t really refuse the call of Cthulhu). It is most obvious with the final choice, bringing the abrupt ending.

On the other hand, the choice of palette and imagery for the interface was well done. The dark theme and ocean greens add some depth to the atmosphere.

The Little Match Girl in the Court of Maal Dweb is a fairly long parser game in Inform 7, where you play as Ebenezabeth Scrooge, the Little Match Girl who can travel through time and space by looking at fire. In this episode of the LMG series, you are tasked to take down a big bad werewolf, called Imrath, who has been terrorising people through time and space. The game includes hints, and as far as I could tell, does not have a failure state.
This was also my entry into the series.

Though you are supposed to be teaming-up with three other characters, you end up doing not only most of the search and prep for the werewolf, but also take it down. The game itself is relatively simple: explore the Woods and the different worlds (through the flames/torches), try to find information about the werewolf and how to take it down, and help the people in those worlds along the way (some back-and-forth between world is necessary).

While I managed to get through most of the game without needing hints (I think I was lucky in the order I ended up visiting the different realms, it made sense which things I had to get to next), it was the final showdown that gave me the most troubles/confusion. Before (Spoiler - click to show)you can complete your preparations, you come face to face with Imrath and are forced into some sort of mental battle. It really made no sense as to why the violin was there or why I had to play it (my guess is that LGM's violin play is central/greatly mentioned in another game. Still, it *somehow???* takes Imrath down? While the other puzzles made some sense (though I did wish there would have been more use in the kit we get at the start), this one really broke my brain.

I did enjoy the post-game content, going back to the different worlds and (Spoiler - click to show)heal everyone again with the violin. After taking Imrath down, I figured why not, and just rolled with it. But was a bit bummed to not find the missing element required by Maal (did it ever exist?), or what's on the pole, or that Mattin didn't want to (Spoiler - click to show)read my fortune.

I was a bit apprehensive of the long playtime, especially compared to other Ectocomp entries, but it was pretty fun nonetheless. The different worlds are rich in details and implementation, and super varied. Seeing your companions (Spoiler - click to show)fall one by one to the cursed state, like some weird slasher movie where the ingenue(-ish) to save the day, made me snort. They must not have forgotten their plot armour :P

You promise is a short Faustian horror game made in Twine, in which you make a deal with a mystical being (devil? or maybe fae with the insistence of giving your name?) to solve your money problems. Like any magical deals, it's a lot about give and take... and *how* you take. I found 7 different endings, with only one "good" one.

This was a fun take on the deal-with-the-devil trope, giving you different options to deal with your Honoured Guest, each branch as entertaining as the next. Trying to trick HG into giving you what you want without, essentially, paying the price, was trickier than I thought. Getting away with it *is* the challenge, and HG will take you up on your words - *the exact words* you utter. After all, you promise It your words are true.

And the consequences are... varied - your literal words thrown back at you (heart, soul, and all) - and fitting to each path taken (in a sort of monkey-paw kind-of-way sometimes). The styling of that final passage is particularly on point, as tension builds and the danger is imminent. Like a creepy Cheschire Cat about to devour you whole because you slighted it.
Though after the second or third ending found, the timer on the animation drags on a little too long. Great the first time around tho!

One final point on the "good" ending, because while there is a way to best HG and get the money, it doesn't *feel* good, or like you actually won. (Spoiler - click to show)You don't even touch it when you see it in your account, you wait weeks and months, and still you wait. As if, the second you spend the money, HG will appear still and give you your comeuppance. The tension is still there, lingering. Finding this one last really felt like a full circle moment.

Fireboad is an action parser, in which you incarnate Captain Kent Decker, a senior fireboat captain of the NY fire department, on the Hudson river, when the ghost of your grandmother appears before you, with dire news: a terrorist is planning to blow up the Big Apple! You ready yourself to thwart its plan, going up/down the Hudson river with your trusty boat.
There are two endings, incl. one bad which is obvious enough (and clearly hinted that (Spoiler - click to show)you shouldn't touch the trailer) and one where you save the day. A walkthrough is also provided on the game page, though if you follow the explicit "crumbs", getting to the end is just a matter of remembering where to go.

Because you are eagerly told what to do, head on, the game feels pretty railroady: the game presses you to do the things it tells you to do, rushing you almost before you can take a breath. It's a somewhat understandable, seeing as you have an exploding plot in your hands, and you're a seasoned captain that knows what do to. But it felt a bit like exploring/examining objects around you to be... futile/pointless. At times, I wondered if some of these hints/pressure points would have been better behind the *HINT* command, for those needing that extra help (especially since (Spoiler - click to show)notes left around by the ghosts tells you exactly what to do.).

I liked that inclusion of the spectral presence leading you along the way, and how it only appears when you "need" it, or the ghostly objects disappearing when you completed their task. It made keeping track with your task's progress much easier. Though, the whole (Spoiler - click to show)Liberty Statue section felt a bit out of place, and stilted a bit the pace of the story, especially considering the urgency of the issue.

Yet, it was genuinely fun to play and I really enjoyed being able to move the boat around the river (that's such a fun movement function!). And kuddos to the Chief Mate for being so good at his job!

Your Little Haunting is short horror parser, where you get to explore an abandoned house and interact with the limited elements within. In this dark night, your goal is to find a light source. Except it doesn't go the way you hope it will.

Though under-implemented ((Spoiler - click to show)the bedroom is essentially empty, some elements not interactible/reachable like the (Spoiler - click to show)lamp you see through the window), which is understandable considering the Speed-IF time limit, it's pretty chilling: the empty neglected house come to (un-)life as you interact in specific way, a sort of ghostly mirror to what you did.
>But even as ghosts might appear, your presence in this house feels ghostly too. You haunt these halls, turning on/off appliances, moving objects just because. The ghosts themselves don't seem to care about or acknowledge you... (Spoiler - click to show)until the very end, when the veil is removed from your eyes.

I would have loved being able to explore/interact more with this dreamy, liminal space, but my stay in this abandoned house was just right.

A Puzzled Soul is a short timed parser made in Inform, in which you are trying to escape a creature hunting you, by solving some questionable puzzles to get to the next section. If you take too long solving them, you’re sent back to the start to try again. There are two endings, dependent on your choice at the very end of the game.

Each section has multiple puzzles you can solve (though only one is necessary to get to the next section, and you won’t have time to do them all in one playthrough anyway), with seemingly different difficulty (really puzzled to how to solve some of them, I gave up pretty quickly). It was interesting to get branching in a parser, and giving the player agency in how to get to the next section… which is ironic because you are essentially forced to do awful things to progress and escape the creature (like (Spoiler - click to show)stealing from a confession box, poisoning a well, or desecrating a grave). Coupled with the sense urgency from the timer, it creates a pretty fun environment.

On the other side, I did struggle quite a bit with the implementation of the puzzles with regards to the timer. Because we have a limited amount of commands before the creature catches you, there’s only so much you can do/test before you’re sent to the start. And when it’s not always clear what you need to do to solve a puzzle (or what command to use to do something, because some are custom, like crossing wall instead of going west, where we’re told we can go). It became pretty frustrating at times, but with a bit of persistence (and Saving at every new room), it is possible to get to the end.

Die Another Day is a short resource management game made in Twine, where you play as a person who gruesomely dies at the end of every day, only to wake up the morning after as if (almost) nothing happened. And you can’t stop this groundhog-like cycle either - you will die no matter what - only exacerbate it. There are 3 endings, with different outlook on your future, dependent on your choices.

Aside from the obvious but effective metaphor for living with disability/illnesses, it makes an interesting point on the triviality of death. Forced to die again and again, each day, death just becomes an inconvenience: you don’t know when your body will stop working. What if you pass out in the middle of the street or in front of friends? What about the mess you need to clean the day after (bodily fluids/broken belongings)? What if you hurt yourself even more?

And so you must work around it - do you prioritise potential discomfort for an easier tomorrow? or convenience for (financial/social) struggles down the line? While you can prep some stuff, it’s not like you can really plan your day/life when you don’t know your state days/hours ahead - compromises can only take you so far. Your body essentially forces isolation from the world (how can you go out when your body might give out?) and yourself (can you spare the energy to do something for yourself?).

And so you die, every day.

Like a Sky Full of Locusts is a western/monster-y parser game in which you play as an Army man in the Far West, whose tale is derived from the titular epic presented by Rattlesnake Yates at the Castle Balderstone Horror Convention in 1969. Returning to the Fort after some unexplained adventure, you find it in disarray, and crawling with monsters. Simple man of arms that you are, you shoot them until they perish/disappear. There's one major puzzle to unlock the final scene, but as the *hint* command indicates: just explore and shoot.

The most trouble I had, while playing, was finding the glyphs. While most where in plain sight, a couple were hidden behind descriptions (so I went around the map maybe 4-5 times before finding them all. But that's essentially my fault for not drawing a map from the start. I was a bit anxious looking at the bullets in my inventory (knowing shooters, it's always an issue), but was pleasantly surprised that you don't ever run out ((Spoiler - click to show)I don't think I even used any of the other guns available, and still got to the end unscathed) because the game provides and doesn't let you waste the bullets anyway.

There's another layer, wrapped around the game, in which we are only privy to by being a guest to the convention, listening to Yates's epic poems (of which we get snippets through the game, the amount of rhyming is pretty impressive), or the other participants' criticism of the poetic tale. This entry being essentially my introduction to the Castle Balderstone anthology, that whole section after the first end kinda went over my head.
However, if I were able to add to the other authors' criticism, I wouldn't have minded having the choice to (Spoiler - click to show)decide the face of the Colonel, as the whole mess is essentially his fault, and honestly, considering the damage he'd done in the Fort, doesn't really deserve being saved just before the end.

Overall, a pretty engaging parser, even with the limited agency you can have, with an intriguing framing (story within a story).

Roar is a comedic action-focused game in which the animal kingdom has had enough of men and decided to wage war against them. You play a lowly soldier trying to survive to the increasing animalistic mayhem. Because of the focus on the action, it’s pretty fast-paced (expected), which is accentuated by the reading mechanic (scroll to display the next section/paragraph).
On this point, there was a bit of friction when I played, as I often ended up scrolling too far, which would show the next paragraph before I clicked on the cycling choice or display the chapter header (which covered the whole page) before I was done reading. This meant the game either made the choice for me, or forced me to scroll back to read the last missed sentences. But, considering this was completely custom, and made in 4h, it’s still pretty impressive.

Overall, it’s a zany game that doesn’t take itself too seriously, playfully overdramatic, with a fun twist at the end.

No More is a short horror one-room parser made in Inform, in which you, a young woman, are given an opportunity to escape your abusive preaching father before reaching the nunnery meant to imprison you. It uses a simple and limited command list, there is no losing state (merciful) and it includes a StoryMode for non-parser players (or see what you missed).

Stuck in a carriage with the patriarch, which you were forcefully thrown into, you wait for the right moment (and having enough courage) to strike back and set yourself free. On a bright full moonlit night, only a little push is needed to transform yourself. Examining your environment drives most of the story at first, until you get to that culminating point, where it hits that sweet sweet spot of cathartic.

It is most obvious (and pretty neat) in the shift in perceptions of the characters - how the description of the father and yourself change as the story progresses, when the newfound confidence and self-assuredness grows within you. The obvious shift in power marked in the mirroring descriptions of those two characters: your body shivering, which you try your best to stop, leading you to be scolded by the mighty patriarch VS the old powerless man shivering in fear as you tower over him. And that mirror is also seen between you and the objects in the carriage (with the lantern being another cage, the closed curtains as a wall between you and freedom).

It is also interesting how the story uses the werewolf to convey this story of breaking chains: the woman turning to an actual monster to regain agency and power in the unbalanced dynamics, because who else but herself can save her (probably not the nuns). Rather than monster to be feared, a way to freedom.

39 Trillion and 1 is a body horror game made in Twine, in which you embody a virus that infected a woman, with the means to spread further (but at what cost...). There are 6 endings to find (a couple are v similar), depending on your choices.

This was an overwhelming piece to go through, not just because of the lengthy passages filled with gruesomely detailed description of body horror (as the virus take over the body, expanding its reach, and how the body reacts to this) - not really letting you catch a breath - but also in the way it chooses to interact with the environment (the unconscious victim having little to no say in the matter). Those in contact with the virus/infection are subject to pretty graphic internal violence, depicted in a pretty disturbing way ((Spoiler - click to show)the ghoul-like section, where the infected woman is turned into an infectious puppet is particularly chilling), as the hosts become completely hopeless in the face of the illness ((Spoiler - click to show)whether they becomes food being toyed with or tool for its infectious goal).

In the excess found in the genre, I felt 39 Trillion and 1 crossing the line into the too much territory, to the point of cheapening the whole, making it look more edgy for the sake of edgy. I don't think it helped with how the illness being referred to with interchanging pronouns (It/He) or how confusing it changed who was controlling the body (the infected woman, the virus, or the voice (was that the hive mind of illness? something different/godlike? I'm still not sure).

This was particularly most obvious in the section where (Spoiler - click to show)the woman is not just a body fighting a losing battle against the virus, but having stronger thoughts and voiced opinions, and being able to interact "like a regular person". Up until that point (and through the other paths), humans were just there, ripe for the taking/infecting, just existing. Almost unreal. But now, two women have names, and background and layers, and the POV switches away from the virus. The switch is pretty jarring and feels out of place.

how to fly a kite is a short interactive piece made in Ink, based on poem by Refaat Alareer. In it, you play as a spirit in a war-torn setting, crossing path with a young child. Being able to inhabit and move objects around you, you help the child to build a kite. While it is mechanically pretty repetitive, the poetic prose shines here. The way it contrasts the bleak environment, revealed bit by bit, with the child’s joy in gathering the materials and building the kite is both haunting and touching.

Le Père Potlatch is a a mocking Christmas-Day story, where you incarnate the titular Père Potlatch, who unlike our known Santa, tasks himself with burning received gifts. On his list this year: some rich billionaires and their new toys. It’s as funny as its premise is silly, and definitely satisfying (unless you choose to leave them alone). Happy belated dream Christmas!

Taxathoustra is a short humorous and surreal adventure, in which you play as the titular mage, whose best trick: tax evasion. Waking up from a nightmare where he'd lost it all, he leaves his house hoping to win big! Twists and turns occur along the way, pulling you along with some Dr. Seuss-y vibes. It's a pretty fun short time.

Maasdreniev, district d'Azotja is a short hyperlink piece made in Twine, where you read about the history of the Kostin's family moving to "7 rue des Ramendeurs" a few generations prior, and how they fair now. The narration, with its repetitions and unsaid, paints a very dark atmosphere where hopes and misery cohabit.

Paye tes impôts Isabelle ! is a short Moiki game, where you play as actress Isabelle (Nanty, if the end is to be believed), trying to do her taxes last minute. It doesn’t help that she doesn’t remember where she put all her documents (or that you’ll find them in improbable spots)! It is a pretty light-hearted setting with a comical tone, with multiple different endings. It’s silly… and remind us that lying on our taxes doesn’t always pay :P

Famille P. LOISEL is a short cinematic Moiki story in which you spy on a family, whose business meant the death of your brother. While learning that (Spoiler - click to show)your target is actually not here, which means you can't yet follow through with your plan, you also hear tit bits which makes you reexamine (a bit) what you thought about the family.

The game ends with a little chase (defining your ending), and left me hungry for more! Granted the word limitation could only give us this short scene, I would play a larger version of this game in a heartbeat ((Spoiler - click to show)maybe confronting your target? or some sort of break-in to figure out what's the deal with the daughter refusing to eat).

dénanti is a CYOA booklet, in which you switch bodies with billionaire Arnaud Bernard (and definitely not the French businessman, *wink wink*). Armed with this incredible fortune, you get to choose how to spend it... except, it's *really hard* to spend a lot of money like this. If your actions are not stopped because it looks fraudulent, you actually end up richer by fixing the (speculative) economy or through tax-loophole! In both the setting and gameplay, this entry reminded me of You are Jeff Bezos. It was a pretty funny 5min going through all the options!

Maasdreniev, taudis de l’Est is a short hyperlink story created in Decker, in which you follow a hungry and cold man in an unnamed dilapidated neighbourhood (though the vibes are evocative of Eastern Europe, just after the Iron Wall is constructed). Lost and left behind, these beings do what they can to survive, even if it means turning on each other and losing more of their little humanity. It is very bleak and as immersive (especially with the uneasy tune of the background music).

La Valise is a short speculative fiction made in Ink, in which you decide the fate of humanity, as nuclear bombs are about to decimate your side of the world. Contrasting with the imminent destruction of your country (and maybe more), is a banal and calm prose (maybe resigned already? with the state of things), rendering the scene both comical and pretty depressing. Regardless of your choice, little changes for you, but it is nonetheless impactful.
A great piece of speculative fiction in so few words!

The Column is a Cluedo-like game made in Twine, where you embark on an expedition to explore a desolate island, with a strange and cursed structure. To life the curse and save themselves, the team must trust each other - though the curse will try hard to break those bonds. There are two endings, which can be easily found (the game lets you skip back to the first choice to retry).

It’s beautifully written, with a very enticing introduction. A rag-tag team, each with its own specialisation and personality, stuck together on an island with no other choice but trust each other to get out? Sign me up! And the reveal of the column really built up my expectations for what was to come. That introduction does a pretty good job at laying down what you need to get to the mechanic.

And it’s an interesting mechanic, as a social experiment, focusing on your deduction skills from the information provided - though it doesn’t really punish you if you miss the mark in the combination of choices, even for the high stakes. Not knowing is the hardest thing, and the game forces you to rely on your assumptions to make a choice… and accept you might fail.

It’s a pretty tightly built game overall, but the selfish part of me kinda wished there was a bit more (especially with the introduction being about half of the game) - like getting a few more in-game days, or talking to the NPCs before/after the choices and make them sweat a little. Then again, there was a lot already for a made-under-4h game!

Hotel Halloween is a collection of short scary games created by young students (of the Seneca Thing group), centred around the theme of horror hotel. We have 8 different rooms, each with a different take on Halloween, or creepy elements, or horror. Overall, it's pretty diverse and creative!

Room 10 is a simple story, which follows a person on a holiday, given a key to the titular room and finding a pool of blood by the door. Follows a branching sequence in which you either realise (Spoiler - click to show)you are dead or find a way out. I think there were 3 different (non-repeated) endings to find.

Room 16 is a survival story, in which you decide to relax before the Halloween Quest Game, except there are weird things happening in the room. At every turn, you are given a choice, where your (in)actions will mean life or death. You'll need a bit of trial and error to get to a Good Ending (there are multiple), and advanced to (Spoiler - click to show)an unfinished level 2 :( . Because of the arbitrary consequence of each action, the comedic tone of the writing works pretty well (the Bad Endings line were absurd, in a good way).

Room 102, strangely located underground, is another survival story, where you must escape your room to live. It was a time a bit confusing, which actually makes sense, since (Spoiler - click to show)it's all happening in a dream, though we don't really find out how or why this all happened. I liked the details of the hotel, that made things unsettling.

In Room 113, we play as a werewolf staying at the hotel for a vacation. This hotel is not dangerous for humans, but also magical creatures, which means that with one wrong move, you are out. The consequences are sometimes very sensible (like (Spoiler - click to show)why would you try to pet a dragon xD ), and sometimes pretty arbitrary (like checking into the bathroom). But it does so with humour, so that helps.

Room 444 is doll-themed, with a bunch of creepy dolls in various state throughout the room. And you are given an ominous warning if you decide to stay. The writing does a good job at describing the unsettling nature of the dolls, and your transformation if you get too curious. Very creepy.

Room 505 is another escape room situation, where you are magically transported into a dangerous maze, and given binary choices to find the right path and leave. It's really a coin toss on what you should to pick to get to the end, and I kinda found myself more interested in the Bad Endings after finding a couple (they are pretty funny).

Room 555's puzzle is centred completely around one very important object, which will determine whether you live or die (in various horrific ways). It reminded me a bit of the towel in HHGG in that sense - there's no real reason to need it, and yet... Both Good Endings were pretty nice, but the very matter-of-fact plug-the-wall one was very funny in context of the whole.

Room 666 is probably the darkest game of the collection, with a focus on body horror (and I think no "good" endings). The recurrent attention to the eyes really gave me the creep - I kept hoping I wouldn't have to see it again. It was a good utilisation of the haunted mirror trope, no matter the outcome.

Jumpscare Manor is a silly tiny jumpscare game made in Twine, where you explore the titular Jumpscare Manor, for if you stay a whole night within its walls, you will own it. There is only one end, which will happen randomly (otherwise it wouldn’t be a jumpscare).

It’s really silly, filled with jumpscare red herrings (like the dusty armour stand in the entrance). It was funny trying to go through the rooms and realising they’re all connected to another (Spoiler - click to show)through a secret passage, so you’d start on the ground floor and end up two stories higher - not surprisingly I lost my sense of direction pretty quickly. It’s really a gag entry, one you’d expect from Damon Wakes, and it does what it sets to do.

Sundown is a surreal horror game made in Twine, where you play as Dolores, an old woman exploring her house as she looks for her dog. As you go through the motions, the game hints at the peculiar situation she is in, leaving you to fill in the (very obvious) blanks. You’ll expect the twists coming, but when it does arrive, it still hits like a ton of bricks.

From what seems like a slice-of-life story, with Dolores, trying to find her footing as she wakes up from a nap, and to reminisce on her past, it progressively gets stranger before downright getting disturbing. She’s seems surprised at the presence of guests, at their frustration when she asks again and again the same questions (what are they doing here?), but most importantly, it seems, at why she can’t find her beloved pet, no matter how many times she calls it.

It is a pretty tragic tale, enhanced by the interface and the background score (creepy as heck). We experience Dolores’s confusion, through that semi-confusing maze (or maybe I’m the problem, forgetting where things are), her inability to find things (only available after a specific conversations) or remember events (which are obscured to us too). The only insurance that we are advancing the story is the changing colour palette (reminiscent of the sun setting). Still, in the context of the story, that change is incredibly off-putting.

While the first section of the (Spoiler - click to show)Charlie act brought things to a new level of scary and creepy, I am not sure if their conversation really added to the story as a whole. We didn’t know/learn/explore enough about their past, their relationship, and the consequences, for that revelation to make a real impact (compared to the other ones). It seemed a bit out of place. I would have preferred a focus with Dolores’s child instead in that section - I think it would have made the final section even stronger.

Overall, this was a great piece of writing, especially being good at conveying that confused state of Dolores, and the frustrations of those around her. Pretty heartbreaking.

At the Strike of Twelve is a short horror games made in Twine, where you explore a nightmare-like setting after waking up at midnight in a wet graveyard. Depending on your choices, you can reach one of 5 endings: two good ones (though one is pretty bad still), two neutrals (which might still be pretty bad), and one bad one.

The game includes a lot of horror/creepy elements, starting in the graveyard, the creepy random phonecall, the sense of dread from losing time, and, of course, the monsters. The focus on the senses, especially the sounds, with the recurring bells ringing, is a nice touch. As well, the shift in the story, where you suddenly become transported to a detective's office and (Spoiler - click to show)body, while it was still alive, really flips the game upside down and adds to the uneasy vibes.

I think the text would profit from a touch more formatting to help the player digest the conveyed information along. Like paragraphs breaking longer passages into smaller section (helping the player breathe a bit) or page breaks (have two regular passages instead of one, can help build tension). More interactive options can also be considered, such as timed text (in moderation) to delay the inevitable, or click-reveal elements to give the player a bit more agency/control (even if they don't really).

Still, for a limit of 4h, it's pretty effective in creating a creepy and unsettling/dark atmosphere. My favourite ending is probably the earliest achievable one (which is a good one, of course), with the other good ending being 2nd best (it's way more creepy/gruesome than you'd expect).

do not let your left hand know is a horror single-choice game made in Twine, in which two women, Monica in 2017 and Lisa in 2024, struggle to keep hold of their bodies, something tries to take over. The game switches back and forth between the two as they are faced with revelations. This body and psychological horror story has two endings, through that final and only choice.

The game has an interesting discussion about identities, the persona we choose (or are forced) to bring forward in any given situation, and our relationships with our bodies. Monica feels like she is borrowing her body while travelling, as if pretending to be someone else and experience their life (want for happiness?). Lisa has a stable but boring life, but finds herself missing days on end, unable to remember things that she may have (not) done - like blanking at her desk for three days. Both harbour feelings that their body is not quite theirs, that it has somehow a mind of its own. As is, it makes for quite the distressing tale...

... but when it is revealed that (Spoiler - click to show)Lisa and Monica are just different sides of the same coin, that's when the horror really sinks in. Who was there first, really? Or (Spoiler - click to show)did they enter the body, like some parasite? or maybe even split following some trauma as some sort of response? Are there maybe more identities that neither Monica nor Lisa acknowledge? And who is actually in control, after all? technically you...
But the game doesn't care much in answering these questions, and is, instead, more interested in who should be in control of this body? This is what you are faced with at the end of the game, to choose between (Spoiler - click to show)Lisa with her boring life and unassuming personality, which makes her so forgettable that she'd spend three full days being catatonic before someone notices OR the social Monica who forged relationships in the past, made connections which brought her heart pumping. It's just one or the other. The left or the right hand. Whose side will you take?

While this is a powerful choice on its own, especially with the build-up of the previous passages, getting more and more distressing and gruesome, the game also makes it way to easy to impede on the significance of this choice. The interface lets you UNDO that choice with just a click on the bottom arrow (or save at the choice, then reload). And it doesn't make that final choice feel final.

I also struggled a bit with the formatting of the text. Mainly with the alignment of the text not always being contrasted enough between the left right and centre blocks (especially with long sentences/paragraphs) - smaller width would help section those blocks better. As well, a bit with the dialogue/thoughts lines, I wasn't always sure who was talking or whether it was inner thoughts (until the context kicked in, but it took me out of the immersion a few times).

Overall, a cool piece of horror, with a great sense of mystery and build-up.

Narthex is a tiny Moiki game, where you meet the eponymous character, a helpful little creature on your way to a party. The short story centres around challenges meant to be overcome (your anxiety towards the party and Narthex's imminent growth/evolution) and how external elements can empower one's will to confront those challenges (Narthex's enthusiasm calming your fear and the punk rock beats giving them power).

An intriguing point about the title: Narthex, which isn't just the name of the little creature, but also an architectural element in churches: its entrance, opposite to the main altar. And here you start, before the narthex of your party, unable to enter without that little push, even though it is meant to celebrate you, to see you front and centre (as if on an altar?).

Another, darker, take that crossed my mind was how I first interpreted the illustration of the party. Because of the simple drawing, of people waiting around, without a clear face drawn, I wondered for a moment whether this party (Spoiler - click to show)was supposed to be your funeral, and Narthex being there to help you accept the fact that you are dead/guiding you to peace (especially with their final winged form).

But I think, overall, it's meant to be a very sweet story, enhanced by adorable little illustrations and dope music.

Dark and Deep is a parser adaptation of a collection of poems, in which you incarnate a priest, called to an old woman’s bedside as she is about to die, to provide comfort in her final moment. Throughout the conversations, you learn more about the woman, and how certain rumours about her peculiar abilities fare true - which she temporarily shares with you. At its core, the story is one of loss and grief, regrets and deeply buried secrets.

I can’t say much about the adaptation of the poems, as I never encountered that poet prior to playing this game, though I do not believe being knowledgeable in English poetry is required to enjoy the story. I was hooked from the start. It is beautifully crafted, depicting life in all its glory and failures, all the good it can bring, all the ugly sides it can reveal, and all the bad you unearth.

The central mechanic offers a unique perspective, by flipping between the conversation between the priest and Mrs. Lajway in the present, and snapshots of her life in the past. The way the conversation deepens as you explore her life through her answers and those past snippets is really engaging. The further it goes, the more I wanted to know about this interesting woman and the life she left. It gave layers and complexity to an old woman, discarded by society.

In a way, that structure reminded me a bit of After the Accident, with the shift between past and present when “touchstones” are interacted with, yet still feels completely different and fresh. It enhances the codes of horror, by playing with your senses, as you see different things in the priest and Mrs. Lajway’s eyes, making you question reality (is all maybe just a trick of the mind? influenced by the bewitching words of an old woman’s tale?).

A very engaging and, at times, disturbing game. Would recommend in a heartbeat to horror fans.

Resurrection Gate is currently a demo for a larger dark fantasy RPG-like Twine game, in which you play different characters to explore themes of life, death and all that is between. Currently, only Yasha, a shellshocked hussar, and Laurence, a resurrected duke (my fav so far), are available, and only includes the first section of their respective paths.

As expected from this author, the game is highly customised, with distinct interfaces and styling for different sections, portraits of the protagonists and other NPCs in the scenes, as well as soundtracks and SFX to help set the mood. It also includes QOL settings: sound volume, fonts, theme, saves (I’d love a toggle for the animated text, the movement made me a bit nauseous). Similar to more visual novel programs, you can also use the SpaceBar to display the next section of the text (though you will still need your mouse to move to a new passage or click on dialogue/action options).

It took me a while to get into the game itself, as it throws a lot of information at you from the start, while expecting the players at time to already have certain knowledge (it’s a pretty long intro, and you also see this happening further in the demo). I don’t think I managed to immerse myself into the universe until after being introduced to the first protagonist. It quickly gets balanced by the RPG mechanic/choice options, which is very fitting for the this dark-fantasy setting. I think it was also smart to have a Trait-check from the start (making sure that central element is important in the gameplay), where it locks certain options if your level is not high enough. Honestly, it made me intrigued about what is hidden behind those locked choices (especially with the first PC).

It’s very obvious that there was a lot of care put into the demo (which, looking at the devlog, has been years in the making). There are a lot of intriguing elements that make me interested in seeing the final product (especially Laurence’s arc), and it makes me wonder how the game will evolve in subsequent updates. I’m interested in seeing how each character will move forward, as well as seeing how the different paths join (assuming the different PCs will meet at some point).

As the Eye Can See is a short emotional kinetic Twine piece, about the day before Halloween, and its meaning for the narrator throughout the year. From the contemporary date (Oct, 30h, 2024), the story portrays multiple vignettes of that day throughout the years, in reverse chronology.

It is both beautiful and haunting, in the way those recollection threads the life of our teenage narrator. It tells us her life has become quite lonely, following the loss of (Spoiler - click to show)her mother (an event that her father does not (wish to) discuss with her, nor does she seem willing to ask) - going as far, even, as rejecting the connections between those memories and things tied to them (like the familiar beautiful cottonwood which makes her feel too sentimental). With the writing focusing on details and things, all is actually said in hushed words, fleeting unacknowledged mentions, and unrecoverable memories. As if ghosts of the past were omnipresent, but unreachable or ignored.

This was a very melancholic piece, full of beautiful hidden meanings deepening with each new iteration of the day before Halloween.

your life, and nothing else is a short surreal horror interactive game made in Twine, where you live in a shared house with some peculiar individuals, a few of whom you’ve previously interacted with. You can wander through the building, check the common rooms in the lower floors, or see if your housemates want some company or require help with something. Whatever you can do to pass the time somehow.

Because you are essentially stuck in this monotonous life of waking up/checking on your neighbours/helping them with something/going back to bed, stuck in this shared house (unable or unwilling to leave?), stuck with yourself. But while your day-to-day doesn’t ever change, your surrounding does… and so do you.
Evolving slowing in this forced confinement, your health takes a toll, both physically (which you ignore to help your neighbours) and mentally (unease/paranoia building), while the building gets significantly hotter and filled with smokes.

The writing does a good job at creating this increasingly oppressing situation (which you both ignore, moving on with your day as if nothing was wrong, feel its effect on your health, but also question its happening) and the unsettling feelings that come along (what is this place? can we even get out? why can’t we??). The building of the tension is really well paced, helped with the cycle of different days/request to fulfil, and the formatting of the text (colours + timer) adds to the disturbing/disorienting feeling the changes bring.

YARRY is a short psychological horror choice game made in ChoiceScript, in which you play as young parent named Larry, whose two-year-old has decided to call him by the titular 'Yarry'. While one could brush it off as a toddler learning how to speak (yet able to pronounce complex sounds), the game takes a more unsettling approach: the child doesn't just misname you, he is suddenly repelled by you.

From loving parent, you are, for no clear reason, relegated to a stranger by your own flesh and blood. Worse still, it seems that people don't seem to care or mind about your discomfort ((Spoiler - click to show)your wife even shows to know more than you do about your son's reasons for acting this way, but doesn't care to share or (Spoiler - click to show)the daycare employee brushing off your concerns or uneasiness as a usual period for kids that age), as if they are all in on a joke and excluding you.

And there is truly little you can do to help with the situation: no matter you actions, your son always cries in your presence, wishing you wouldn't be there. Whether you make peace with this new form of your name, pretend nothing is wrong, or fight for your identity at every turn, you are always hopeless against your environment.

It is very unsettling, that even with a change seemingly so minor (just one letter in your name not being pronounced correctly) affecting you so deeply, yet your feelings are never really acknowledged or accepted.
It questions even the validity of your feelings: are you in the right, fighting for your name/identity (fighting your child?) or just overreacting (his just a kid, after all)?
And as a player, you have to wonder: is the narrator telling us everything with regards to how we got here (the sudden change being random or building up over-time? are we maybe just exhausted as a new parent and it's clouding our judgement?) or purposefully obfuscating information (are we a bad parent? did we do something wrong? or is there something nefarious at play)?

The writing really does a good job at making you question everything, and creating this unsettling environment (where clearly something is wrong, but why are you the only one seeing it???).
However, I do wish the game was longer, where you'd have the option to confront the child, or at least your wife (even if you end up looking like a crazy person in the process), or have more situations where you name is wrong (an exchange with your family/friend?) or actually someone saying your name correctly... but as a joke! But, for an under four-hour-created story, it manages to be just enough to give you the creeps.

Contaminated Space is a short sci-fi horror-y Twine piece, where you embody a lone(ly) spaceman, dealing with the consequences of entering a contaminated space. In this lonely trip, taken as a break from reality, moving further and further away from home (escaping? fleeing?), silence and space are your only companion. Perfection found in quiet, cleanliness, and simpleness (like the overall formatting).

All contrasted with the contaminated space, quarantined sections of the universe due to their potential danger, horrors that could infect and destroy worlds. None who enter are allowed to leave. Careless with your safety in your goal to reach an impossible unsullied state, you miss every warning sign… until it is much too late.

In your wish to be alone, you are taken over by a whole. In rejecting your personhood, turning into a husk of yourself, you become a host, a filled shell for another. In your aimless journey, a purpose is forced upon you. In your deliberate want to be unbothered, you are disturbed.

This was disturbing to read (in all the best ways). The glitchy-ness of the text, jumbled/broken thoughts, the back and forth between the entities, made all the wrongs so wrong, but all so good too.

Mathphobia is a decadent puzzle fest of a text-adventure.
While your classmate rejoice in the Halloween break counting their candies, you are stuck at home solving a metric-ton amount of maths problems. As the night progress, and you are no closer to be done on time (it’s due in the morning!), you are visited by a strange character, who takes on an adventure in a faraway fantasy land, terrorised by Archfiend of Arithmetic, and… where maths is the only way to defeat them.

So you go on this adventure, where maths solves everything under the sun, travelling the land, helping folks with their measurement problems, and defeating in each region a villain specialised in one type of arithmetic (subtractions, divisions, multiplications…). The calculations starts off pretty easy, amping up in difficulty when moving to a new section of the game. While some of the latter problems may be difficult (or annoying/impossible to solve if you are mathphobic), you get as many tries as you need (or check the cheat-sheet - which I’ve done for the last-ish problems)!

The premise is really silly (but down-right tortuous for this poor child!), but the writing hooks you so easily (even if, like me, solving maths puzzles isn’t a fun time). The humour is full of charm and levity, and of puns (especially the villains, that cracked me up). It’s was downright impossible for me not to cheer for the kid, and do my best to help them save the land. And by the end, weirdly satisfying to actually solve that many maths problems without help.

Anyway, it was silly fun (that made me do maths against my will, gasp)! I’d even recommend it to tweens.

Ghost Hunt is a tiny Adventuron game, where you must find and catch the ghosts of long passed family members (all because you wanted to use a casket as a decoration for Halloween). Since catching a ghost is not an easy affair, the ghost of your great-grandfather gives you a box that will do the job for you, if you manage to find the ghost in the first place.

It is a pretty simple parser, with a very limited map and verb list, and generous directions on how to proceed with the descriptions/responses. It’s a polished parser starter-friendly game.

Boo. is a short spooky story, made in Moiki, in which you investigate the strange whispering voices you start hearing in the middle of the night (even though they keep asking you to leave).

While the search is fairly simple and to the point (the main block in the path can be resolved within a couple of turns), it excels in creating a genuinely atmospheric creepy environment, through both the simple dark interface, sparse and uneasy background sound/SFX, but most importantly the voiced dithered whispers. The voice creeps and disappears, climbs up your spine and runs back down double speed, jumps and leaves you just as fast - making you expect it at any turn to scream until kingdom come.

This game knows what is it doing, and doing it it extremely well. It keeps you on your toes, both bare and rich in content, on point with timing, and doesn’t stay its welcome.

SPILL YOUR GUT is the third instalment of the GUT series, after GUT THE MOVIE, and the spoof GUT THE MOVIE 2: GUT ves. TER THE TWOVIES, where we check in on the original cast of GUT, Gemma, Uma, Tilla, and their manager Stace, after the movie was completed (or was it ever made?). There are four paths to follow, one for each individual, with the request to follow the above order.

Now, I don’t like being told what to do and started with Stace, essentially spoiling myself with the outcome of the previous paths… or did I?
Confused by the tone of that path (reminding me of the vibes of GUT2), I reloaded and followed the instructions in the game. Granted, there was a good reason for that.

Gemma’s, Uma’s and Tilla’s paths are completely different from Stace. While the later is in the third person, with the same interface as the starting page, the formers focuses on inner thoughts and bright, duo-tones, stylised and distinctive and restrictive interfaces. But more so, the gameplay of each path builds on the previous one: Gemma’s deep taunting red in a limited N/S direction, Uma’s cool emotional blue opening to all four main cardinal directions, and Tilla’s envious and tortuous greens adding the up/down option. All to finish with the linear definitive and decided Stace section, looping us back to the start.

But the contrast is not just in the visual and gameplay between the paths, but also in its content. The RBG section is enmeshed with anxious vibes, in the way the characters talk about themselves, their fears and insecurities, and the repetition of screens (indicating the end of content in that direction). Gemma, in kill the internet, feels hopeless and lonely, and struggles to find a purpose moving forward (funnily, you can only move back and forth between sections). Uma, in call your girlfriend, ruminates over her past and current relationships, the good, the bad and the ugly, and their inability to stay emotionally connected while with someone (her thoughts littered in a maze without much sense). Tilla, in sell your dreams, hides her true feelings (about the movie and herself) behind a criticism of society, which she has left being by moving to the Moon (layers discoverable by taking the elevator). Each are tortured in their own ways, either barred from opening a specific door, or unable to ever find that wanted exit.
On the other hand, Stance’s section has a more absurd take. She isn’t riddled with insecurities or worries, only caring really with eating chips. She flips the script on its head, going against the expectations, taunting the monster instead of being taunted (who breaks itself and sorta the game), unbothered with the change of/breaks in the environment or herself - as long as there are chips, she is content.
This contrast is made extra obvious with the repeated “I am lonely/scared/tried” screens in RBG, which Stance’s action can be reduced to “Eat chips”.

Strangely, though most of the game is very different from the previous iterations of GUT, it is surprisingly still much in line with the series as a whole. Through RBG, you are forced through these anxious-riddled paths, tortured along the characters, unable - like them - to escape (unless you reload the page), stuck in their head… Only to return to the absurdity of Stace’s section, greatly enhanced as it calls for the opposite almost of feeling. Stace is never stuck, whether she acts or not, circling through a death/rebirth unending cycle, always moving, and changing - while still staying the same. Stace is both the anchor of RBG, and the much needed comedic relief.

A third opus I didn’t know I wanted or needed. Neither better nor worse than the previous GUT. Only leaving me with the want of more sequels!

Delusion Deluge is a short fantasy visual novel prelude made in GoogleSheets. In this autumn equinox, you are invited to the annual Delusion Deluge, an event where one may receive a dearly wanted wish. The invitation asks you to both bring yourself (costumed), a tribute, and your wish. This prelude gets you ready for the party, and branches out in three paths where you can interact with multiple individuals and your environment, which may or may not let you get a trinket.

While there isn't much to the story currently, as it is a prelude, it is a beautifully crafted piece. The interface, backgrounds and sprites, create an atmospheric relaxing setting (that makes you wish you were there) -the artwork is really lovely. There are some awkwardness when clicking through the different slides, but that is to be expected with the medium chosen.

All in all, I'm really intrigued with the rest of the story, and will be looking for updates on this project!

Missinger is an investigative interactive piece, where you play as Paula, a university student, looking into the disappearance of Alex, a popular student in her class, following the win of a contest. Through your "phone", you can check out digital magazines about the contest and classmates, as well as talk to the different suspects (who participated in the same contest as Alex). After talking to everyone, you'll be able to report the person you think was behind the disappearance.

The game is comprised of multiple static stylized HTML/CSS pages and pictures of the digital magazines, which you can find and get to by messing around with the URL of the page (explained in-game)... if you find the right keywords. There are 4 endings to get to (and a secret one, which I haven't found - unless it's the (Spoiler - click to show)troll ending in the diary?). Honestly, it's pretty obvious who the culprit is, but it's the getting there that is most satisfying. Checking out the different URLs, sleuthing for more information, it's pretty fun!

What is most impressive, however, is the interface, and how smooth it runs, especially without any JavaScript/jQuery to run the animations/timer/choices, using instead pure CSS to do the trick. Well done.

I need to let it out is a collection of text files containing thoughts and feelings that Clare doesn’t dare say out loud, even though it is weighting on her. Between dealing with loss and struggling with their identity, Clare discusses her hopes and wishes for the future - especially with one special person. Retrospections of past relationships, especially their failings, brings forward this yearning in Clare to be seen - not just a glance, but actually be seen - and to have their feelings reciprocated.

In the way those thoughts are communicated, it becomes clear Clare struggles with her seemingly innocent out-personna, of the helpful girl that asks nothing in return, kind and collected, insightful but plain, with her more passionate desires (especially in regards to her crush). The never-reached balance between virtuous actions and unexecuted vice. The felt extremes.
I think it’s best displayed with how Clare talks about Tiffany in two different sections, first her silent personal devotion from afar, almost voyeuristic-like, to her domineering, almost disturbing, view on the future of the relationship when they finally interact.

These feelings and thoughts should probably get out, at some point, probably sooner rather than later… but maybe not today.

Productivity2000 is a time management interactive games, where you must fill-in a time-sheet in Sheets with tasks completed during the week for your micro-managing boss. Along with logging the hours worked, emails sent, and even breaks for lunch, you must also abide by your boss’s crazy rules to prove you actually did some work.

It takes a bit of organisation to get things all checked out, having to balance the hours worked throughout the week (never the same), or amount of emails filled (you will learn how to say ‘hello’ in new languages!), and even rate your own performance, just so you can rise above your boss’s suspicions. While behaving annoyingly, this isn’t the worse boss in the world: you can work from home (even exclusively), have to take breaks during the day for sustenance, can’t work overtime during the day, and must have two days free… Sign me up, please! I’ll ill in all the time-sheets you want me to!

The Swormville Sweep is a treasure hunt puzzle made in GoogleMyMaps, set in the village of Swormville, USA. The map has 15~ pre-selected locations, each with a little blurb about its creation, sometimes how it fared over the years, and a picture of its last recorded state. Through those, you don’t just learn about the town, how it got to be and evolved, you also collect a character - needed to solve the treasure hunt and find the secret final spot.

Like any good treasure hunt, from the starting location, you are given clues about the next location to check out (and the next character to collect). The clues are pretty varied in terms of type (e.g. family relations vs. architecture) and details. Some clues are obvious enough, while others will require making a guess or doing a bit more sleuthing on the internet. There is also a cool side guide, on the game page, which provides further detail on each location.

Though it took me much longer than I care to admit struggling to solve the puzzle (I had to restart a few times because my notes made no sense after a while), it was a fun way of being an online tourist in the small town, and learning some fun tit-bit about it. While novel in the medium use, it reminded me a bit of the author’s other town-focused game, Blossom, NY, in the share-some-obscure-knowledge-about-a-small-town way. It was a fun (if not at times frustrating) digital promenade, with a good use of the medium chosen.

notes on the disappearance of a sister is an investigative interactive piece, where a young woman created a board to keep track of information found about her sister’s disappearance, which happened a year prior. While her sister’s case is unresolved, Eleanor is set on finding her - no matter the costs. Retracing the events leading to the disappearance, she questions a few individuals close to her sister at the time, and unearth some shocking revelations about her family.

The format of the story, through the investigation board of factual notes, thoughts/hypotheses and communication, really enhances the mystery. Organised by sections, you get to go through Eleanor’s thoughts processes, as she finds new information and processes it. We see her idea of her sister and where she stands in regards to her family changing as the investigation progresses, and how little she knew about her own blood.

Yet, Eleanor’s investigation is cut short, leaving us to piece out what happened to her and her sister. And it’s not hard to do by the time you get to the end - there are enough hints throughout the notes to point at the supposed culprit and their motives. Even with threads abandoned, and questions unanswered, the use of the medium is incredibly effective in communicating the story.

Love and Java is a short branching choice-based piece made in pure HTML and CSS. With its 9 different endings, it paints a picture of dealing with poor mental health and its felt consequences (e.g. insomnia, isolation, hallucinations, negligence…). The descriptions of the setting and of yourself is Kafka-esque, with the run-down unfamiliar-yet-familiar rooms, or the animalistic/alien-like view of yourself (which you even compare to (Spoiler - click to show)a moth). It’s both very surreal and strangely grounded. Definitely a vibe.
I do wish there was a bit more contrast between the links and the body of text. I thought at first the game was broken, but turns out the link is simply hidden.

CurseOfTheManor.xls is a sparse parser escape puzzle created in Microsoft Excel. The manor you are currently in is cursed, stopping you from leaving until you’ve collected certain items and placed them in a specific spot. Each of these items and the final location are blocked behind a puzzle. While it uses a limited parser (VERB + NOUN), there are no hints or walkthroughs. The difficulty is noted as cruel.

And it is pretty cruel - I got stuck a couple of times trying to solve some puzzles, before realising I should have unlocked something else first. Two sections include a dark room, some objects use the same item, and some interactions are essentially a one-way deal. In the same vein, the map is surprisingly large, often requiring you to go from one end to the other to solve a specific puzzle. Drawing up a map to keep track is advised (I got lost).
On the other hand, correcting mistakes is much easier. Rather than spamming UNDO or RESTART, you just need to scroll up and edit the line with the mistaken action. The answers will then update as if it was your first time entering it. It made test and trials and errors much easier to go through.

It took me quite a while to get through the game, since getting stuck with a couple of puzzles. With the limited descriptions/responses, you sometimes need to think a bit out of the box (and about some unusual verbs) to get through blocks on the path. But it was pretty satisfying to 1- solve the puzzles individually and 2- find the correct order to do all the actions the right way.

Overall, it was a creative way of making a really well-built parser.

:-O (..)_ INTERRED (..)_ :-Q is a short parser-like escape puzzle, coded in emoticons. Waking up in a bedroom, you feel the urge to leave this seemingly unknown place. Getting out isn’t too complicated, there is only one thing you need and all actionable commands per room are provided. It shouldn’t even be possible to fail.
What is most intriguing, is more how the game was made and is running. You actually get to peek at the source code, since you need to copy-paste it in the interpreter - though it doesn’t make much sense as is. I didn’t even know emoticons could be used to store data or be used to code whole games. So that was neat.

a conversation with a concerned cow is a short conversation with, like the title says, a concerned cow. They've been feeling down for a while, thinking about life and death, wondering what happens when everything ends (you get to fill in a form). Worried about how you'd feel about the conversation, the cow sets some jazzy relaxing music and even sends you a cute slideshow (as some sort of palate cleanser), as well as an email address to each out for more conversations. It is a bit absurd, and also quite sweet.

Mad, Sad, Glad is a snapshot of a corporate workshop following the end of a project. Inside the Miro page, participants could express what made they made, sad, and glad about the project, so to wrap up. You can also interact with it yourself, leaving a note on the Glad board too.

While there is no information about the project, you do learn a bit more about the company, with (Spoiler - click to show)the departure of colleagues, hiring/bonus freezes, and restructuring. With this, you'd expect the feedback to be of a certain way, as team members were welcomed to share their feelings and opinions (as the player, you can also edit the file and add your own comment!). Surprisingly, it ended up being (Spoiler - click to show)overwhelmingly positive.

But is it surprising, really? The Miro board actually (Spoiler - click to show)doesn't allow you to add any comments anywhere but the Glad section - the Mad and Sad post-its simply being screenshot images, not interactive elements you can edit. As if management had decided on a conclusion ahead of the workshop, regardless of opinions. As well, I honestly wouldn't expect the team players to share otherwise, (Spoiler - click to show)considering the state of the company - during uncertain periods, sharing criticism could land you the boot. I know I wouldn't either...

It's a pretty effective criticism on project management, from the way the board is formatted (with the cheerful stickers and bright colours), the way information and tasks are communicated, in contrast with the interactivity ((Spoiler - click to show)or rather restricted...).

Bakery management challenge is a cooking/management sim made in GoogleSheets, where the goal is to make and sell as many good in a limited amount of time. Each good has a specific recipe, with timed steps (kneading, rising, baking). You need to organise the 10-min-incremented planning with the good you’ll work on in that time. The sim has three levels, with the last two introducing a new step and cash reward.

This entry felt more like a gameplay prototype than a fully fledged IF game: there isn’t much story or text outside of the actual place action in the block or recipe book, nor does it tally the actual result of your actions (XP/money earned).
There was also an issue with filling the blocks, as you can only put one recipe per action (i.e. one kneading, one rising, one baking, one selling), even though the instructions allows for multiple recipe happening at once (i.e. rising/selling/freezing) - this makes the planning a bit more convoluted than necessary.

While the execution could use some polishing (and a tiny bit of a story, maybe even some endings depending on how much you sell), the core idea is pretty neat. I’d definitely play a resource management IF game.

The campfire is the beggining is a short branching story, where you find yourself before a campfire, with no recollection of where you are or even who you are. Will you just wait and see what happens to you? or will you adventure out? There are 6 endings to find - some humorous, some meta, and some a bit nonsensical.

While I didn’t really connect to the story or the humour, I do need to give props to how smooth it ran in Google Slides. It created a nice ambiance through its visuals and background SFX.

yet another planning doc is a multi-medium epistolary/chat interactive story, centred around three students, from Passerine Hills Academy, an elite university in an unspecified region (but most likely non-American English-speaking), trying to organise the weekly student party. Through a series of Google Docs and external emails, the trials and tribulations of Ana Vitória, Emmeline and Izzy, after their usual processes unravel, are entangled with the peculiar life at the Academy.

The Academy offers an interesting setting for the story, with its three-tiered organisation of its student body (the poor scholarship students, the extremely privileged students, and the majority middle-ground), which is both discussed in the conversation and displayed through the group dynamic (Emmeline belonging to the first, Izzy to the second, and Ana Vitória the third). The difference in class is reflected in how they behave and communicated with one another (familiarity vs. deferential - what they share or keep secret), present themselves (visible name and pfp, language and tone), and how they handle their changing plans. It inevitably adds layers to the depiction of a fairly mundane task (organising a weekly meet-up) and to the personality of each student.

Though you’d expect these kinds of exchange to happen more in a chat software (your Slack/Discord/other), using online Google Docs/Gmail allows each character to privately communicate without the other knowing, go on tangents without disrupting too much the main discussion, and adds to the school group project vibes happening.
But, as an external reader, it gives too an intimate look into private conversations that no others should have access too. Gossips feel extra juicy to learn, even if you have no real knowledge of those other students. And, secrets hinted in the personal emails most impactful. It’s a fun take on the epistolary format.

This is what I need to tell you is an ARG interactive piece created through a Forum thread, in which the latter’s author goes through a mental breakdown, incl. a paranoia and dissociative episode. In wanting to share critical information, the author find himself fighting another (himself?). Reading as an unsettling struggle to have the final word.

The thread contains 6 posts, of which all but one has been edited at least once. At first glance, it seems like the edits were made by a collected person, covering a distressing period that should not have been shared, and urging others to disregard the original messages. Still, another voice peers through, with an agitated final edit, pleading to be heard. A starting knotted thread that unravels when diving into the edits.

This second voice, on edge due to an unspecified event or revelation (proof of which is linked through a dead link), attempts to fight at every turn the more calm and serious speaker, who, in turn, rebuffs those messages for their presumably harmful content (for whom? the author? other readers? we’ll never know).
The layers in the conversations, through the multiple original posts and then their subsequent edits, is fascinating and bone chilling. You have to comb through all the edits and rearrange their order to piece out things. Yet, it stops before we learn what the author wants to tell us, as the information is deleted even before being shared. And it leaves so much hanging about the state of the author - the final post feels forced and the final edit cold, brushing off the thread to be of any importance.

What we are left is a chilling and concerning exchange (in a good way, knowing it isn’t real), and a bunch of unanswered questions (will the truth every come out? was there one to begin with? is the author ok? will we ever know?). And a very interesting use of the medium to share this story.

Au village de pêcheurs is a short slice-of-life parser where your goal is to purchase some fresh fish at a fishing village a few towns over. Little issue, your child decided to come along on this little trip and be a little menace. This does not go over well with the only fish stall of the village.

The current version of the game has multiple unfinishable states, which the author is aware of and has been working on fixes. It also does not include hints or walkthrough. I was able to find one for sure one confirmed fail ending.

With that in mind, it is expected to struggle with the game, find what works and what maybe should be working but isn’t. I got stuck multiple times, as well as had a full page of error messages through my trial-and-error input.

Still, I couldn’t get away until I reached the end… any end. The game is charming to boot, with its dry humour, the exasperated and exhausted parent, the menace of the Child (also in capital in game), and the no-nonsense local fisherman. I found myself chucking at the descriptions multiple times, even when there probably wasn’t a joke. And it was fun to just try things, even if nothing happened.
Even when frustrated with the parser itself, it still worked with who you’re supposed to play: a tired parent trying their best to accomplish just one task without finding the child. The game actually allows (Spoiler - click to show)you to leave without having gotten the fish or the child. Which… is the only one I actually managed to reach.

I can’t wait for the new version to be completed so I can find the other endings and be as much of a menace as the Child.

Une simulation is a tiny parser game, where you incarnate a player about to try a new virtual game: a simulation of an escape room through a VR headset. The goal is to find the three keys required to unlock the door, each hidden behind a different puzzle.

The game makes it pretty clear what must be done, but if you have a doubt, there is a manual in the starting state listing the main commands, and a downloadable walkthrough. Though it can be solved without either.

For a first attempt at a parser, it was a smooth experience. I didn’t really run into any issue. The puzzles were pretty logical and obvious enough that solving them was a breeze. Being limited to one room and a couple of objects does help - there are only so many possible interactions. Handling the plant was probably my favourite one out of all the different puzzles.

Le miroir d’Ozivior is a relatively short fantasy escape room, in which you play as the friend of Ozivior, a student at a magical academy. Locking you in his room, he challenges you to solve his riddle: find his actual room and break the mirror.

The game is pretty simple, that even beginner parser players could manage to complete. It was tightly constructed, with just enough descriptions in responses to get the gist of the puzzle and how to solve it, as well as warnings of any change.
Hints are also available, starting from general to nudge you the right way, to more concrete/obvious ones. There is also a Win the game command to get to the end quicker.
And the vocabulary required is limited: examine, take/drop, enter/open.

You can’t even fail at the game. As it lets you play on and “automatically undo”'s for you if you break the mirror in the wrong room. No need for saves, or restarts, or undos, really. It’s very beginner friendly.

The game left me frustrated in all the good ways - but that’s more because I blame myself for not paying attention properly (or because I tried to brute-force the game to let me play the way I wanted to, even if it went against the puzzle itself).
The mechanic to go from room to room was pretty cool, and pretty magical. The way the rooms are essentially the same but differ depending on what you (Spoiler - click to show)choose to carry with you really adds layers to the setting. You learn more about your friend and his room, bit by bit. It is a matter of whether you keep track of the details (which I failed at too many times, it was embarrassing for me).

All in all, the experience is very smooth and charming (pun), and it made for a fun escape puzzle.

*La réclusion de Callisto* is a short textual adventure in the style of older CYOA books, both in form and content. Embodying a prisoner-jailer in a lonely island, you will recount your meeting with a very particular women sent to this prison. Mixing romance and unsatisfiable desires, the story pulls you into moral conflicts where your only solace is escape.

Though there are conflicting elements, I was certain from the start the tale was referencing Napoléon and his exiles on Elba/St Hélène, being sent away in a tiny island away from everything because of his actions. But this was clearly set in some imaginary land, with a focus more on piracy. And of course, Napoléon was the actual prisoner during his exile, not really the jailer.

As for the delectable prose, it was more the tales of Dumas, especially the imprisoned scenes, that came into mind while reading. Even with the limitation in words, and the surprisingly large variation of the text, the writing is flourishing and swallowing us into the whirlwind of emotions felt by the PC. Though there are only three ends, the journey is more fun than the end.

*Terra’s Leap : Un rêve incombustible* is a short sci-fi adventure, where we follow the ventures of Elio, a child in a faraway colony, dreaming that one day he will visit Earth. Earth's location being long forgotten, this task is not an easy feat! Thankfully, you get to meet multiple characters who have an idea about its location, though none are in the same spot. So you will need to decide how to get to it, considering you are still a child, and which person to trust, our of those strangers. Some of these choices do require you to sort of disregard logic, if you want to continue down those paths.

While the blurb indicate 19 endings, many of them end in the exact same way. Most of those are still pretty bad for the players as well - strangely, it is when you refuse to take the path pushed by the game that you end up with a more winning situation.

*Baston ou Ruse : L’Épopée de Krug* is a short humoristic game based on Warhammer 40k, where you play as Krug, an orc that has no idea with what to do with its life. Though known for their brutish behaviour, some orc find a more cunning approach to conflict more interesting. So choices are put before you at every turn: Ruse or Force. Depending on what you pick, you'll end up with one out of 16 different orc job (and its related epic end where your life is praised still after your death).

The writing is very funny and made me laugh many times per path. It was very entertaining trying to find all the different endings (I found 8-9), since the text is quite varied from the branching. And this I knew nothing about W40k lore, it was a fun and intriguing introduction to this universe!

Biblioflam is a short fantasy adventure in Moiki, where you play as an employee of a strange and magical library (where no books can be burnt!) tasked with retrieving late book returns (the tome in question being 3 years late...). Mixing more RPGs aspects, like dice rolls, and consequential choices, the game offers a frustrating but still satisfying puzzle to solve (even if you mess up a bunch, it's still fun to play).

With the change of palette/fonts depending on the current environment, and SFX/background sound to add to the ambiance, the game is really playful and fun to experience. You too will ask to retrieve more tomes after!

Susi is a sci-fi story, set in the 22nd century, where we follow the eponymous character, a half-wolf half-humanoid AI, after feeling a bloody conflict against salamanders (also half-AI) that ravaged everything. Seemingly the last of its kind, Susi get to choose the path forward, whether it is destructive for themselves or the salamander, or more (re)constructive. 5 different endings can be found, I managed 4.

Through the POV of Susi, the story explores crudely different human traits (vengeance, avarice, goodness, etc...), showing that even with the disappearance of the human race, and the evolution of the AI in such a way they've left machines behind, the humanoid beings would continue to behave exactly like humans, with their vices and virtues, rather than the animalkind they embody (or a completely different path). Like ghosts, humans still stay, one way or another, influencing those left behind.

Similarly to the bad paths, who often rambled on and repeated itself, the good ending wasn't much satisfying either, having a bit more of an open end to the story, somewhat giving the feeling that the story only actually started at that point, with the passages preceding the final screen upping up the intrigue.

The author also warns on the game page that some passages could be difficult to read, as it alludes to sensitive subject, but the allusions is actually explicit (stated or depicted) and the execution felt more "edgy for the sake of being edgy" rather than making it central to the plot or having commentary on it: (Spoiler - click to show)suicidal thoughts can be willed away or push Susi into destructive suicide, sexual slavery is mentioned in passing once and almost forgotten, living under a dictatorship is played as a twist so to try to force you to take the "high-road" and forgive the oppressor

L’abribus is a short fantasy story, where we either play as some sort of force controlling a magic orb (which can influence everything around) or the orb itself (still unclear on that, though it matters little to enjoy the game). At a bus stop, we/the orb meets different characters, which we can interact in some fashion (forge documents, tell the time, etc...). These actions can bring good or "evil" to those characters, with the last action defining which ending we get.
There are no issues with the game's construction (and being able to skip the intro is nice), but some of the consequences felt at times a bit too simplistic.

Ashes is a sci-fi text adventure written in Inklewriter, where you follow Josh and Aria, two space-travellers landing on Earth and finding it in disarray. Realising there is something wrong with their home, they set on finding the cause and fixing it. But, if they don't manage to return to the correct version of Earth, they will meet their end. There are *many* endings, but only two can be considered good ones.

While the story is quite intriguing (what happened on Earth??? where did these symbols come from?!), much of the mysterious situation is left unanswered. Which is not a problem whatsoever, because I would be down playing a longer version with more details or investigation of the phenomenon.
My main issue with the game is how abruptly and arbitrary you can reach the bad endings (why being cautious is rewarded with a sudden ending?), with no explanation or reason (I'd wager the limit in word count affected this). It makes replaying very frustrating... unless you manage to get the good ending first.

Corps Brulés is a mystery game made in INK, where you play as some sort of investigator/detective on holidays. Coming across three burnt bodies, with no witness around, you decide to solve this (potentially not) accident. But who could have done it? how? and more importantly why?

Hints for the mystery can be found in the 7 pieces of almost burnt paper on the bodies. Because of the fire, the paper has a limited shelf-life (taking one means another disappears), which means you need to have on plan on what to consult and in what order. However, the game isn't cruel, as every restart keeps a "copy" of found papers and previous knowledge.

The different pieces will give you an idea of who each of those bodies are, their reasons for being here, and maybe how they got there. You can link them under different tags, interchangeable when you consult them, learn new information, and make new accusations. Depending on which elements you consulted and its order, different accusations can be made at the end of each run.

The mystery is neat, reminding me a bit of the *Death in Paradise* series in its setting. The gameplay is also pretty fun, mixing a bit the Logic-Grid type of puzzle with timed-events.
I wish I had managed to actually finish the game. I got stuck, really close to the end I think, but still not having found (I guess?) the correct order to get to the true end (if there is one? I don't seem to be the only one). Though I think I have a pretty good idea of what happened...

La fonte du monde is a fantasy textual adventure in Inklewriter, when you incarnate Voulks Mirmabull, a great dragon who's destiny seems to reunite all the dragon clans and fight other kingdoms (from what I gathered playing the game). After a long introduction focusing on Voulks's past, you are thrown into the game with not much a clear goal or explanation. The game seems to branch off quite early, leading to a handful of endings - I think I found 3-4 different ones, mainly ending up in my death.

You are given multiple sequences of choices, on how to interact with the environment, other clans, or the different conflicts - often with a violent/peaceful dichotomy. Most choices do not result in a textual response, having either an AI-generated illustration or simply the next set of choices. This aspect, which might be due to the combination of a high-branching story and a restricted word count, made the story sometimes difficult to follow or see the consequences of our actions. I think a few more sentences between each choice would clear a lot of the confusion.

Daidala is a short text-adventure in Twine, where you play as an adventurer (archaeologist?*) waking up in a dark cave after a fall. You can explore your surroundings, discover ruins, examine different elements, solve a couple of puzzles, and delve deeper into the darkness. If you pick the right path, you might even find the ultimate end ((Spoiler - click to show)though none of the endings are particularly happy...). It took me a bit of trial and error to find that ending, even though I had managed to thwart previous danger...
The wink to the (Spoiler - click to show)Icarus myth for the puzzle was cute.

*It gave a bit Indiana Jones vibes

one way is a short kinetic dialogue through text between Syn and Lily, though it feels more like a monologue, as the latter doesn’t respond much. In the messages, Syn talks about the writing progress (or lack of) on a story, and the struggles of being relatable, even when drawing on one’s identity. The messages go unanswered, worrying Syn, who ends up confronting Lily for a sign of life.

Because of that one-sidedness in the exchange, and the minimal formatting, I thought at first I was reading Syn’s diary entries (the first few pages being pretty relatable, being in a writing rut is not fun). Though it was after going through the passages again did I wonder whether we were playing as Lily, clicking the arrow link to forward time, as if reading but avoiding answering, making Syn’s plea for a response all the more heartbreaking.
Or maybe I’m reading too much into it, and we’re simply a complete outsider.

story of my life is a tiny kinetic slice-of-life piece, centred on a couple of linked memories, snapshot seemingly mundane at the time but with hindsight and reminiscing may look important. It seems like a reflection of things seen and said, or more what was experienced differently and what was never said. This disconnect is made all the more obvious on the last screen, where the narrator admit they could actually say something… but still end up avoiding the subject through a more light-hearted question, further the miscommunication.

Sanguine: The Stygian Shore is a tiny Twine adventure, where you incarnate Ash’Garekh, a mercenary stranded on Lunaris after a storm at sea. Still, you need to get to your original destination, so you travel north and do your best to avoid the traps and the dangers, and maybe thwart a plot in the process.
The writing reminded me a bit of those darker fantasy pulp stories, with danger to overcome, some damsels to rescue, and cliché shouts, but all the good ways of those. The only negative thing I have to say about it, is that it ended way too quick. I would love to play a longer version of the game with trials and tribulations and puzzles… until I finally reach my destination!

Lunar Fall is a mini make-out-sim where two women, L and E, embrace each other for a while. With a short tangent about relationships and love (do we min-max one’s feelings by our actions?) and the definition of sex (is there a line to what or what isn’t sexual), the main focus of the game is the actual make-out part. Depending on the starting position (spooning or facing each other), you have two to four actions, one being one-off while the other options being repeatable, before you end it altogether.

I’ve tried multiple combination of actions, and always seemed to end with the same words and the same thanks, but I wonder if there are multiple endings to it.
Am I min-maxing enough this make-out session?!?! No matter, I’ll go make out with E again anyway.

Find a parser beta tester! is a short reflection piece on beta-testing, particularly when having your parser work beta-tested by others. Whatever the program used when making a game, beta-testing is the most painful part of the process: you not only need to have people play a game that isn’t complete and probably has too many bugs it’s embarrassing, but you also have to FIND THOSE PEOPLE IN THE FIRST PLACE. The pain…

The game give multiple options, between parser and non-parser players, players who know and don’t know you, so you would get a wide array of feedback, allowing you to fix it all before the deadline (though it is never truly fixed…). It is a pretty sound advice, having a wide-range of different testers, to ensure you’ve covered as much as possible the potential players base.

Testing is one of the most important part of game making*, as it can be the difference between receiving glowing reviews and… a torrent of negative comments because everything is broken. Not just that, but depending on the amount of issues with your game, you may feel guilty for having put them through such gruelling efforts (especially if they are not familiar with parsers).
*I say that but, lol, but I barely do that myself

Congrats! Your writing doesn’t stink! is a short reflection on sharing one’s work with others. Formatted as an exchange between an author (you) and a player/reviewer, you listen/read the latter’s opinion about your hypothetical piece. Through a thinly veil of “hey, I’m just trying to help”, the praise ends up being less then genuine, and the criticism borderline insulting. But maybe, it should have been expected with the title…

It’s weirdly relatable, having had my work judged, not always kindly (thought often with kernels of truth), to the point that it can turn you off from a community altogether. Putting your work out there is very courageous, and being met with malicious comments can be demoralizing. Words can be powerful things, lifting people spirits as well as burying them six-feet down. It’s a good reminder to think about how we phrase our comments, especially when we don’t like something.

in the digital age is a short fan-fic piece based on Great Ace Attorney, in a communication-sim type of way. You play as Su, getting a phone call from Haori in the middle of the night, having avoided talking to her for a while and informing her of your return (among other things). Except you are a pretty awkward person, and behave a bit erratically (though, if they were teenagers, it would make tons of sense). While I did find the actual text exchange to be a bit confusing (on who was who especially), the consequence of the first choice was very funny to me.

come thru at 330am is a short kinetic piece, a jumbled reflection at a barbershop, which dealing with a traumatic past due to abuse in the workplace, making getting a simple haircut a herculean trial. With a minimal use of punctuation, the prose weaves together an often confusing imagery, mixing past and present, real and felt, emotional and rational… blurring all the lines.

Garden Party is an interactive unfolding poem, where you attend a garden party. Clicking on the different elements on the screen, the party unfolds before you, with cheers and drinks, dancing and playing games… but you can also escape the commotions and enjoy a little bit of a break, in the calming surroundings of Nature.

This piece reminded me a bit of NESTED by Orteil in the way it unfolds and displays new elements on the screen - though Garden Party does is finite, with its 100 or so elements to click on. It’s a pretty comforting experience.

sappho fragment generator is exactly what the title says: randomly printing on the screen fragments of writings of the poet Sappho. Each verse on the screen will vary in length and content, though it will often not make much sense (or at least it was my experience generating them), as it displays them from a small bank of words. Because little has survived, the generator sometimes even includes unexpected characters - though the general nonsensical of the generated elements is already confusing enough as is.
Maybe… we could still try to analyse the unanalysable.

Little Kitty Cat is a kinetic Twine piece where you are… a little kitty cat doing little kitty cat things. The prose is very simplistic, trying to emulate the mind of a small cat (or what we think a cat’s mind is, for all we know they are super philosophical xD), with the sudden changes in emotions and wishes (like purring because of pets until jumping away because it’s not as good). But it’s SO fun. It’s really cute and just happy. A delight for a short break!

Chronostasis is a short almost linear Twine piece about time… or lack of. Your evening ticking away, tempo’d by the metronome-like rhythm of your clock, it is without surprise that you notice when your surrounding suddenly turn completely silent. The eeriness of the situation, where nothing you do seems to help, brings a lot of tension in the way it is simply conveyed. The culmination of the piece, when time starts again, is really clever.

Good Luck and Godspeed is a short Twine game, where you wake up in a spaceship with a headache, unable to remember a thing. You get to explore around and examine a few items, though you have a hard time putting things together. You seem to be some sort of astronaut on a mission with other people (none of which you meet). The prose is weirdly alienating, as the state of the craft seems dire, but you don’t seem particularly bothered by it – you almost welcome your fate by the end, whichever way you choose to go.

All I Am Is This is a short ChoiceScript game about being human and the will to live. Going through a short questionnaire, you define yourself through emotions and how you look at the future. However you answer, the game will attempt to make you realise how being human is full of flaws and confusion, but that life is worth it no matter what. It’s a lovely short uplifting piece of IF.

Nameless Dream is a short surreal Twine piece, about dreams, how vivid they can become and still how little we end up remembering them. With a slight sci-fi element to it, as the human race was upgraded with cooler, more vivid dreams, you get to choose between three different activities, experiencing the high of those awesome new ways of dreaming and the lows of realising you can never really have this in real life… But nothing further than that happens, nothing really affect your real life. All stays as always in your dreams. It’s weirdly both comforting and familiar, and concerning…

Never Have I Ever is a short ink game where a group of space marines take a break, share a drink, and partake in the most dangerous game of all: Never Have I Ever. You get to choose your poison, drink (or not) with each take, and talk about… the elephant in the room. It has great tension, from the start and still continues building, until it explodes and the scene turns to black.

But the kicker is to get to the end, and see the spicy answers BEING LOCKED FOR CLICKING! and having to restart the game and find the correct combination to get to select that option, while knowing something is bad. Like BAD bad.
And even if you don’t get the truth, all the truth, and nothing but the truth, it’s a fun borderline thriller like bite.

ALL PREPARATIONS ARE COMPLETE is a short kinetic visual novel, where you complete a seemingly normal to-do list. Kinda… sorta… well, it’s normal for you. In this thriller mini game, part of a larger multi-entries universe, you incarnate a serial-killer having just dealt with their latest victim, and going through all the steps to wrap up the day. Being (somewhat) methodical, you neatly clear up your mistakes, take care of your beloved pets, and definitely lying to your boss for a well-earned day-off. It’s weirdly sweet in the slice-of-life way, and a bit psychotic too. I dig the vibe of the interface quite a bit.

Translucent Trails is a short kinetic visual novel about mourning someone, and the aftermath of living without them, and the muddled feelings that come with it. Though the mentioned past is dark and pretty tragic, the prose seems hopeful and yearning for a happier future, as if trying to move on from the hurt and the pain, but chained down still by the guilt. It is a sad one-sided conversation, that seems confusing at first, due to the intended ill-placed text on the screen (somewhat forcing you to fill in the blanks).

Please Don’t Understand Me is a looping kinetic visual novel, where someone is trying to talk to you, but you can’t understand the words (as an illegible font with icons is used instead of latin letters). As you repeat the same thing over and over again, mentioning how you do not understand what they are saying, the other’s bubbles expand and double, covering the screen. Yet… the exchange does not lead anywhere.

However, the “problem” is resolved after finishing the first loop, with a typeface setting allowing you to change that font with a more legible one. Thanks to this, you can read what the other person is saying (though it does not matter for the story), and understand their struggle and frustration with communicating with you (as the player, not the character). The despair and loneliness coming from not being understood as they are, realising and trying to change for others, in vain.

A very interesting way of using the restriction.

Get Out of Match Lake is a short almost kinetic creepy entry, where doppelgängers attempts to communicate through tarot cards (I think? I was a bit confused, maybe you are summoning them). The prose creates a very weird atmosphere, threatening yet too far from harm. The effect of the cards were neat.

Happy Life Home is a cozy little sci-fi binksi visual novel, where you embody a helper bot designed to prepare a home for an incoming family. By looking through logs, you can learn about their wishes and preferences. And going through the house, you can transform it into an inviting home where they will be able to make tons of memories (which will include you, if you do well enough).
Coupled with a cute beat and very cool graphics, it is a very wholesome experience!

Heaven Alive is a short sci-fi horror-like conversation-sim made in Twine, where you play as an advisor to a warlord. Depending on your choices, the way you address your ruler, you can gain approval points, sending you to one of the three different endings. Along with the highly stylised interface and the stringent background music, the small game can make you feel uncomfortable pretty quick. I think I had the most fun trying to be rude to my boss…

Another Night With The Party is a short text-adventure set in a tavern, reminiscent of D&D games. Seeing your other members involved in different shenanigans, you can pick which of them you’d want to interact, going along or foiling their plans. Though it’s short, it’s pretty fun, and reminded me of the pickles my party got into during a campaign and how we always chose the most chaotic options to push the story forward.

Mud Bourbon is a short Twine piece about saying goodbyes to a loved one. In this mainly one-sided conversation, you reminisce over the life of your companion, Mud Bourbon, who is living its last moment with you. It is pretty emotional… and “horse-girl”-phase me would not have handled this game in the healthiest of fashion.
It was lovely how the prose builds up the heartbreaking tension, leading to that one final magical and tragic bit.

Amber & Myrrh is an interactive piece set in Ancient Greece, inspired by the myth of Pygmalion and Galatea. Weaved like a tapestry, the myth is both a passing sentence and a background against the contrasted tableau of very real women dealing with the objective perception of men, of loving women devoting themselves to each other passionately and wholly against the sculptor obsessive behaviour, the admiration of the person and of the body. It is enchanting and daunting.
A beautiful and lovely piece of sapphic writing.

Star Bearer is an evocative poetic kinetic entry, based on the author’s dream, where you incarnate a person bringing the body of a beloved to their final resting place. Each line is displayed one after the other, as your step move forward to your destination - one after the other. A wish of holding on to the soon departing clashing with the one to relieve others of their burden - the journey ending as expected, as requested, as wanted. Under the sun and the moon, one passing after the other, the prose takes us on this final voyage, with a promise of one day returning.
It is beautiful, both in the writing and interface. And incredibly smooth. Bringing upon a cocktail of conflicting emotions.

The Frightened is a short snippet of a larger mystery project. After an important item has been found stolen, you, as the knight commander of a magical institute, must investigate and interrogate the witnesses. This entry focusses on one of them, which seems frightened of you (understandable with your at-best combative behaviour), but was also first at the scene. There are some little hints about the surrounding setting, with the relationship between the mages and knights, and the maybe questionable treatment of the former. Though there are a few rough edges with consistency, the piece does set an intriguing scene and mystery, one I would love to solve.

strokes is a short kinetic Twine about appreciation for art and artists, especially the ones at the start of their journey. Going through the steps, from the sketches, to the lineart, to the colouring, the prose wants to be calming and reassuring. Coupled with illustrations, the game shows that art can be enjoyable, at whatever level of skills, and that like any other skills, it can be learned with practice and learning. Even if it’s not great art, it is still your art. And that’s awesome.

Summer rain is a micro interactive poems, a gentle break were you looking for one, experiencing a summer rain shower in the comfort of a cozy home. Through a window, while nice and snug, you peer into the distant landscape, finding peace and relaxation. Like the other two entries of this author for the jam, this atmospheric micro piece is so soothing and comforting.

A Bear Dreams of Clouds is a kinetic poetic entry about a bear obsessing over the sky, and the bewilderment of the man observing it. In a few short snippets, reminiscent of a season, the prose depicts the whims of the mammal, peering at the heavens, throwing tantrums when not finding what it hopes, or being distracted with its beauty, all the while the weather rummages through its fur. It was a pretty nice and dreamy entry.

four days is a kinetic interactive piece about healing when on a deadline. You have four days before being released from some in-patient hold following an implied suicide attempt, a tight period of time where you are supposed to “feel better”. As a rumination on trauma, the prose gives some snippets of those experiences, of being transferred between medial professional for being too much or being infantilised, or going through the same cycles without ever feeling any progress. Though disheartening, the final realisation is lovely.

A wonderful life is a tiny piece about revenge and new beginning in Twine. Trying to emulate a noir setting, with limited explanation and a focus on details, the prose does a good job at making the story intriguing - even if I found it a taaaad confusing, as we (players) always seem to be put in an arms way of what is happening. I would be very interested to see the story with a bit more writing to it.

The Invisible Smoke Factory is a surreal exploration of very weird dreams, made in Twine. In a more point-n-click form, you explore different space trying to collect 11 different pieces of paper scattered around the 100+ rooms. There are multiple endings, but I’ve only gone through one.
Between the dithered backgrounds, uncomfortable background music, and the unsettling animated elements, the game really pushes the boundaries of what IF can look like, through removing as many words as possible.

I am not sure how to explain this experience, actually. It’s weirdly cool, and often discomforting with the ambiance it creates. The almost lack of words is unsettling, leaving the visual to essentially tell the story (whatever it may be, I’m still struggling to interpret it). I just know I could feel my heart beating as if I was watching some psychological thriller and had chills crawling down my back.

Conformity is a micro dystopian (fantasy?) visual novel where you are forced to work under monstrous spider-like overlords, who seem to control your movements like puppets. Yet, you are given a choice to escape, a once-in-a-lifetime opportunity, where any slip up would mean death. Or worse… going back.
The theme of the piece might feel a bit one-note (and shallow), but the added illustration and interface add a lot to the atmosphere.

Whether is a philosophical branching piece, asking you on each screen to choose between two options: light or darkness, sweet or salty, forward or backward, love or hate… Forever ending, forever starting, round and round you go through the poetic prose, building choice by choice your personal poem. Not only the writing is fantastic, but the dithered vibe of Decker with the text boxes and the chosen illustration, really does make it a great piece of IF.

*Primordial* is a *strange*, very weird/surreal piece. After playing it, I am still not sure what to make of it. You start with birthing yourself, coming out into a strange world where you must fend for yourself (I honestly thought this was (Spoiler - click to show)the birth of an actual child and didn't get why crying out had someone literally EAT ME). Through encounters and exploration, you find enough sustenance to help your body grow and expand, with visual to match. It's weird, like *really weird*, but in a good way.

Though, I ended up being a bit bored of the fighting sequence, being pretty repetitive and same-y, so I ended up clicking the same action over and over until I could pick my reward.

Dragonslaying is a short branching visual novel, where you are a dragon-slayer, facing a dragon in a cave, with the intent of fulfilling your destiny… or maybe you will choose against it? For beast may be misunderstood or you wish to see the story end unexpectedly. With 2 choices, the game branches into 4 distinct endings, mixing acceptance and anger, questionable actions and trickery. Through your perception of the situation, and your reaction, blood may be shed. Will it be yours?
I thought it was an interesting take on fate and following orders.

inertia is a short kinetic entry about two men and their failed relationship. One still clings on his feelings for the other, while the latter has clearly moved on for better or for worse… With awkward dialogues, and descriptions of awkwarder behaviour, the prose creates an uncomfortable situation, which will not get any better, as neither participants seems willing to change their stances (for good reasons). One will not understand the other’s point of view, the other won’t return to a hurtful space.
Pretty well done, I could visualise so clearly the scene (and cringe).

Letters to strangers is a wonderful collection of letters, which you can receive from or send to strangers. Comforting words, positive stories, tiny slices of life, the mundane and the precious moments. Kindness to its pure form. Gentleness overflowing through each words, each bits sent. It is so freaking lovely and comforting. And we need more of this.
The only negative thing of this game is that it is WAY TOO SHORT!

EldritchMon is a short humorous adventure in Twine, in which you incarnate a 10 year-old going on an adventure. On the way, you even get a companion, that you can name, and become closer! The short adventure, that ends a bit abruptly, reminded me of Pokemon where… a 10 year old gets a companion and goes on an adventure! Though it is supposed to be “super wholesome”, there are some little bits that implies some darker elements in the adventure to come (like in the intro… or the title).

I was honestly surprised the game was really just 500 words (I went and double-checked), because it felt much longer with the different actions, and by the end I wished my adventure wouldn’t end… just yet. I would have loved to get maybe into more combats and such!

Temporal Thief is a moody ChoiceScript piece where you play as a time-traveller (or well, a time-thief), trying to change fate (their fate). With a dark modern fantasy setting, the prose really embodies the atmosphere of those gloomy back street, where nothing good ever happens. As to whether you do change things, only rewinds will tell…

Obsessive Tendencies is a short branching piece about the hold obsessive tendencies can have on people, and how it can disrupts someone’s state. Told from a very personal perspective, the piece shows some harsh realities of seeing themselves becoming obsessive specifically over fictional characters, knowing something is not quite right about it, but being unable to find a suitable solution to overcome it. A courageous effort.

Census is a short ink conversation between a retired widowed teacher and a strange census caller. The census starts pretty simple, asking (insistently) your run-of-the-mill questions. Though… something seems off about the questions asked and their responses. The hint of uneasiness from the conversation veer the short piece into horror territory… unless you hung up.

the vile want is a short piece in Twine set in an undescribed fantasy world, where you are a (elven?) fighter having a final showdown with their nemesis (I think? you are not told how/why). After such a long time since you last saw him, with your hatred fuelling you forward, you get to confront that person, and end him. Yet, you still hesitate to finally fulfil this want of yours. A very absorbing prose.

A Dodecapedic Box is a tiny parser where you are being chased by a dodecapedic box and must find a way for it to make it stop (or at least calm down). It involves fairly simple puzzles (AND YOU HAVING TO DO CRIMES!!), even if they are not always very sensible (I SAID CRIME) or logical at first glance. Still, with the absurd situation of it all (maybe it’s just all a dream), it was a pretty fun parser to complete! Quick and easy!

Oh Father, Please is a short interactive piece about a trans experience, being outed to an unsupportive parent and abused by said parent in retaliation. Your father, outraged by the new information, demands you give up parts of yourself to appease his sensibilities. You get to choose (or refuse) which part you can leave without to deflect his anger - the more important to your identity, the calmer he gets. But all comes with a price. Staying authentic to yourself bring his wrath, relenting to his request forces you back into a role that does not fit with you.
It’s pretty sad.

The One With Antlers is a fantasy mini-piece, where a knight returns to the castle with a Princess (which he probably rescued?) but meets a strange man on the way. Approaching it, they realise the man is more creature, with antlers and hooves: a satyr blocking their path, a dangerous aura defusing from it. There are a few options to go around it, though, none really lead to a happy resolution. A neat darker retelling of the princess rescue trope.

Bluebeard’s Not-Wives is a kinetic retelling of the Bluebeard story, in which you play one of the wives of Bluebeard ahead of the marriage. Except, the prose breaks the original mould about Bluebeard and his wife. Bluebeard is not some tyrannical blood-thirsty husband, but a misunderstood soul dealing with prejudice. And though the wives are never to be seen, you are not fearful of this terminal fate, for living as society demands of you actually feels like death.

The entry does a wonderful job at building the story, bringing the pieces together in such a lovely way, leading to a very touching end. It was very sweet, and though I would read a whole book of this, perfect the way it just is.

Thread unlocked. is a short interactive chat-sim like piece. Following a rough discussion, a (Forum?) thread is unlocked, enabling you to post something. Unknowing of the previous messages, you are given four different choices of words, leading to one of 36 different possible sentences (which you don’t know the content of either).

Ranging from short and sweet (which really makes you wonder what happened in that thread), to pretty antagonistic (which also makes you wonder what kind of arguments we had to deal with), with so few words, the piece does a pretty good job at giving a limited snapshot of what you could see after a Forum argument, when tension has supposedly died down and everyone has moved on. How so little words can really swift the vibe of a thread one way or another. Words that you know will just kill the thread for real, or see another way of doubling down (and maybe some stronger moderation action).

There is something slightly triggering about the first four words on the screen: Thread Unlocked. Slowmode Off. As some sort of slithering anxiety finding its way through your throat and tightening it more and more, as the worry, of people barging in back in and restart the argument that required the thread to be locked in the first place, just… bursts (these threads are emotionally draining).

I don’t think I’ll be able to look at another locked thread and not be reminded of this piece. Also a good reminder to pick your words… or just avoid posting? Yeah… sometimes it’s the best way of action.

maybe if i can find the right words. is a short emotional Twine piece about friendship drifting apart, and the induced anxiety of experiencing your friends ghosting you. You flip through snapshots, describing different moments of the feeling friendship, as you wonder what went wrong, and what you could do to fix things. But it’s pretty hard to fix things if the other person doesn’t interact with you.
One small thing, the interface kept flickering in the colour of the page when I clicked, which made reading a bit annoying.

You Died Sixty Seconds Into the Apocalypse is a short humoristic apocalyptic piece where you play as an artist in a recording room when the apocalypse starts. Like the title suggests, you didn’t make it very far. But, maybe you still tried?
Through crude snips, the short game was pretty entertaining. The final line was funny!

A Whimsical Search is a short Twine piece, inspired by Tarot cards, where you play as Sage, the owner of a whimsical shop where you can trade in traits. A hermit comes in, looking for a tale, and it’s your job to fulfil the request (if you accept it). It was cute, and like the title suggests, whimsical. I liked the inclusion of the Tarot cards and what they represented in the story.

Carry On. is a short sci-fi Twine piece, broken into two scenes (seemingly unrelated? I am not quite sure, the break between the two is a bit jarring/confusing). You are a space farer at the start of a mission, looking for your captain, and finding more than you asked. That second part is a bit chilling, and made it feel like the whole was some sort of demo or prototype for a larger piece (it does set a bit of mystery/confrontation that would make for a neat game).

Forewarning: this was reviewed before the second version of this entry came out.

You is a tiny interactive piece focusing on the start and the end of relationships. The two paragraphs story lets you cycle through different options to create your own little final piece. The starts can be cute or maybe a bit creepy, and some pitiful, but the endings tend to be sadder, with only a hint of bittersweet. It makes for (bitter)sweet stories to downright depressing, depending on the options on the screen. Very much build-your-own-story.

Mouse Train is an adorable tiny adventure in Twine, where you play as a little cutesie mouse boarding a train, but not remembering quite why (or why they are wearing their best scarf!), and also realising they forgot their ticket. Between the ominous train conductor to hide from, and trying to find why you are on this train, the game is well-rounded and so sweet. And the interface. Gosh, it’s so tight and well-done.

I fessed up right away to the conductor, didn’t want to carry the guilt of not having a ticket.

Reminisce is a short visual novel, where a Chronicler shares with you stories of the people she met, especially focusing on the themes of loss and dealing with grief. Each snapshot finished with the same mantra, repeated chorus throughout the game. A cycle never-ending. Remembrance. Requiem. Rebirth. Repeat. It is simple but very evocative in the writing and the accompanying illustrations.

peelings is a kinetic entry made in Decker about love, and how you can explain how it feels by comparing it to peeling an orange (or a tangerine). It is a sweet piece, and very comforting, that reminded me of times when there would be tangerine at the table for dessert, how we would peel them together, help the younger ones get their quarters more easily, putting them in each other’s mouths with a smile, or gathering the peels and squeeze it to release their oils (aiming it at eyes if we were cheeky). I really liked it, it made me feel warm inside.

A Reverie Of You is a dreamy poetic entry, with a long form poem displayed on pictures. The aesthetic is nostalgic, seen in the filters used on the picture, the interface behaving as if you were seeing pictures with a slide viewer (complete with sounds!), and the text appearing slowly, like calm waves on the beach. The poem is a celebration of life, of all the little fleeting moments you share with people, of the warm feelings other make you feel, of the dreams and disappointments, of the details that stick to your mind never forgotten. Pretty touching

WAKE UP is a horror Twine piece inspired by the creepypasta of the same name, in which following a traumatic event you fell into a catatonic dream state, unable to wake up, unable to remember what happened to you, until you find a note telling you to wake up. Like the original text, the game does a great job at adding unease to the text, with the protagonist not thinking much of the note at first, to feigning concern. Nice.

Please Don’t Reap my Soul, Mr. Grim Reaper is a short Twine game where you attempt to trick the Grim Reaper into putting your soul back into your body after a nasty fall. You have a couple of options, all of them pretty silly and funny, leading you to the end. If there was a message to this game, it would be: be careful of what you wish for.
Anyways, it was a fun short time.

the sword of justice plays a sick bassline is a tiny kinetic piece made in Twine mixing the superhero genre and your regular teen slice-of-life. You are a teenage superhero on a job, when you realise you’re going to be late for a gig! What’s a teen to do?!
The tone is pretty zany, and really what you’d expect from a teenager story. Different priorities, hard rolling of the eyes, jabs at everyone. It’s stilly, but fun.

After the Janazah is a beautiful short interactive piece, where you follow the protagonist going to the funeral of their baba, and converses with another woman, dressed in a bright red, as the body is put to rest (I am not sure what relationship they have, but they seem to be related in some fashion). They exchanges words about the deceased and memories of them (the good, the bad, and the ugly), and their families interferences. The simple and short writing is effective, but it is enhanced by the melancholic background and use of pixel art. Very touching.

Conductor’s Gambit is a short game of luck created in Twine, where you play as a prisoner of the threatening conductor. Though he intents on murdering you, he gives you one way out: play his little card game. If you win, he’ll set you free. If not…

The game is one of chance only: you draw a card, and if it is higher than the conductor’s you win a point, if it’s lower, you lose one. Reach 6 points (or go down to 0) and the game ends. It’s a bit like a Russian Roulette, if you didn’t die from the bullet right away. Since you are at the mercy of Lady Luck, there isn’t much for you to do. But the game does a pretty good job at keeping tension. And the winning end made me chuckle.

To Study a Butterfly is a surreal short interactive piece involving time distortions, where you experience this phenomenon at three different period in your life. Without getting too spoilery, it was interesting how everything related to each other, going almost cyclical. It reminded me of those time-traveller movies, where they go back in time, both by mistake and not really. Neat formatting of the text too!

Space Wizards Rendezvous 1.5: Music Lesson is a short magical moment made in Ink between Daffodil and Castillo, doing some little space magic, on a chill evening night. Either focusing on discarded seeds or the magically-infused instrument, Daffodil tests out some silly spells, leading to one of four endings. It’s silly, it’s fun, and quite lovely! More silly space magic please!

my third eye opened today is a short kinetic visual novel, where the narrator experiences a spiritual connection with their self during a dream. Through “opening their third eye”, they swift through their feelings, their struggles, in hopes for peace and acceptance. Their Self is the same but also different: happy and sure of themselves, with their hair unbounded and free. Along with lineart illustration and soft background music, the piece brings a very soothing experience.

A changing greenhouse is a relaxing mini-experience made in a custom format in Twine. Enjoying a stroll through a greenhouse, you can notice its ever-changing aspects, or simply reflect on memories or feeling, spend some time caring for its plants or have a lay down looking out the window. With a soft and calming background music and delightful cute illustration, this little game brings a cozy atmosphere. Extremely cute!

i really want that is a kinetic short poem about desires, especially the ones pushed aside for later. The text takes on both an absurd and philosophical approach to the question, as it wonders what happens to unfulfilled dreams. It made me wonder if going through the question was actually worth the effort, as your cursor runs after an exclamation mark (like a quest point), who is always running away every time you approach. Rather than running after the unreachable…

Tectonic is a short Twine piece, inspired by the myth of Persephone. While stuck in the underworld, you (as the goddess) reflect on your situation, with Hades being distant or seemingly interested in you, and you struggling with the reaction of your mother as the “deal” was made. Whichever ending will depend on whether you concede to your new role as the Queen of the Underworld, whether your anger is greater than your love. Whichever choice you make however, never brings back what was taken from you.

turn the lights off is the final part of the trilogy, wrapping up the story some times after the sequel, where the protagonist met someone new, but struggles with the differences in relationships. Comparing this one to the abusive one they left, they show how opposite these two men are towards them, in the way they interact with their body, respect their boundaries, and care for them.

While it is lovely to see the protagonist get their happy ending, or more like starting their path towards it, the entry still continues its depiction of how complex living the consequences of abuse is, and how it can still linger, frustratingly reverting you to old bad habits instead of going through the difficult work of accepting the past and healing from it.

Yet again, the minimalist aspect of the game, with one single dithered background, a looping muted track, and few words on the screen, hits all the more stronger. As a single entry, it is great. But as a whole, the series is fantastic.

Shrouded is the last snippet of a larger project, in which you interact with Joel, a religious man, praying by himself in a pristine church. Trying to find peace and solace, you interrupt his prayers, and he returns the favour by sharing his appreciation for the exercise. You get hints of his relationship with the other men of the cloth and his struggles in maintaining his circles separate (between his family and The Family?). Like inside a church, the atmosphere is solemn, both cold and comforting, warm and inviting.

sweet shop is a short Twine piece about sweets, and accepting yourself. Feeling like having some sweet thing in your life, you go to a sweet shop, a place you find comforting and soothing. Seeing your favourite candy there, you give in and splurge a little… only to beat yourself up for it, falling into a cycle of despair where one negative feeling brings on another one (specifically of the trans experience). Until… something snaps. And you find some peace. Like the described candy, it’s very sweet.

It can’t be true it mustn’t be true is the third act of the RGB trilogy, recontextualising the events of the second act. Here, you embody another different person, in the bedroom of the man from the previous act, as you attempt to quietly leave his bedroom while he’s showering, following a warning text from a friend. Again, it switches up gameplay, going for the escape room puzzle. There are multiple ways to trigger the ending, though whether you are successful…

It didn’t click right away that this sequence wasn’t really following the previous one, though, as a whole, it made sense for it to happen now, making the events of the previous act even bleaker and somewhat more satisfying than at first play. And again, the game plays with your senses of agency and influence over the story (is this why the puzzles are relatively easy?). You get so entranced in trying to complete the game that it makes you forget about the inevitable end…

I don’t want it to end just yet… ;-;

Swan Neck is a short medical kinetic piece, where you play as an intern to become a medical professional, looking to recreate that one-in-a-million event that affected you once when you were younger: a swan neck facture. Where your arm breaks in such a way it resembles the neck of a swan, with the bones still inside. Gruesome, right? But that pushed you into this path, obsessing into seeing it again. And then a trauma situation happens at the hospital, flooding the halls with patients…

This was so chilling and full of tension, building slowly until the final moment. In the back of my mind, I knew where it was going, but I hoped it wouldn’t end up there. And still. The descriptions are so clinical, looking at horrific and gruesome event with such coldness and strange admiration. So disturbing. And so good.

Eat the Rich is a short piece wanting to be thought provoking. Taking on the titular old slogan, the game takes it literally, showing that eating those billionaires would only result in realising there are still rich people out there, that maybe should be eaten too so it would be more fair. Or maybe wealth could be distributed instead and… oh wait, now we have more rich people and look there are still poor people in that other country.

So, what should we do? Is Eat the Rich the right way of looking at things? The message the author is trying to push forward is to take another approach on the matter. Rather than eating the rich, we should look into one’s self and… realise we’re actually richer than other people, and appreciate what we have.

Inspired by their personal background and realisations, the message ends up feeling preachy and tone-deaf (which the author already conceded).
To me, it made me think of those people pointing out at cancer patients when you’re complaining about a headache and berating you for not realising how lucky you are. Even if people share a trait (e.g. pain, feeling poor), situations can be completely different, with neither being unworthy of space. Knowing you’re part of the worldwide 1% won’t really matter to you if you’re already counting pennies.

It’s a bit of a shame, because the topic (wealth disparity) is all the more important, as many populations are suffering due to inflations while large corporations tout record profits and executive salaries. But the angle was maybe not the right one to tackle it.

Love, Sam is the second snippet of a future project, following Sam, a haemophiliac spending an afternoon with an unnamed person, decorating pots and talking about life. The snippets focuses specifically on a short moment, where Sam must carefully take his medication while keeping and eye on Mihr, his mischievous cat who like the pill bottle. It is a very touching moment, and bittersweet.

Glory to the ghosts of us is a short Ink fanfic piece about Disco Elysium, in which Steban and Ulixes, two infra-materialist, discuss events involving Kras Mazov and Ignus Nilsen, two figures they look up to. Through the conversations, the two debate on whether a certain text is factual or misleading, whether the figures should have met the fate they did or whether they knew certain after-facts. It’s an interesting depiction of younger generations learning about older movements (they themselves follow or are influenced by), and a neat look into the more minor characters of the main game.

COMPANY is an absurdist short Twine piece, where you meet with HR at a COMPANY office for a job (I think? you seem pretty taken aback, like kidnapped/blindfolded/thrown in there). It is absolutely bonkers… and yet so close in the vibes of interviews I’ve sat for. Insane behaviour, wayyy too high energy, and questionable corpo practices. The all caps just sealed the deal for me. Slap onto that some sick collage, and you get… this. Surreal.

Shotgun in my Heart is a micro Action RPG where you are in some sort of dungeon, fighting against monsters to get out. Armed with your trusty shotgun, which deals enough damage to one shot the creatures blocking your path, you must target their weak link to move to the next area. And if you miss… you will likely die. And another thing: each monster has two version, chosen at random (that made it pretty frustrating to go through, because you can only make one mistake…). Good luck escaping?

I ended up cheating to get to the end...

I am in this photograph is a retelling of the Bluebeard story, as a point-n-click kinetic piece made in Twine. The poetic prose, revealed by clicking on different parts of the displayed photograph, depicts the perspective of one of Bluebeard’s wives, as she defies her husband’s directive, going into the fated basement and running away. Some of the previous wives are mentioned in passing, forgotten or done dirty. It is pretty chilling.

(limited time offer) is a short Twine piece set on a faraway planet where you play as Theo, a drunk and dying woman, in front of Lisa’s door, your physician/crush, about to tell her the truth. Realising you have little time left, you take a leap of faith and blurt it all out. It is a short scene, muddled with many feelings, messy circumstances and inebriation. The choice given was a bit funny, with that second of clarity through the vapours of alcohol. I wished it had been longer. 500 words feels too short…

Losing Track is a short interactive game in Dendry where you realise you stepped out the train at the wrong station and must find your way home, by choosing the lighter or darker path before you. Fate watching over your shoulder, your choices will bring you closer or father from your goal, leading you to your home… or somewhere else.

The game does an interesting thing with the game play, as you need to counteract Fate, who is trying to predict your next move. Essentially you need to move between light and dark without making a pattern. Like trying to figure out the result of the coin toss. It’s silly fun, that works best in a small game (or a section of a larger one).

Big Brother, is an epistolary kinetic entry, where the narrator pens one last letter to an imaginary big brother, the one you never had, before saying goodbye. Whether created out of a need for support or loneliness, they now feel old enough, maybe strong enough, to let go of that childish creation. The one that gave them courage when they had none, comforted them when they felt low, celebrated them. The big brother they never truly had, but felt in their heart.

It is pretty emotionally charged, feeling like you’ve grown up enough to let things go, but still being anxious to do so, questioning whether you need to do so, removing that crutch you held on for so long. The yearning for good when all around is pain. And behind the metaphors and the “fancy” writing, vulnerability and maybe a bit of fear.

Soft prose under rugged feelings.

Hearth is a short conversation in Twine between you and a luxuriously dressed woman named Eloise, waiting for you before a fireplace, needing informations from you, which she will get one way or another. The game branches twice, leading to four different endings, each of them more disturbing that the last.
Yet, with the little word count, it is so gripping I felt the need to find at least one ending that would not end so badly for me. Needless to say, violence is invited in all paths, unchanging and still distinct from the other paths.

In this small format, there is only so much you can learn from or about Eloise, and the more you dive into the story, the more mysterious she becomes. Almost inhuman. God-like. Demonic maybe. Her cold behaviour contrasting with that is supposed to be a warm environment.

Very intriguing, I would love to read more of this!

leave the lights on is the sequel of let the lights bleed, a sort of continuation from the previous entry, where your abusive partner left you, and you find yourself completely alone, questioning yourself and your actions. Feeling cold (because you are alone), you leave the lights on to keep yourself company, or trick yourself into thinking he will come back. Though your situation has improved (in some fashion), you still struggle with the conflicting feelings and consequences of the abuse (like gaslighting was like… strong there). It portrays sensibly and raw some of the complex aspects of being a survivor of abuse.

a night at the inn is a short binksi piece set at the Cherry Marmalade Inn located in an unnamed fantasy land. After much travels tiring you, you decide to stop at the inn for a filling meal and a good night of sleep. Except… this inn is quite special. It will make whatever you desire right now, even if you don’t know what you want.

This is probably one of the cosiest little IF I’ve played in a while, filling me with joy and warmth (and making my empty stomach really hungry). I think it did those authors (the one who make found sound so delicious in their writing) real credits here. And it also reminded me of Isekai Izakaya in the setting. Really cute.

STRUDEL is a short mystery action piece in Twine, where you play as Riley, a cop (on dismissed leave?) who seems to see conspiracies everywhere, especially Pie-related conspiracies. Taking advantage of a few free days, you aim to try as many sweet delicacies sold in town. It is without wonder that you, a hot-head of a cop with a sus background, somehow ends up entangled into some shenanigans.
Though the premise is silly and had an interesting hook, the end felt a bit rushed (likely ran out of words).

Jellyfish is a short poetic kinetic entry, where you take a glimpse into another reality, after (what I assumed was) taking some drugs. In this psychedelic short piece, real and imagined merge and separate, memories and dreams dance, all as your brain process the next hit. It is very surreal and confusing (as trips often do), and melancholic.

A Description of the Newest Sculpture in the Gallery is a kinetic entry made in Decker looking at a new sculpture in a very cold and clinical way, focusing on details and their gruesome implications. The artist is only mentioned in passing, but seems to be holding your head, forcing you to look at his creation(s) and understand the control over their Muses’ body. You only need to look at the dates.

It is gruesome and bleak, but beautiful in its disturbing nature. All the retro/dithering effects from Decker adds a lot to this uncomfortable experience.

Suspended […] is the second instalment of the RGB cycle, where we play as a very flawed man, finding himself wounded and locked in some sort of basement. Above (and around), we can hear the voices of our wife and her mother (a returning character) looking for you (or better yet, “looking” for the latter). With your limited mobility and incredible pain, you still attempt to escape this dark situation. Surely… not in vain?

As the first instalment, the title is unsurprisingly quite telling about the setting, but nonetheless chilling. Though, unlike the former, the game plays with futility in actions. You can do much, but your influence over the story is well… what much can you do suspended. Still, you don’t seem to despair, trying anything you can, fighting for yourself.

It is an interesting look at man’s drive to push forward even when nothing good will surely come out of it. The unwillingness to give up. And with your MIL’s parting words, it made me wonder what it does day about the PC…

I can’t wait to see who/what we’re getting next!

*Lazy Day* is a short CYOA entry where you must decide what to do for a Saturday morning. Having no plans and many hours ahead, there are a handful of options, from chilling all day, to downright sleeping, have some food or maybe even be productive (*on a Saturday?! shocking!*). It's a very chill and cute adventure. A nice way to *start* your Saturday ;)

A recipe for a different kind of love is a short explorative story in Twine about a woman trying to find peace after a recent breakup. Accepting what happened and moving on can be hard, but retrospection can offer a way through the pain, helping us loving ourselves again.

TENT GAME is a short puzzle game in Ink about… pitching a tent. Simple right? Except you don’t remember which part goes where and when, some pieces also seems mismatched, and you don’t have instructions. So starts your struggle to complete your task. Which can be a bit frustrating (unless you pitch tents often enough that you know the correct order from the get go…). Still, between putting poles together, putting down the tarp, and planting the pegs, you are can also take a little tea break do defuse your frustration.

Funnily enough, the game is tagged as Psychological horror on itch.

Ontological Mystery; or, lack thereof is a slick point-n-click mystery piece made in Decker, where you find yourself locked in a room with a dead almost-carbon-copy of yourself and a blade in your hand. What will you do next?

You can explore the locked room for a while, your own self and the body lying on the floor, before a timer finally opens the door and you are left with a final choice, each revealing a little piece of the mystery. Because of the timer, you need a few replays to see all there is in the game and to piece out all there is (though much is still left unresolved). And the illustrations were neat, being all black-and-white-except-for-that-little-detail. A really cool piece.

THE CRIMSON LINE is a shot kinetic entry made in Calico, where following an unexplained erupting conflict, you flee your town aboard a train with a woman. Years later, you return to town, somewhat looking for answer, somewhat avoiding them altogether. Throughout it all, your sanity, memories and senses are put into question (are you truly seeing what is in front of you? did you remember things as they were?).

Thought I struggled at first to find where to click to get the next part of the text (it’s three little white dots on the left, just below the last paragraph), the piece was really atmospheric, with the vivid and almost surreal descriptions, the background illustrations and sound (made by the author!). The start is almost apocalyptic and clashes with the more tame quaint and quiet end.

NYX is a short sci-fi horror Twine piece, where Astronaut Christina Kennedy sends her final transmission aboard NYX-V, following first alien contact gone… not so much according to plan. Through the distressing transmission, you learn of the terminal fate of the rest of the crew, the fate of humanity in the shaky hands of this last survivor. It is crushing, seeing lively crews with hopes and dreams, the little left of their past humanity turned into a single bloody mention, seeing the last survivor struggle with the course of action when all seems lost and hopeless. Now the entity is banging at her door.

There is a choice, of course, for Kennedy to do with her last moment, and how to handle the entity. Between leaving a thread of hope or sending humanity into a destructive course, each option is just… ugh, impeccable.

I really really liked the opening of the entry. It reminded me of those sci-fi novels where large ship would travel the heavens to settle colonies on other planets, always mentioning the engineers and the pilots and so on, with the more “culturally” focused characters being look down upon. The fixation that art and humanity have little to do with exploration and advancement… until something goes horribly wrong.

Anyways, it’s great. Short horror sci-fi story hitting all the marks.

Six of Swords is a short piece made in Ink, where after (what I assumed was) you death, the ferryman asks you to choose one of eight randomly appearing item to continue on your journey, something that you might have cherished, wished for, or regretted in life… It is fitting to its Tarot Card, carrying your past baggage into the future. With the interface and background sound, it gives off a melancholic vibe.

let the lights bleed is a haunting kinetic piece about uncomfortable sexual experiences with a disrespectful partner (to say the least) and being essentially seen as an object rather than who they are (or even accepted by their partner). Forced to focus on the red light bleeding over their (already uncomfortable) body, the narrator disassociates, reflecting on their conflicting emotions and the hurtful act they endure. Between the harsh background and the unnerving sounds coupled with the text on screen, it makes for a devastating memorable piece.

saltwater is a short atmospheric piece, where you are on a nighttime walk on the beach, with an enigmatic woman. Temptress and tantalising, she pulls you into the water, barely concealing her dangerous nature to you as you fall for her charms. You can succumb fully to her, accept your desires and yourself, or fight it, and come out somewhat (but not really) unscathed.

The prose is enigmatic and fantastical, creating a haunting and mystical experience.

Seeing Stars is a short slice-of-life piece where you play as a teenager/young-adult named Alex, who has had a long-time crush on their friend Cyrus, yet never been able to ask them out. An opportunity present itself when a meteor shower is announced. Will Alex finally make their move?
There are two possible endings, reachable through the final choice. It was cute.

Keep Center is a lovely illustrated Twine game about glassblowing, and the trials and errors when creating pieces. It’s a pretty neat game where you can create one out of four different design (that is if you don’t mess up and break it before the end, because glasswork is very fragile), with each step illustrated with a hand-drawn two-frame animation. You get to learn about the different steps to make glasswork, and be reminded that when you fail, you can always try again. It’s all about keeping center.
I really liked the little puzzle and trying to make the different pieces, but the message of the game is what resonated with me the most.

Paralysis is a short Twine piece about sleep paralysis and the panicky state you can fall into when your mind is awake but your body doesn’t respond. In this strange state, you attempt to find a way to reconnect body and mind, in one way or another (sometimes, waiting is all that can help). With animated text shacking or blurring into focus, as well as a heavy hand with timed element, the piece creates an uncomfortable atmosphere, reminding you time and time again of the little agency you have in the situation.

Alone in the Tower is a short fantasy Twine piece where you are locked in a tower, forgotten and cursed. As you watch life continuing on outside of your window, you must find the courage and motivation to attempt an escape (and continuing to push through to break the different blocks in your way). Or you can, at every step, riddled with doubts, give up and return to the comfort of your room, letting life pass you by again…
It was neat the see the background changing as you move along the path.

just a poem is, like its name suggests, a micro poem. With four short stanza, the bleak and gruesome poem paints a memorable image. The effect is enhanced by the type-writing effect, as it slowly reveals the bloody words.

He Knows That You Know and Now There’s No Stopping Him is the first entry of the RBG trilogy, inspired by the Bluebeard tale, a dialogue between wife and husband. In this first act, you are the last of Bluebeard’s wives, caught in the act of disobeying him (i.e. finding the bloody basement). Threatened by your husband, as were the others, you must find a way to escape the deadly fate that awaits you. And so, with a concealed knife, you wait for the perfect moment to strike.

Though there are multiple choices and paths for dialogue (from pleading for mercy to downright be antagonistic), there is only one ending to reach. All fates are sealed after all.

The dialogue is smooth, which ever path taken, building tension until the culminating point (that moment was a bit jarring, with the prose moving to a more modern English compared to the rest of the text). With such an eventful final action, I’ve been impatiently waiting to see what the other two Acts will bring…

My Grandfather’s Clock is a short piece where you must decide what to do with your grandfather’s broken clock after his passing. Between fixing or selling it, you have little choice in the matter at the end. Like your forefather, it is stubborn and unmoving. You could try to change it, but it will take effort that may not be worth the headache down the line. The parallel made between the clock and its former owner in the text made me chuckle a bit – I know a few grandpas like that one…

Roboto is a sci-fi horror kinetic piece, where you follow a robotic scientist waking up in their dark lab, looking for their phone. Forced to rely only on touch, you explore the lab, in search for the item, second guessing every sound and everything. The minimalist prose gives off an uneasy atmosphere, with the descriptions of the inanimate robots challenging their lifeless state. It is subtle, but enough to make you feel that shiver running down your spine.

I Have Something Important to Tell You is a short kinetic entry about depression and communicating personal experiences with this illness with their young child. While I question the phrasing of some sentences to be age-appropriate (to the hypothetical five-year old), it still can be an important discussion to have, especially with de-stigmatising the use of pills to combat the illness.

Kel Versus the Kitchen is a short meter-sensitive Twine, where you play as teenage Kel, walking in on a frenzy family affair, of getting ready for dinner. Before you can even take off your shoes, you are commandeered to do this and that, and blamed for things essentially out of your control. The entry does a pretty good job at depicting that stressful moment before guests arrive and nothing is truly ready. Very chaotic!! Depending on the choices made, which may decrease your/everyone’s patience, you will get one of the four endings, from frustrating to cathartic. But it’s pretty fun to try to find them all!

The eight-headed giant is a micro parser where you are some sort of fantasy office drone about to go face your eight-headed giant boss, and do an important presentation. But before you get into it sword swinging, you need to go around the office and get ready (i.e. collect all that you need). It’s pretty railroady and simple to solve, but I still manage to get stuck because I forgot to do the most important thing: FACE the giant xD
Also a neat thing: it has cool ASCII art!

Oh No: My Hot Coworkers Keep Turning Me On! is a tease of a tiny entry, where you play as a horny space farer trying to cross their ship. But their path is crossed by their many hot coworkers, doing this and that, in very enticing positions (or so you, a pervert sees as). You can either be a peeper and gawk at your coworkers (learn about who they are, how they look, what they are doing), or pass by and keep to yourself. But peep too much and you’d burst!

For the little words available, it’s very tame. But I’d definitely play a longer version of this game!

you are an ancient chinese poet in exile is a short poetic day in the life of an Ancient Chinese poet in exile. Almost kinetic, with subtle variation between your choice of activities, you wake up in a beautiful scenic location, alone and maybe a bit lonely too, filling your day with distractions and reminiscing over your fate, sealing the day with a few poetic lines. It is delightful, both in the calmness of the setting, the bitterness of past events, and the melancholy of it all. Lovely!

To Let Go is a short interactive exploration piece between the ever changing state of nature and bustling speed of change in cities. Though, it seems somewhat a rejection of modernity, looking down on the city “winning” the fight against the woods, technological advancement ruining the natural state of the world. Maybe a bit naive in its nihilistic view. Disregarding the beauty and good.

I don’t know what to make of the interactivity. Coupled with timed text, you go back and forth between passages as some paths are locked until you see a specific text. I wasn’t always sure whether I needed to wait longer to see if a new link would pop up or if I had to try another path first. I did like the different text animation between the “city” and the “forest” sections.

A Mind to Call Home is a tiny adventure where you play as a Space parasite worm, jumping from one host to the next (or not) in hopes to live a long life an die of old age. There seem to be three major deeds to achieve between four hosts. So you need to balance your health and the host’s to get to them. I don’t think it’s possible to do more than one at a time? Some seemed easier than others (I reached one of them on my first run).

Liminal is a micro visual novel about two exes meeting each other on the street by accident, and strike up an awkward conversation… or are they?
This short-VN, with gorgeous (hand-painted!!!) visual and impeccable voice-acting does a great job at portraying that first meeting post-breakup, when things have sort of settled, but still hurt. The familiarity between two people, but forced somewhat to be distance, even with lingering feelings. The attention to certain details might seem strange, until the end. Then everything get into places, and it feels much sadder than it started.
A gorgeous piece!

would you remember is a kinetic Twine one-sided conversation between a recently passed woman and her still-living wife. It is a piece about grief and love, and those we leave behind. It is strange how it gives a raw depiction of grief from an outsider onlooker (the woman is “present” but only in a spectral? sense), yet still be so personal in the choice of details depicted. An emotional out-of-body monologue.

vanitas is a gothic interactive piece, following the death of an immortal, exploring grief and love for the departed. The prose is very luscious and delectable, full of imagery. The hurt is omnipresent, as the variation options often go from bad to worse, and the end made uncertain, leaving you to endlessly cycle through the final option. Surrounding the text are illustrations of lilies, symbolising purity and rebirth (an opposition to the characters), often used for funeral and burials. Very atmospheric and tragic.

pavement & rain is a short Twine conversation between a doctor and a failed nurse following the death of a young girl. Between the voiced words and the retrospection, the prose tell us with little words about the bleak setting, the current situation of the characters and their relationship. Yet, it leaves us with even more questions.

Food Offering is a micro fantasy Twine, in which you must deal with a rude fae. Like the title suggests, a food offering is in order to be free. Just a bite and a drink. You have a choice of snack to offer, and a drink-mixing mini-puzzle to complete. But you must watch out: if you choose the wrong combination, you’ll get cursed!
It’s a really cute short game, with adorable illustrations. It was fun trying to get all the different endings.

Over the Top is a micro interactive poem, meant as a tribute to the fallen during the Great War (WWI). In a trench somewhere in northern France, a soldier readies himself for a battle, recalling words from his friend Charlie to settle himself. While you do not affect the overall story (like a single soldier would not drastically affect the events of a war like this), you may affect the current state of your surrounding and comrades (would they survive just a bit longer? or are their fate ultimately death?), as well as the formatting of one of the poem’s line. Though I am not much for poetry, it was a neat piece to interact with.

In the Cards is a kinetic Twine piece, as a snippet for a future project, following Donovan interacting with an unnamed (probably inebriated) man he feels he must bring home. It is a very atmospheric entry, focused on the details (small objects in hands, short movements, glances). Saying just enough to get a hazy picture of the scene, but not enough to feel satisfied. Like a good excerpt, it leaves you wanting more

Runaway: A Blind Story is a short visual novel meant as a bit of a warning story about certain effects of BPD and the importance of taking one’s medication (or you’d run away from your problems). It is a personal piece for the author, as indicated by the blurb and the end sequence of the game. Thought the actual sequence of event is not physically possible, it does drive the point of the illness affecting your better judgement.

Read This When You Turn 15 is a kinetic epistolary entry made in Ink, from the perspective of a sibling who cannot take care of his baby adopted sister. It is an emotional 499-word piece, that shook me to the core. It is a thing with Kastel’s pieces that touches on very specific things that will resonate with people, often because they themselves have experienced it (fully or close enough to it).

I am still unsure how to read the piece, whether we are the big brother penning an apology letter, or the little sister finding it on her birthday (or early). It might not matter much, but depending on the POV, the reading will take a different tone. I think my personal experiences made me orbit more towards the writing of the letter. The revealing truth bombs*, necessary to understand how they came to that point, the sorrows and the guilt for doing it in such a way and for leaving, and still throughout it all, the love for their sibling, no matter what, unconditional and unwavering, even if not wanted.
*the webcam one really broke me.

The cadence of each paragraph, through repeated reminders of love (from the brother) and of hate (towards the failing mother*), drives the same message again and again: not enough had been done for you, it is not your fault, you can and should be angry about it. There are reminders of love given, never enough, never the right kind, never from the right person, and of fears, of never being enough or not being able to do enough (because you are not what they need). A childhood marked by actions out of her control, and out of his.
*interesting thing: only the mother is mentioned in the story. Is the father absent? Or his presence so inconsequential to the dynamic that he might as well be absent? Or the requirement of providing love or care to a child not being the father’s?

I have not written this letter, but I’ve written similar letters/messages before. Burning one’s self to protect others is only possible for so long, until you are no more but a shadow of yourself. Yet, the guilt of saving one’s self always remains. And so does the love.

Software Boutique is a micro nostalgic experience in Decker, where you are sent back to the 90s, trying to buy a game with your birthday money. With the dithered retro vibe of Decker, you are shown multiple options, each leading you to a different ending. There isn’t really a bad choice, but I though the middle one was the most touching one (even if I might be a bit too young to feel the nostalgia for the 90s…).

(K)night Under The Mountain is a short philosophic fantasy Twine piece, inspired by the knight asleep in the mountain folklore trope, takes a trio looking for said knight, in hopes to bring a brighter future. Each adventurer has a different view on the tale, from taking it as gospel to looking at is as only a metaphor. It is an interesting exploration of the trope (benevolent figure to save us all vs we must save ourselves), with a smart formatting of the story to enhance replayability.

The Moon’s Knight is a micro atmospheric fantasy Twine, a short exchange between a beat-down knight and the Moon, whose favours may have run out at the worst possible moment. The prose is luxurious and heavy (in a good way!), giving weight to what seems a turning point in their relationship. The two endings are equally fitting to the story. Honestly so beautiful. I could imagine it so clearly in my head.

A Microfiche of Me is a micro sci-fi Twine questionnaire about your ReInCarnatIon, a deathexperiment if you will. Tell the program a bit more about yourself and your life, and select in what and how you’d like to be reincarnated… unless you’ve changed your mind in the meantime, and found peace in death… It’s kind of bleak, with your life and death handled so coldly by a program (even if you have the opportunity to choose where to go). But you can still give it some flair, in your choice of input.

The Origami Near Neptune is a micro sci-fi Twine following the lonely astronaut in The Origami as they despair from the lack of contact from Earth and the decrepit state of the craft. That is… until they receive an unlikely message from Neptune. What will you do with it?

Both endings give a different vibe to the piece as a whole, with one leaving it a bit more open ended.

lowdown is a short slice-of-life piece following the inner thoughts of Theo, as they return from work, pondering on their co-habitation situation and dealing with their obvious crush/lust towards their housemates. It’s a nice depiction of longing, both restrained and falling into one’s desires. The purple palette adds to the steaminess of the PC’s thoughts, with just a tinge of seediness. I liked it!

witchhat is a micro Twine piece where you are a hat, specifically a witch’s hat, slowly becoming sentient. You “carnalize” words, concepts, and other metaphysical things, to learn more about yourself and your environment. It reminded me of the “I think therefore I am” adage, but more in the “oh, I am? what am I? huh? WHY AM I?”. We don’t know how would a hat think, but the prose does make a convincing argument that “am hat” would probably be the way if it did. It was a neat piece!

Obsesssion is a micro Twine piece where you search through a dark cabin, looking for a specific item. After a few attempts you find some papers; a few more search clicks and you find some more; and after even more clicks, you finally get what you were looking for (more papers!). Because there isn’t any restart or rewind button, if you search too fast, you will miss those side paths and the little information it will convey about your obsession and the object of said obsession. Though I found the manner it was conveyed a bit confusing (maybe for the best).

blue line is a short almost kinetic visual novel, where you are riding a train (of life?) while dealing with stuff. The train “conductor” strikes up a conversation with you, hoping to get your spirits up. The message of the game is really sweet, underneath the train metaphor. And the simple visuals were so cute. I really liked it.

Yaan Versus the Party is a short time-sensitive Twine, where you play as Yaan, trying to timely leave from a work party. Many obstacles (colleagues) are obstructing his way, trying to keep him away from freedom. Each obstacle has multiple options to get around it, affecting both the clock on the side, and your approval from the party.

It took me a few tries to find one of the correct combinations, but even the “failed” actions are entertaining. There’s quite a bit to do for the little amount of words. And the writing style adds to the time-sensitive feeling conveyed. You feel the annoyance of Yaan being delayed, and you really want to help him get out!

Life is like a Trampoline is a micro Twine piece about life and its ups and downs. Starting with prompts going from bad to worse, you are given the option to “bounce back” from them, like you would a trampoline, or dive further down. There are three endings, each with a little message about life, and that it’s worth living.

Refusal of the Call is a micro fantasy Twine with a time-loop mechanic. You are a wizard trying to convince the Chosen One that they are the Chosen One and to go on their adventure. Except that you’re not that great of a wizard, and they are a moody teenager.
It’s pretty funny, and the looping is neat here, since you can’t “undo” your actions.

Method in My Madness is a short experimental Twine piece about a borderline-mad person’s obsession over a man. Through stylized text, unfinished sentences, and hidden choices, you get a cool visual sense of the broken-like thoughts bouncing in one’s mind. There are two endings, leading to blank screens.

It seems more like a proof of concept/prototype than a fully realised piece. I think it would need just a bit more fleshing out.

The Ocean View from the Keiyo Line is a micro slice-of-life Decker piece. Sitting in a train, you spot the calm ocean afar, and wonder whether you should go and take a plunge or continue on your journey. It is pretty sweet and hopeful, with only a hint of maybe bitterness or insecurity with one of the path, though both end pretty happily in their own way. It was touching and dreamy.

A Clean Getaway is a micro Ink game about strategy and chance. You are an outlaw in a Western setting, trying to escape the law after your last botched bust. You have a few days worth of supplies and the authority at your heels. How long will you manage to stay out?
I still haven’t managed to reach a fortnight, getting caught pretty early on often, even while trying to lay low as much as possible. While it is possible to bribe the authority to get out of their grasp, I have yet to manage a clean getaway…
Pretty fun and addictive!

Out Of My Mind is a kinetic-like micro Twine about letting go and trusting the ones you love. Your sister has a crush on your trans best-friend, and you fear what could happen if it doesn’t work out between them (she’s your sister and he has a tendency of ghosting after breakups) or what would happen if they do (losing them to each other).
It was at time a bit difficult to realise who was talking when, but it was a cute short entry. The game may force you a certain path, but it does make sense with the personality given to the narrator.

GUT2 is the spoof/sequel of GUT THE MOVIE, where you don’t just play as the original trio, but also TER, the (Eurovision inspired?) rival trio, who is trying to one-up GUT by making a sequel before they do. It uses a similar gameplay as the original game, with having different actions for each character, except that it flips from one trio to the next.

Until the original, this spoof does not let you go very far, with most of your attempts being losing endings (either because your chosen idea was bad/impossible to make or because the game is broken), and one win by default (because GUT just doesn’t bother making the sequel). Still, it was funny how it poked fun at the original game, with even sillier actions or by simply giving up on it. It probably has also the smallest iframe I’ve seen in a long time.

stage fright is a short horror Twine piece, with a looping component. During a student play, your sparring partner gets a nosebleed, bad enough that it freaks you out and stops you from performing the rest of the scene. Queue leaving the stage en embarrassment and… finding your way back to the start again. Reliving the same scene over and ov–

oh, no, actually. Just once. Because you run into some broken links which stops you from experiencing the other coded scenes (though some of them are broken in other ways). It is a bit of a shame, because the concept of the story is really interesting in and of itself, and the nightmare/horror loop to escape (as some sort of stage fright metaphor) is pretty cool to explore.

the CHRONICLES of YORLANDIA: part One: The calm before THE STORM is a short Twine adventure game where you find a note from your friend/boy-girlfriend/love of your life, where you learn their father found out about your background and forbid them from ever seeing you again! Unless you meet them at 3am at a certain space… Except, it’s in just a bit, and you’re still in bed.

Will you make it in time?

Well… this won’t be in this entry that you will find the truth, as the exciting starting adventure ends on a cliffhanger as soon as you reach the first action point. You’re already on the edge of your seat, with a maybe cliché but still entertaining setting, and it’s pulled right under you! SACRILEGE!

There are also some fun little winks parsed throughout the game, of what could have been in unfinished coded elements, or of meta elements about the author and the development of the story, making us want to know more about the project.

But death to unnecessary timed text.

Cloak of Cleansing is a short parser, as a spoof of the Cloak of Darkness. Unlike the original, the world has been expanded and the goal as changed. You do not start with a cloak on your shoulders, but rather, must find your own. The message in the bar is still there, but is now too obscene to be displayed on screen or interact with. Instead, you must interact with a new NPC who will reward you for your unique “sense of style” (I think there’s a HHGG reference there?). Most of the game is pretty railroady after that puzzle is completed, and a sudden shift in tone/genre.

The parser is fairly bare with only a limited amount of command defined (or giving a response - even X ME doesn’t do much). I’m pretty sure I ran into a bug in the bar as well, where I ended up being stuck, unable to go back to the foyer (going against the “you can’t lose” admission in the blurb).

Why? is a kinetic entry created for the Really Bad IF, where you follow/are Luna, a transgender girl going about her day(s), talking to other people or herself. It is pretty nonsensical, especially with each scene loosely connected to the next and with typos everywhere adding on to the confusion (sometime it’s even played for laughs!), or when the game fakes an early ending. There are some funny lines and statements, making the more obviously bad elements worse.

I am oblivious to the fact that my best friend is a vampire is a fantasy slice-of-life Ink (Calico) story, where you’ve invited your best friend to spend the evening doing things that friends do: watch a movie, play some games, have some food, chat, and what not. But, as the title suggests, your best friend is not… quite human - a fact you are completely oblivious about, even when the signs are all there!

With each sequence, you have multiple options to interact with Nico (that’s your lovely friend btw, who brought cake!), though you will end up with the same general sequence of event: Nico enters, you have some activities, they want to talk to you. Yet, it doesn’t matter that the only obvious effect you have on the evening is which activities you do and in which order. Because…

… it’s just lovely. Your interactions with Nico are super nice, and awkward and embarrassing at times. Even if you are oblivious to the major signs, the dialogue is really charming and funny. I laughed quite a bit while playing, especially at all the vampire references going over “You”.

Country Song Ghostwriting Simulator is a short Twine game in which your cousin Trevor asks you to help him write a banger of a country song. If you do not refuse, you are given a handful of topics to write that song. There are about a half-dozen endings.

Save for one path that is downright heartbreaking, the whole game is pretty hilarious. From the listed tropes of current country song topics (Beer, Girls, Truck, USA!!! and maybe Jesus/Satan), to the twist-takes on each topic, you actually get some really really funny (fake) country songs right on the page. I laughed SO HARD at the Hot Girls option. If these were actually playing on the radio, I would not question it.

But there is also that one sad path. If you do not write that country song with your cousin, you go down a pretty dark path. I think it might be the longest of all the entries, and it is really sad, maybe bitter sweet at the end, but still. I chose it first, and it might have been the best way to experience the game, cause it’s really a bummer path.

Overall, a pretty good short and humoristic game!

Cool as a Cucumber is a slice-of-life visual novel where you wake up without any of your memories and must meet again all your male roommates. Set up as some sort romance story, you fall in love with one of them, and are ready to do anything to get him to fall in love in you. There are a handful of choices throughout the game, but only one (the last one) seems to matter to get one of the three endings.

It doesn’t makes much sense, to why this band of people share a house with you (especially since one of them has essentially been isekai’ed here, and another is a merman??), nor does the game expand on how you got this way. It even goes in contradiction with itself (saying it’s hot outside but showing a snowy background). But there are some funny elements parsed throughout, if you like that second-hand embarrassment kind of humour.

mall_walk is a short weirdcore interactive point-and-click piece, where you can explore a grayscale mall except for one dark path. There’s also a strange shape you can interact with, with some of the listed options allowing you to explore a supplementary part. I don’t think you can leave the mall, nor is there a concrete ending.

I think does the weirdcore vibes justice, letting the images speak for themselves with the way they are edited. The dithering effect on each screen seals the deals on that. And how you meet and get closer to the shape is creepy as heck.

A Colorful World is a cute short visual novel, where two friends (who I believe are children) meet, play some games and have fun together. It’s really simple, with only a couple of choices, and essentially two paths to see all there is to it.

The interface is pretty simple, with a static background showing the two protagonist, drawn in a child-like matter (with like crayons), and with a cute little background track.
It really is cute, and child-friendly!

Grocery Quest is a short humorous Twine game where you play as an elf, in a quest of acquiring a Slushy and a Hot Dog at the local Fantasy 7-11. But the path between you and the desired item is essentially cursed: you will need to be careful in your actions and movements to get there safely, and retrieve said items with your life. There are multiple endings, with the winning state requiring a bit of sleuthing.

Even if short, it was pretty funny. The humour is on point and it made me want to get that elf its darn meal! I chuckled a lot. It’s pretty absurd, but it’s also my kind of jam. I also liked the use of formatting of part of the text, adding to the silliness of it all!

ohhh dear is a tiny Twine story about crows, and their wish to better crowkind. You (apparently being a crow too) must choose the course of action that will set the crows’ future, by choosing one of two options. You are not given the specifics on what those options are, learning only about their consequences when you choose them. There are two endings, neither of them being particularly great for you.

Half of the “game” is however spent on a short tangent about how the game came to be, rather than the story itself, kinda chopping off its wings before it could actually fly. Which is a shame because it could make for a fun concept (from what I’ve gathered of the endings). But props for putting it together so soon before the deadline, like participating in Speed-IF without it being a restriction xD.

Wedding Party is a parser-like game where you are currently attending, as the title suggests, a wedding party. During the main event, you are presented with multiple possible actions, from leaving the wedding to very strange behaviours (like squeaking?! it’s also a counter?). You also able to move around, seeing other spots at the wedding and interacting with NPCs. If there is an ending to it, I didn’t find it.

Oh, and there’s a bit red button that you can press! Which of course I did.

I’m not sure what the whole point was, though your available actions nudges you to essentially disrupt the wedding (making people very confused at best, disgusted probably). You can run away loudly for some reason, and can’t really get back to the party after that (the movements buttons don’t really work). You can interact with things, though there doesn’t seem to be much effect to it.

Shame the red button doesn’t really end the whole game right away.

T-Shirt Aisle is the location in which you are standing in this small Twine game, in front of a wall of very soft and enticing t-shirts (as in, you want to shove your face into the fabric and stay there forever), and well… maybe have some weird surreal slightly existential experience? Oh, and there’s a long thought process about Keanu Reeves.

The blurb indicates there are many endings to the game (I think I found 3, the source files indicates about a dozen?), some of them being harder to reach than others. Essentially, you’d need to do some loop-ty-loop around the different passages to see those choices listed. Some of them are pretty creepy.

Truly an experience. Would shove my face in soft t-shirts again.

Keep Queuing is a mind-numbing yet philosophical Twine game about queuing. At the mall, your sister, currently in queue to get the latest phone, asks for a big favour: for you to take her place so she can go to the bathroom. Since you are the best sibling in the world, you agree (not like you have a choice) and start to queue.

… and queue…

… and queue…

… and don’t stop queuing until you reach the door, and get your sister’s phone, and that’s when the game ends. Because, yes, you are a great sibling, you don’t leave the queue, even if you wish it to.

While you wait for the line to move, different prompts appear on the screen, showing the passing of time. You look at things around you or stare at your phone, ponder on the meaning of time and queuing or simply blank, etc… There are about 100 prompts you can “collect” while waiting, all of them appearing randomly (sometimes you get the same one in one playthrough).

The number of prompts you see is also random. I’ve waited 18 and 61 minutes for the most extremes. And knowing there are 100 prompts to find, many of them are hilarious (to me), you are incentivised in going back into the queue and trying to wait even longer!

The funniest bit about the game, however, comes with the ending screen. It might be the most unexpected ending screen I’ve seen: an afterword and pitch all into one. It discuss how the game was created and its future, in hopes someone would want to throw in a few bux and fund the sequel (seemingly slightly poking fun at those unserious Kickstarter campaigns). It really gave me a good laugh (the III MMO roguelike queue, genius)

A really great queuing simulator!

The Simuloid Affair: Infinite Possibilities is a short timed (turns) parser starting (well, more like ending) with a bang! You wake up from a strange dream and find on the other side of the barrel of a gun pointed at you, your partner in crime, hunting you down for being… not a human, it turns out. OH! and there’s also a bomb that will blow up in a minute (about a dozen-ish turns?).

The title suggest an infinite amount of ways to get yourself out of this sticky situation, with many ways of escaping and be free of all of this, maybe even learn if you’re truly a simuloid or someone up-high has done this to get back at you. Kinda gives me heavy Blade Runner vibes.

Except… well. You’re not really a dexterous person (somehow!!! considering you’re a hunter??), so getting out of there is tricky. Really tricky. Almost impossibly tricky.

If you don’t manage to get out, or just want to stay a bit longer because Ursula (your partner) needs to unload (hehe, she has a gun) what’s on her mind, you’d learn quite a bit about yourself, how everything got to this point, and your environment.

Who am I kidding… not a single command works in this game. You can try your best! But you will get at best a proper fail response, or just a random one that is barely related to what you just typed.

The game (I started with failing on purpose at first) has such a great setup that you can’t believe it would just end like this. I mean, I should have expected it, but it still managed to pull the rug under me EVERY SINGLE TIME. Damn it.

Terrence is an experience. There is no better way of simply describing it. It is a painful flow of second-hand embarrassment that ends only after 47min.

To get more technical, Terrence is an almost text-less visual novel, a mostly ad-libbed monologue, where you stand in the closet with the titular character, with only a single Leave button. You can stay in the closet, listen to Terrence ramble on about many subjects, or leave him behind with his thoughts (a probably better option, for your sake).

If you choose to have the full 47 min experience, you will learn a lot more about Terrence than you would ever want to. His disturbing past, his not-so-great relationships, his hobbies, his many thoughts, his favourite meals, his questionable life-models, his poneysona (I will shame him), and… let’s not forget the least worst of all: his poetry (not ad-libbed, but read aloud). You will also have to sit through long Uhhhhhhhhh and awkward silences.

Terrence is a bit of a creep, probably a bit of an incel, potentially a murderer(?), and definitely not mentally well or sound of mind. It would be kind of guy who would start up a conversation and would absolutely not let you leave, forcing you to answer his invasive questions when you are getting close to escape, and absolutely would make a scene if his ego is bruised. In short, he is the worst and his voice is grating as hell, and I never want to hear it again.

Though I call it a monologue, Terrence tries to have some sort of conversation with you, asking you questions about yourself. It is just the game does not give you the option to answer them (for good reason, alluded at the end: (Spoiler - click to show)you are a figment of his imagination and he takes meds to make you disappear).

I sat through this 47-min one-take (yes, really) monologue just to write this review. It was 47min I will not get back. But you can save yourself the troubles and not click play… though you will miss on the pretty great voice acting that did a great job making me hate a character as soon as he opened his mouth.

Someone should transcribe the monologue and add it as subtitles, so everyone can enjoy(?) Terrence in most of its glory without hearing him talk.

So yea… an experience, for sure.

I honestly don’t know if I should be impressed… or terrified. I was certainly annoyed and frustrated for most of the game, that is certain. So much so that I barely paid attention to most of the actual writing or what was going on. Just trying to go through the gruelling gameplay, hoping for the least amount of psychic damage.

The World’s Most Annoying Game is a one turn parser, but also not really. You are standing before a Great House, that no one bears to go through it. Except you will, if you try hard enough. The house is dark and you have no lamp with you (you won’t find any). It is also so terrifying that you will shiver and shake and faint in horror if you make one wrong move (and the game will literally close). And there are 100 rooms you need to go through before you exit the house. It is also seed-generated (everyone has a different run) and there is no ABOUT or HELP or explanation.

Does it start to make sense now? About the absolute absurdity of the game? The cruelty to endure?

It is, however, not impossible to finish the game (because, well, I painfully have). It does require some special words inside your command so you may go through the house in that one single command. A built-in word, but rarely used: (Spoiler - click to show)then. With it, you will be able to finish the game in…

a good 4 hours.

Yes, that long. Even with a bit of cheating, there is still a lot of trial and errors. Forced restart at every corner. It is incredibly tedious. The first third is frustrating (even after you find how to make it work). The second third becomes pretty boring (it’s always the same thing). And the last, well… if you managed to pull through until then, it has to be because of spite.

Oh and if you’re trying to keep track of the different rooms? Yeah… don’t bother making a map. IT WILL NOT MAKE SENSE! The whole thing is procedurally generated (random room, random direction). Just the command and the name of the rooms is sufficient.

This is truly the quintessential mad scientist insane project. This game should probably be send to your enemies (or to troll your friends). Absolute torture.
But I feel proud for being the first person to beat it :P

BEER is a relatively short Twine piece where two teenagers are trying to (illegally) buy some beer, discussing their plan to hopefully acquire the loot. And it doesn’t really go as they expect it . There multiple “endings”, with some only accessible through hidden links. I say “endings” because, if you are patient enough, you will end up getting stuck inside a trippy loop.

It’s pretty silly, starting with one of those teen adventures that may or may not end well. I haven’t really seen those in real life (cause we always had that one friend or sibling who was old enough to get us beer), but I’m sure it’s definitely a thing!

But then… you get these weird errors (fake, because Harlowe errors don’t look like that - except one later in a path), mentioning old Gods and a nudge at Greek Mythology (the Odysseus variable), as if those teens, oblivious to everything around them, stumbled into something they shouldn’t have (you may or may not die in one ending). Which… why? What does beer have to do with Gods? (or more what doesn’t xD)

Like many annoying games, this one also includes some timed elements, though it is to hide the truly nonsensical trippy, eye-maddening path (awful colour contrast/animated elements). It is completely disjointed from the main story…

Has some good, even for a deliberately bad game.

Coca-Cola Presents: 🥤 Fuck Capitalism Jam 2032 🥤 is a short bitsy/bipsy game, set in the very near future of 2032 (oh this review is not going to age well soon…), at the dawn of a new edition of the Fuck Capitalism Jam. You are an excited little sprite getting ready to leave your oppressing little room to join the event, held in person in Madrid, ad the IFEMA centre. This year, as with a couple of years now, the event has been sponsored by a big corporation! Because, they too are looking to defeat capitalism, and make the world a better place!

So, funny thing, expecting a bleak dystopian future, from the start of the game, seeing a very anti-capitalist unranked jam being not only turned into a competition but also sponsored by capitalist ventures, I misread the location as FEMA centre and thought “Yeah… That checks out.” as if in the near future the US would take over Spain or something. I didn’t question it one bit, because it weirdly still fit. xD (it’s actually the IFEMA Convention Center in Madrid, a very real place hosting very real conventions).

Back to the game.

It’s a pretty humorous jab at capitalism (duh, from the title), with tons of references to real companies and their mode of work (ex: MLM Herbalife, I actually expected more of those xD), and events growing so much so quickly it loses its original purpose (become the thing you swore to destroy). A bit of a cautionary tale, based on real events, where things meant “for the people, free, in aeternum”, turns into a for-profit and ruins everything…

Now, it’s obviously not very realistic: the timeline is maybe a bit too short for this to happen, I don’t believe the organiser is going to be a capitalist stan anytime soon, and I would be super shocked if Godot was bought by Roblox (please, let this be a nightmare). But it does remind us not to take the good (free) things in our lives for granted. Because it could be gone in an instant…

With little (and made in a very short amount of time), it is pretty impactful. I enjoy checking out the “submitted projects for the competition”, and how they clashed with their respective sponsors. That was really funny.

You’re the Judge Now, Dog! is a Twine game(??), partly meta, partly a joke game (duh), partly… I don’t know how to characterise it? a rant? a weird praise? It’s a bit all over the place. There are 5 endings, some more gruelling to get than others.

The whole game moves along with the whims of an unlikeable narrator, who really wants to talk to you about Buford Rootberg, and how amazing of a guy he is (and how much of a looser you are), in between weird rants about –spin the wheel to pick a topic– and pokes at your disappointing… well, evertyhing. You go through an interview (a bit humiliating), shove your face with Hot Pockets (no vegetarian options?!), and bomb the ratings of all the games submitted to the jam (obviously they deserved it!).

I am not quite sure what exactly happens next, whether your life turns upside down and goes through some surreal experience where you are granted the honour of meeting (again) Buford Rootberg… or if it’s just some weird dream because of your definitely poor diet (so many Hot Pockets!!).

The absolute worst thing about this game, aside from the infuriating narrator and his questionable takes, was the timed text. Absolutely awful. Every single line is timed (around 2s each) and you have many many lines to read per passage.
Also pretty bad? The links. In three different spots, your page is covered with links (one is slightly worse than the other), all of which you have to click to go through. Infuriating. My hand would like a refund, please and thank you.

For some reason, the audio wasn’t working (I tried downloading the game, opening it on different browser, used the toggle…) and some images were broken too.

And for the low, very low price of $7,734.40, you too can own the source code (or skip the pay button). It actually does some interesting things with loops, especially with the randomised placement of links in loops.

So, yeah… it’s pretty bad. As you’d expect.

time for bed is a relatively short parser game with a simple objective: get ready for bed. To do that you need to get into your pyjamas, drink a warm cup of milk, and brush your teeth. The map is pretty small: bedroom, bathroom, living room, kitchen. There are multiple endings and achievements to find while playing the game. It also has a fairly limited vocabulary (no synonyms).

On top of this, it’s got some pretty fun humour, that got my chuckling quite a bit. Like starting with the tutorial but not the game, doing the suggested commands, searching through the rooms. Something you’d definitely expect of that kind of simple, slice of life, chill puzzle game. Also, it was nice to get an obvious visual for when to press to continue and input the next command.

Except… I am not sure the game can be actually finished. On multiple occasions, I would get a server timeout or my window would just close mid-way through giving me a response (like wear pyjamas was impossible!). There are also issues of unresponsive commands (can’t examine/interact described objects), and some friction with the commands (can only put something in the microwave with the open microwave command).

Shaaaame… :_:

'Steading of the Hill Giant Chief is a short fantasy parser game where you play as a wizard just back from a beating by a giant. Though your ego is a bit bruised (and maybe your body is too), nothing will stop you from defeating those perfidious creatures… you just need a new plan and get ready.

Using a (very) limited list and ample hints, the puzzles are fairly easy to complete. You just need a good weapon, a fitting costume, and maybe a potion for extra help. Some of the commands even do extra steps (like taking an ingredient will also put it in the cauldron). Always a bonus point for including a cat and letting us pet it.

On the other hand, some objects are not always quite obvious (like the exact ingredient listed somewhere else but that general descriptions) or not described (though, they don’t really matter, so that’d OK). But if you read the responses properly, it isn’t really difficult to go around it.

Finally, the writing. It’s fantastic. It hits just the right balance of hilarious, but in that kind of old TTRPG/Fantasy game style. I didn’t even finish the intro that I was already laughing so hard. It was so much fun, I was disappointed to see it end so quickly!

LIMBO is a short binksi piece, in which you incarnate a visa-applicant waiting to hear back from the government. In this setting, you are provided with housing (or more like, locked inside) until your case has been approved (or denied). Today marks a year since you’ve been stuck here. Will you get the email you’re hoping for?

It was really fun to explore the room, bump on the different furniture to get a glimpse into your psyche, hopes and wishes, or interact with the different objects. It feels really claustrophobic, with how cramped the room is (I don’t think I would have managed to stay the year), and dystopian (how can you be locked in the room for so long!!!). And the different endings freaked me out…

I liked it quite a bit!

Room 2039 is a horror short game where you are stuck inside a locked room, with only a monitor to interact with. With no other way out, you need to follow the screen’s instructions for a chance to escape. But if you fail, you will spend the eternity in the void. Essentially, you need to play a game of chance for your life.

The game itself is essentially one of chance, with die to roll. Winning rolls bring your closer to freedom, while losing ones to the void. There is a bit of strategy to it, as the game includes some limitations, but you still need to be lucky with your die.

Interjected are comments from the monitors depending on the rolls you get, coupled with some jump scares (even if you expect them to be there). It’s pretty sudden and quick.

Throne is a micro fantasy piece where you are an unnamed ruler of an unnamed kingdom, crushed through rebellion. Alone and deserted by who you trusted the most, you walk around your castle and interact with different items, reminiscing on how you got here.

With so few words, the prose does a great job comparing the then and now, and showing everything has gone haywire so quickly. And I liked the slightly open ending, where you sit on the throne, as if waiting for the rebellion to get to you, waiting to fight (and maybe succumb to) them.

PARANOIA is a short spot-the-difference parser, where you are tested on your attention and memory skills. Set in a testing chambers, you are tasked to spot differences between the first version of the room and any other potential changes between rounds. You will need 13 correct answers in a row to finish the game. But if you make a mistake, you’re right back at 0.

The game is pretty easy, with the differences quite obvious (or at least the one I got): something appears or disappears, something looks different, something sounds different. While you can use all your senses, I got by with only examining the room (and even, it didn’t feel necessary, I just went and double-checked just in case). If it hadn’t been made in just a week, I would have wished there were a bit more of the less-obvious differences.
EDIT: APPARENTLY I MIGHT BE INCREDIBLE LUCKY WITH ME RUN! THANK YOU RNG GOD!

BUT because of the error rule (sending you back to 0 if your make an error), the further you get into the test, the more anxious you become: you don’t want to make a mistake and have to start it all over again. It is a bit insidious how such a simple premise just creeps up on you and hold you by the throat like this. I felt so proud getting to the end in one go!

If the game is ever released as an extended version, I will play it as soon as it comes out.

Ghost Hunt is a puzzle game made in Twine where the goal is to catch a ghost inside a locked as quick as possible. Take too long and it will scare you instead! Each playthrough randomise the location of the ghost, but it is always hidden inside of an item. Sounds easy? There are many items in the room. At least two dozen hiding spots. And so very little time. See that creepy eye at the top of the page?

But not to worry! There are levels of difficulty, giving you either more clue or more time to help you find the ghost. This game is as much about your reading skills (and figure out what are red herrings and actual clues) as it is about luck (the ghost can really be anywhere in the room). Waste your time in the wrong direction (or send yourself to the otherwise of the room by mistake), and you’re toast! This really makes for an exciting gameplay!

While the concept of the game is fun (baring my anxiety for timed quests), I had a lot of troubles navigating the room. And figuring out what was where (I gave up on remembering which item was where, too many to stick). The game uses two different type of directions: absolute (coupled to a micro minimalist map, ex: top-left corner) and relative (to where you are, ex: left), which you can toggle in the settings. Still, with either, I found myself quite confused about where I was in the room most of the time (you can’t always return to the last location). It also became problematic when I would click on a link and it would send me to the complete opposite side of the room.
A map with indication of the main furniture (rather than single square blocks), at least for the easiest difficulties, would help a ton to navigate through the room! Maybe even include a NESW form of direction?

I can’t imagine how hard it would be on higher difficulties… I gave up after finding the ghost once! And it took me 15 tries… on Easy.

Aethers End is a relatively short sci-fi Twine game where you play as an astronaut in deep space, and worst still: in a broken ship. Adrift, with no way to safety, and completely alone… except you might not be? In your final moment, an unlikely being reaches out to you. There is truly no way out, but you might find comfort in the end?

I am very afraid of death, and anything reminding me of my mortality makes me anxious as hell. But this was so nicely written, strangely poetic. The choice of your name and that being is quite a smart nod (which is pointed out in the writing). And the minimalist illustrations are equally creepy and grabbing.

This was neat!

College Fever is a short slice-of-life story where you, a recently graduated art student, are back home ruminating about your life situation and the different feelings one can have. It is a fairly short and linear piece with a handful of choices exploring those different feelings, like the nostalgia for more exciting days, the fear of not being ahead enough, the guilt of being unable to do things…

I found myself relating with those feelings, remembering my post-college days, seeing things work out and some other not. It can be a pretty depressing period.

Terminal Point is a mostly linear Visual Novel, where you find Cassie dozing in a bus, realising that something isn’t quite right with the bus itself, or where they are going (not anywhere, the bus isn’t moving). They also meet a colourful small cast of characters, each trying to help in their own ways.

The blurb says it is a story about grief and heartbreak, and you really do feel that with the Cassie’s reluctance to accept their fate at the start (twice they need to be told they are dead, though it might not be on purpose), or dealing with past experiences. It is very bittersweet in the way things develop in the game, and very touching (the voicemail pinched my heart a bit).
I liked this one quite a bit.

Welcome to Blossom, NY! Glad you could make it! Let’s start the tour, shall we?

Blossom, NY is a cute explorative Twine piece in which you are guided through the titular town, and learn about its history through snapshots of the different buildings (real ones from the author!). I really liked the enthusiastic tone of the guide telling me about all of it, with commentaries from the author intertwined here and there. And that every page was neatly listed at the end of the game, so you wouldn’t miss a thing.

It was cool to see IF as an educational tool, and I got to learn some neat stuff about a tiny little town today.

Nobody Cares About Charley is a slice-of-life story where you play as an unnamed employee of some retail big store during your measly lunch break. During that time, you ponder about your life and this job, when your thoughts turns again and again back to Charley, a colleague of yours who recently went missing, and who nobody seems to care about anymore. There are four endings you can achieve.

This was such a bittersweet game. The way the disappearance of your coworker is portrayed, learning piece by piece what happened the past few weeks as you go about your lunch break, the grief of losing someone not particularly close to you but still filled a regular part of your day, and the way nobody else but you seems to care about this. It is heartbreaking to see how everyone’s attention and energy toward the case dwindles over time. Like, Charley’s last lunch bag is still in the shared fridge, untouched, weeks since anyone saw them.

I liked how your actions around the breakroom (i.e. how you fill your lunch break) seem to affect in a way how you are still processing the event. Choosing to bother taking care of last remains, finding connections in the wild… or simply ignoring the signs, like everyone seems to be doing.

Got a bit teary eyed at the end.

The Yard is a short piece made in Unity where you play as a dog trapped in a yard. Not well treated by your owner (made best obvious by your visual condition), you are left with three different actions: bark at passers-by or to get your owner’s attention, whine, or wiggle your tail. After some time (number of action), the game will trigger an ending. There are supposedly 3 endings, I think I only found one.

There are some little issues with the formatting of the game, with the text covering the whole screen in a way that you can’t read everything, making the (Re)Play button disappear. I am also not quite sure how to trigger any of the other endings either (I’ve tried doing just one kind of action, mixes of both, etc… it seems to always end the same way).

But really, it’s honestly super sad… You feel hopeless while playing the game, at the mercy of your owner and passers-by who seemingly do nothing for you. And the greyscale interface really adds to that depressing vibe.

The Pit is a text-only story made in Ren’Py, where you wake up inside a pit, not remembering how you got there or why your whole body hurt. Stuck, with nowhere to go, you try your best to assess your state or try to recall anything that could have led you in this situation. Later on, you can even explore a bit.

Though there isn’t much you can do to save yourself, the interesting bit in this entry is trying to figure out what happened to you. Especially in Chapter 1, you are given quite a bit of options to explore this mystery. Except you are limited in your choices (3-4, I think?) before the story moves on. You only get bits and pieces at a time, never truly see the whole picture.

Pretty creepy.

Elysium is an almost kinetic-like entry with only two choices available to you, and one only truly affecting the ending (of which there are two). You are a fallen warrior gifted an eternity in paradise – of which you do not believe to be worthy. Violent snippets of your deeds haunt your mind, as you struggle with the disconnect between recompensed actions and motivations behind those actions.

There are many heroes that came to mind while reading this entry (which affected my choice of pronouns for your lover, who dies before you), as Greek Mythology can be pretty violent and bloody… But I’m glad our identity was kept a secret, so I could fill in who I wanted it to be. (FINE I PICKED (Spoiler - click to show)ACHILLES AND PATROCLUS OK)

I would have wished to be able to let our conundrum stew a bit longer before making the final choice, but this was a last-minute entry, so I can’t fault the author for keeping it short.

It was neat.

Thanks, but I don't remember asking. is a short blurry Twine story, set in some sort of (post-)apocalyptic future, in which you are an unnamed woman living along in what seems to be a school (maybe a religious boarding school?). In comes to bother your tranquil life three individuals, two men and a woman, who snoops around and find things you'd rather not remember.

Vagueness here is important to keep the suspense of the game, as it is the "twist" of the story (though if you are a sucker for the (Spoiler - click to show)amnesic trope, the signs are all there).

Decisions must be made, though the choice is singular and not quite obvious at first (that is until you rewind and choose another path). It also does not seem to change much of the ending either, it seemed.

It is not so much as the shortness of the piece, but how far the story goes, how much you (the player) get to uncover the uneasiness you (the PC) feels around these strangers, and what ticks you when they snoop around (why can't you snoop around as well). As well, while you learn of past events, little is of true weight for the story - it always ends the same way.

I wish it went a bit deeper in the narrative choices, such as the gender of the characters clearly having an effect on their fate (it's clearly important to the PC), the importance of control and agency (ironic since we don't really have any), etc... a bit more exploration if you will.

That said: the (Spoiler - click to show)POV switch at the end sent a shiver down my spine.

Deep Dark Wood is an anthology collection of micro games created by Slovakian children in Twine. Though the authors are different, the group is the same as last SpringThing.

In the deep dark woods, seven paths will lead you for a strange journey. Beware...

Back to the City: trying to go back home, you stumble upon a party. Stay or avoid it. Explore the forest or leave it. And find your way home. Maybe even help a stranger. It's a cute micro path.

Dark Dream: in this widely branching path, many actions are available to you to see this dream unfold, most of them quite dangerous. Will you know which one to take and wake up unscathed? For you must watch out, dreams often affect reality...
I didn't expect the whiplashing end screens, but it game be a good laugh. Surprisingly intricate!

Halloween: the Hunt has begun, and you might not be the hunter this Halloween, as strange paths are offered to you, many leading you astray. Will you find a happy ending? or live the rest of your life in misery (that is, if you survive at all)?
Another widely branching story, with many endings (I counted at least 8 of them in my playthrough). Some little text issues here and there. Surprisingly dark and gruesome at time. Would have seen something like it at the EctoComp!

IXI in the Forest:branching into on sentence passages, you are IXI, an enthusiastic character exploring the forest and trying to make friends with its inhabitant. Your actions determining widely different endings.
Another cute micro branching piece.

Little Froggie: life is filled with moments, some boring, some angry, some sad... and it's all about picking the right one to continue on an interesting path. Or you might end up emptying your savings for costly medicine...
Really cute! Some endings give me chuckles!

Survive or Die: it is usually not recommended to explore an empty home by yourself, or at all, that is if you want to avoid meeting scary monsters. But the true moral of the story is that sharing a meal helps calming everyone down, and look at things more rationally.
This one threw a curveball or two to get to the end. Good job on the misdirection!

The Dark One: with this ominous title, I sort of expected an unreliable narrator, and for many of the side/wrong paths, he indeed was! Leading you astray... Trust your friends, but trust yourself too!
Nice use of branching here too, twists, and paths to good endings.


I really enjoyed what the group had done at the last SpringThing, and I was really glad to see them submitting this year again. It is really lovely to see younger generations taking a crack at IF and creating even the smallest thing. I hope we get to see submission from the group next year, and all the years after that. And I hope the singular authors will continue to make games too!

To Beseech Old Sins is a linear sci-fi Twine story, part of a larger series, where you play as Epsilon, a superpowered (if you will) golem, part of a Throuple/Trio SpecOp team. Though your behaviour goes against every directive ever, you and your team are barely reprimanded because you are the best of the best. And this is why *you* get to go on a daring mission to win the war (or at least the battle). All the odds are against you, but luck is weirdly always on your side.

Yay, I thought after reading the long introduction to get here, some action, I get to do something! Let's take over the ship and... oh... they immediately waved the white flag. Ah... ok, then. Let's just read about how great we are, I guess.

While I do not have gripes with the kinetic type (having made and played plenty), I was sorely disappointed to see that I would not have any input in the story. The blurb talks about an admiral (your boss) wanting a swift victory but nothing goes as plan, and I sort of expected we would have to get down and dirty and fight (of some sort) or be forced to escape some sort of prison. But no, you just read about how you strut around with desire in your eyes (which is fine, just not what I expected).

I think my biggest issue with the piece was how I kept playing Guess What the Link Will Do throughout the whole game. Was I going to read a snarky observation or continue with the story? I could never tell, as all the links looked the same, and the one to move forward with the story never had the same position between passages (it was only obvious when only one link was on the screen). So, every time I moved to a next passage on the first link, I kept wondering what I had missed (was it important for me to understand? would it have helped provide more context?). It really made the experience frustrating.

Note: I beta-tested this game.

PROSPER.0 is a dystopian Twine game with a very interesting gameplay mechanic. As an employee of CORPOTECH, you are tasked to verify the content of documentations, and to delete any file not including factoid (strangely resembling contemporary poetry). Do your task correctly and you are rewarded (by keeping your job), but do too many mistakes and find yourself on the CORPOTECH blacklist.

If you are lucky enough to go through more than one day of work (really, you only don't if you troll the game), and your screen may get visited by a stranger, who, unlike management, would prefer not to see all those poetic files lost forever. Though you cannot go against your overlords, lest you lose your job, the stranger proposes a different way of keeping these files alive: you reconstruct them... in your own way.

Until one day... You have to make a choice. A choice that could change everything... or nothing at all. But only you can make it.

And here it is, the interesting gameplay, word play, in a different way. As the words are one by one disappearing from the screen, you have the option to "save" them from destruction, leaving you the opportunity to use them afterward to create another poem yourself. You are even given challenges, like only be allowed to save or use a certain amount of words.

And there is no right or wrong way of making those poems, because they are made by you, a singular individual with your own set of words and endless possibilities. It is pretty poetic (eh) and I don't think I ever experienced this kind of interactivity in IF (so far).

Also, it made me thing of those word magnets you can get for your fridge, and create whatever sentences to display to the world. Except, only you ever see it. It's pretty cool. I've been messing around with the other game modes, because it's less stressful than during the game, and made some weird nonsensical poems, just for fun!

All I will say is Down with CORPOTECH!

Rescue at Quickenheath is a delightful fantasy swashbuckling Twine puzzle-y game, where you play as the dashing highway-person Kit Valentine, who just learned that their partner-in-crime, Aubrey, was not only captured but about to get executed at sundown! And only you can save her!

The premise is silly, the puzzles are pretty straight-forward, and it's pretty linear (afiak you can't lose). But boy, did I have fun playing through the game. The vibe was so big and bright, with hints of cool adventures behind you and hopes of more in your future. A daring escape plan you need to manage on your own, which will require some wit, definitely some crimes, and discovering life-changing secrets (though the games hints enough at it that you can make the connections pretty early on). I was seriously grinning all the way through the game.

While the first half of the game is pretty exploratory and lets you do things in whatever order you want to (sort of), the (Spoiler - click to show)Fae chapter is a bit too I'm-getting-pull-around-to-move-the-story along. I get that time is limited before Audrey gets the chop, but it would have been nice if the gameplay between each section mirrored each other a bit more (and adds a bit more to the stakes).

If I had something to add, it would be a (Spoiler - click to show) proposal at the end of the game. A (Spoiler - click to show)knee on the ground, grumbling because of the pain, lots of tears and happy yes type of proposal. All pointed to it, with (Spoiler - click to show)the ring, the True Name, and all the Aubrey loves you, you dumb-dumb.

Anyways... Be gay! Do crime!

Potato Peace is a fairly linear game made in Ink, set in a fantasy world where mankind and potatoes live in peace and harmony (sort of). Until one day, the <S>fire nation</S>... urm... the Pie of Peace, symbol of potatoe-human relationships, is stolen. At the time, you were an investigator, child of a famed diplomat, tasked to find the statue. And it was with shame that you were forced to retire, when you could not deliver the goods, never learning of the mastermind behind this awful act.

That is... until the culprit shows up at your door to confess, asking you to participate in a bit of a charade to bring things back to where they were.

You are more pushed through the motions of things rather than exploring the mystery/plot or affecting your situation (save for the final beat of the game), which is a bit of a shame, considering the zany setting of the game. There are a lot of good bits about the worldbuilding already that would have been so interesting to get into (why are the population clashing? have humans stopped consuming potatoe? when did all of this happen?).

As for the Interface, it was a bit jumpy at times, and often, I found the AI-generated illustrations/mashups distracting (I was also really confused about the appearance of the woman on the screen, until I realised it was supposed to be me [the player] - I thought we were a man?). I would rather have had more text and exploration in the story than the pictures taking 2/3rd of the page.

The writing was pretty fun, and the puns made me giggle. It was a pretty nice distraction from the rest.

Do Good Deeds... is relatively short Twine children's story, where you play as Modis, an outcast elf on a stroll in the forest. Along the way, he meets many creatures in need, prompting him for help. Some of the animals require council, others your bare arms, and some a bit of wit, to help them out of their situation... if you choose to do so (because you can also ignore them). Depending on the amount of creatures, you get different endings.

At its core, it's a cute game, probably more aimed at children, with some inspirations from fables (The Lion and the Mouse, the Ant and Grasshopper, etc...). The "puzzles" are relatively simple, and if you mess up, the games lets you try again. And the interface with the custom backgrounds and sprites were really cute! It really gave off that children's book vibe.

Some stuff that didn't work quite as much for me:
- except for the white and maybe yellow-coloured text, the dialogue was often pretty hard to read, even with the letter border (often an issue with a multi-coloured background). The cycled link was sometimes impossible to read because of it.
- the timed/typed text was too long, and pretty unnecessary for the type of story. It hindered more the reading of the text than helped build it up.
- there were some awkward space between lines of text (unnecessary spacing) and a few miscoloured lines (switched between the interlocutors).

It was a cute little game, that could use a tiny bit more polish.

Chatterbox is a short Twine piece about chatboxes experiences. Using the simple interface of Harlowe, you incarnate the user ripherup, a true crime enthusiast discussing cases with other members of a Forum, bickering over the details. Between technological mishaps and diverging conversations, you find yourself in a pretty chaotic situation. Thought the game is pretty minimal, it does encapsulate pretty well the vibe of chatrooms, especially unmoderated ones.
I’m also a sucker of this chat-based storytelling concept…

Phantom Protocol is a short interactive prologue made in Godot, set (so far) inside your phone. A strange number contacts you, disoriented, claiming to be a newly created intelligence (AI). You can interact with it (as the game gives you different options), as well as other individuals contacting you (including the “owner” of said AI and a “friend”). The game ends after a couple of messages.
Though there isn’t much inside the current build, I’d be interested to see where it goes.

ConversationalRumblings is a short cyclical Twine piece about two people looking for an activity to do and talking about it. Between going to the movies or make ceramics, listening to music or going to the club, or maybe just chill and make some poems, the two will ramble on bouncing from one activity to the next, never ending.
The way they interact with one another, I wouldn’t want to be friend with either of them…

Extended Sabbatical is a short linear interactive piece made in Unity about… making a game, or more about not making that game. Though it focuses on struggles and frustrations (and maybe even procrastination), it was a pretty fun piece. The dialogue is charming, the art is colourful and stylish, and it is pretty smooth.
I enjoyed it quite a bit!

Tresmir Sight is a short sci-fi (fantasy?) visual novel, where you play as a young human trespassing in a camp, looking for someone important to them. Ensues a conversation with the leader, where choices allows you to cooperate or obstruct their questioning.

Since you are dropped in the middle of a story, you being capture while trespassing, unwilling to answer to anyone, it is pretty hard to be invested in the MC’s struggles without knowing anything about it. For all we know, he is the bad guy here. You only learn of the reason why you are here because the answer is pulled from you.

Still, it looks neat and polished. I would play a longer version of this game if it ever happened.

Tell Me About Yourself is a short Twine conversation between you and your interlocutor Coda. Seemingly a stranger, Coda asks about yourself, often with limited options to choose from or strangely formatted question. There are three endings, two of them branching out close to the start, while the other is down a longer path.

It all seems quaint, I guess, at first, with the kind of questions you’d ask someone you don’t know, but it turns weird. You learn little about Coda, and can ask little about them (when you do, their answers are strange…). And when he calls out by a different name, the whole tone shifts and the game abruptly end.
I’m just very confused…

The Case of the Solitary Resident is a murder(ish) mystery game made in Twine where you get to play the detective, tasked to solve the mystery. Receiving the case, in you go to the location to investigate, and find... a dead body. Ensue a search for clues by interacting with different elements around the apartment, and interviewing different suspects. When you are good to go (and found enough clues that the game lets you do so - I found 15 out of 16), you can move to accusing the correct suspect and explain how it all happened (got the cause right away, it was the last detail that just didn't come right away).

I love a good murder mystery, especially the impossible kinds where it isn't clear who did it. I think I found what had happened pretty early one, though I couldn't have answered the final question without going through the game (and even then, it got technical).

The investigating is what makes the game shine here, with your little commentary and (sometimes false) observations of what is there. Snooping around people's stuff to learn more about who they are and how they got here is always very fun (aside from, you know... the dead body in the living room). Collecting samples around the place was neat, it even lets you cut a piece of cheese for testing!

All the clues you find during your run is neatly tucked inside a case file, which updates as you find those clues or get notifications of sample analysis being done (that first one made me giggle). And you can even review the interviews of the suspects or ask them more questions as you find more clues.

I struggled a bit with finding the last necessary clue: I thought I would be able to visit locations or go back to the precinct to do some research about them rather than (Spoiler - click to show)finding their number in the victim's phone. It didn't make much sense when the information is given through text or by one of the suspect, to then go through the victim's phone about it...

I also found the interview bits a bit lacking, especially compared to the investigating part. You get to pick topics to ask the suspects but not specific questions (it would have been fun to maybe be more antagonistic than just one-tone). You also can't really confront the suspects on their answers ((Spoiler - click to show)I know no one is at fault in this particular case, but sometimes people forget they've done or said things, or remember wrong). A bit more background on the other characters or more optional questions would have been nice to make the case feel a bit more... real? A bit more fluff, if you will.

One minor thing: the stock image to represent the Police department has a sign saying Polizei (German for Police), but it seems like the case is happening in Australia? The mention of dollars threw me off at first, then I connected the dots when talking to the son to where we were. Also, no Australian accents?

All and all, it was a pretty fun game.

Alltarach is a pretty large Twine game centred around Irish folklore and set in the early Middle Ages. Through a character study of your young protagonist Bríd, we get a taste of what might have been 6th century Ireland, its culture and customs. Between grieving lost parents, worrying about the disappearance of her brother, and navigating new land, we are taken in a coming-of-age adventure, where crude realities and disillusion slowly replace naiveté and childishness, as you uncover secrets and confront your beliefs.

The presentation of the game is really neat, with beautiful illustrations, reminiscent of children's books, incredible enticing prose and very helpful tooltips to translate/put into context local terms. As an interactive novel, it is a very interesting piece (and SURPRISINGLY LONG!).

But between the long pages filled with paragraphs, I felt like something was missing. Though it is interactive (you have plenty to ask and explore), it didn't always feel like my action truly mattered at the end, choices being there for the sake of helping the player getting a clearer picture of who the character is, rather than having true consequences on the story.
Even the final choice was not my (as Bríd) doing at all! But of another, who's characterisation is even more muddled and confusing than the main character. That was a bit frustrating.

And yet, I liked it. It had an unusual setting, really good pacing, and interesting takes. It's just missing that little something that would make it incredible.
Had this been a book, I'd have devoured it in one sitting.

beach is a short Twine conversation between two individuals on the beach, which was initiated by one of the two following an incident (implied to be suicide). You are asked to share your feelings, which sends you down towards one of three paths, of diverging length.

Some more uncomfortable to read than others, with your interlocutor trying to make your feel guilty for your past actions, shaming you if you do not feel that, as if you had been the cause (or at least catalyst) for the incident - while, in reality, they admit that no matter what you would have done, it was always going to end up this way. It is pretty manipulative, trying to put you at fault, asking of you to never forget them.
It’s telling that the word sorry is only utter by you, and not them.

The Disappearance of Kevin from Finance is a short mystery game in Twine, where your colleague, the titular Kevin from Finance, is reported as missing. The shocking news make waves among the company, as many realise no one truly knew much about the man, aside from his love of mystery books and his lacklustre ability of staying connected.

Through emails, chat logs, phone calls and even face-to-face conversation, you are given the opportunity to investigate the strange disappearance of your mysterious colleague. Throughout the exchanges, you get hints to what is going on, though you will need to reach the end to realise what was truly going on…

This was a lot of fun to see the mystery unfold. And the true moral of the story is truly corporate incompetence…

Imago is a short but very branched out poetic “rogue-like” monologue, reflecting on the masts that one wears and the image we preset to other. You address a crowd, maybe a fictional one, aiming to entertain, confess or maybe philosophise. Depending on your choices, and a bit of RNG, you will end up reaching one of…

THIRTY SIX ENDINGS. Yeah, 36 different endings. Lots of going back and forth between the choices and hoping the game sends you to a new section, to find them all. With the richness of the text (one playthrough is short, but you need to digest the prose) and because of the randomness, I stopped at about 15 or so of them.

Roman Holiday is a strange creepy game, one I don’t know what to make of. A group of friend are one some sort of road trip, lost (sort of), stopping at a store in the middle of nowhere and of the the night. Ensue strange happenings.

It sort of reminded me of those paranormal movies, with its VCR/TV visual/audio quality, or that 80-90s low-render graphics for the characters. A lot of the game is spent looking at cut-scenes of conversations between the different characters, with a bit of moving around, and some branching conversation (with at least one NPC, afiak).

In any case, it’s creepy, you don’t really know what’s happening, and things don’t quite make sense - I still don’t know what happened, I ran into a To Be Continued screen.

I Knew A Guy is a prototype short entry, formatted as a linear short story to raise awareness about suicide and myths around it. In it, an unnamed PC recounts their final moment spent with a person who would later take their own life, and their guilt around not seeing the signs or not helping them as much as they could have. Along with the text, a daunting track plays (which, if you go backward on your navigator becomes even more creepy and unsettling).

IF can be a great medium to explore difficult themes and spread awareness on this topic. And I wonder where this prototype will end up looking, because I think it does have a good starting format for what it’s attempting to do.

Pear Party is a short conversation between two uni students at a party, where you attempt to do some small talk and hopefully… not nerd about about pears. Why pears? ¯\ _ (ツ) _ /¯

It’s a silly little conversation, filled with second-hand embarrassment, quirky responses, awkward silences, and pretty funny lines. I chuckled more than I would care to admit. And I learned new stuff about pears too! Would you like to hear about–

Do you think we’re soulmates in every universe? is a cute slice-of-life small visual novel where you take a walk with your partner, when they as you the titular question. You have a couple of choices throughout the discussion, communicating your (lack of) doubts about the matter or your opinion on the need even for this kind discussion. And, in between, you can imagine different scenario about you and your partner meeting and maybe falling in love.

It’s pretty sweet, though my opinion on the question is more on the realistic side (soulmates are not really a thing, and the probability of finding the same person again is just sooo small…), rather than the maybe childish/cheesy “of course we’ll always be soulmate through time and space”. I also found the partner being a bit too insecure in some of the paths. It’s still nice for a short game.
I would have preferred though, to have less descriptive elements…

Who are you talking to? is a work in progress piece where you are confronted by a strange creature, in an unknown place, unable to leave. You can talk to the creature, asking them questions, and go over some of your most recent memories. Being an unfinished piece, there are timed where the game ends abruptly, forcing you to rewind and pick a different path to reach the end. There are at least 8 endings, though I’ve only managed to reach one.

From the tone of your interlocutor, my reading of the game (so far) is that you (Spoiler - click to show)died and are talking to some otherworldly being (maybe a God?), assessing your nature and action back when you were alive (though it seems your fate is sealed). You have the option of showing remorse towards your actions or doubling down. That or aliens.

pacodnd.exe is a short interactive story focused on a group of friend trying out a Dungeons&Dragons campaign, through a chat form. During the session, you have a handful of choices that may or may not affect the ending… for all that matter in D&D is whether the RNG God is on your side (yes, apparently dice rolls affect the story!).

Though it’s pretty short, there are still four endings to find (only found 2 so far), plus an extra short scene after you reach one of them. The chat is pretty chaotic, and reminded me of TTRPG campaigns I’ve been in. It had a pretty fun vibe, overall!

This review will mostly focus on the Twine version, submitted to the 2024 SpringThing.

The Kuolema is a fairly large mystery adventure puzzle/choice game made in Twine, where the goal is to investigate an incident in the eponymous ship, retrieve an important device, and avoid international conflict. In this one-man adventure, you get to explore the ship (whose many rooms require a key to access), interact with the different objects (and bring them along), question the few survivors about the incident, and maybe learn a bit more about this whole... "deal" (boat, employer, device...). There are a handful of endings depending on a few choices made during the story. This version also includes a "Story Mode", which includes visible hints (helpful for the crossword especially).

The game plays on the conventional and expected twists (uh-oh, that's a dead body) and tropes (e.g. the really smart scientist turning cuckoo banana or the rugged security officer that trust no one) of the genre. And while the writing tends to be atmospheric and gradually will build tension, it switches up to a fast-paced action-focused sequence, which kind of turned me off. While the use of the Security Officer breaks the story into beats, I do feel like the game have worked better had you found no life on board.

With the move to Twine, the game managed to remove some clunkyness from the Google Form format, especially when "moving" forward in the story or trying to go backward, with the "return" from your notes and "rewind" if you die - though there is no UNDO (if you clicked too fast, missed some information or by mistake, too bad); the picking up elements and moving between spaces; or with an easier access to the inventory and notes (which are not always available).
However, it also rendered some puzzles tedious, especially the ones requiring to enter a code to unlock a safe or a door. There are 6 different section using a cycling lock (you click on each number until you have the correct one on the screen), ranging from 3 to 6 cycling link, often requiring an option at the end of the cycle - but unlike those real-life combination lock, you can only turn it one way (if you miss it you need to start again). After the second or third lock like this, that sort of puzzle ends up being more annoying than fun to solve.
I think I might not be the target audience for the 'running back and forth' type of puzzle (i.e. the puzzle at one end of the map can be solved thanks to an object on the other end), I found the running around pretty frustrating reaching the halfway point.

I didn't vibe with it as much as I thought I would. I think I found the game more interesting in its Google Form version, because of the limitation of format.

A note on accessibility: while it is appreciated the game tries to be accessible, with settings to toggle timed text (though the messaging section was missed), or turning some images into text-only version* (if not, you have have super verbose Alt-Text), I had some concerned with other aspects such as: colour-contrasting between text and background - especially with pop-ups and listboxes (when open, the options are barely readable) - as well as the text and image animations (a warning would have been nice, a toggle would even be better).
*It would have been nicer instead to be able to enjoy both the images and the descriptive text, having the later below the former (using something like `< details >`). Having to hover over/press the images would make them at times glitchy (if they ended large enough to read the smaller text).

A note on tracking information and choices: Like the Google Form version, this one tracks your choices and compares it to other players (you can see that at the end of the game). While this is expected for the first version because of its format (that's the whole point of a Google Form), this is not a native option for Twine. When using code to track and store information, players should be able to make an informed decision (whether to agree that their playthrough will be tracked or whether to play at all if they are not given the option). This should be clearly indicated when the player starts the game, rather than told at the end of the game or hidden behind a few clicks. [Note: this may have been changed since this review was written/queued]

A note on the final poll about AI use: since the poll is only available after playing through the game (which contains AI generated elements), the results will surely be biased in favour of AI, as opponents of AI are less likely to actually play the game (as mentioned by the author in the credits). This kind of go against the want of the poll to have an open discussion, as the pool of participants is already pre-determined with the placement of the poll (at the end of the game rather, adding a "wall" to access it). This is a clear selection bias.
This placement could be even used to invalidate users choosing an anti-AI position, as they still played a game included AI elements.

The Time Machine is a short-ish parser that continues the eponymous story, where you play as an unnamed friend trying to find clues as to Wells' psychosis (or proof that is tale is true). You get to explore parts of Wells' house, inspect his machine, and travel to the future with it (where you can explore a bit of the new world).

There are only a couple of puzzles (mainly to get and handle the machine), most of the interaction being conversations with the different characters. A sidebar includes your full inventory, NPCs you can interact with, and conversation options with said characters. There are also hints and a full walkthrough in-game.

The thing is, there isn't much to do after running the machine. I get that your goal is to get proof your friend isn't crazy, but had I been sent to the future, I would probably have tried to explore more or find a way to interact with the world... or just stand right there and freak out. Time may be of the essence for your friend, but you have a machine to rewind time (at only a push of a lever, how practical...).
Or go off the trails and get back in time. The possibilities are ENDLESS!

Syzygy is a short but complex exchange of diplomatic communication between the Syzygy planet and the Sol System Alliance, where you are a Diplomat from the latter group. You must navigate a change of power within Syzygy, while a SSA fleet is on its way to the planet, as planned many years prior.

Your communication between the planet and the fleet are mainly done through letters, which you can craft to convey your message and wishes to the other party, and untangle the mess thrown in your lap. You will have to assess whether you can trust this new correspondent and whether you will need to warn the fleet before their arrival - is there more than the new ambassador lets on? Your words will affect the Alliance’s relationship with Syzygy, and the safety of the fleet.

And, when you have some down time, you get to chit-chat with your Assistant about the situation, or burn the midnight oil on reading the HHGG. Aside maybe from the Admiral, all the characters have fun and intriguing personality, leaving you wanting more by the end of the journey.

It was really fun to craft the messages and see what kind of responses I would get back. I purposefully pissed off the ambassador in one playthrough, while being overwhelmingly kind in the next one - resulting in surprising endings.

I did run into some little bugs though, which broke the game for one run, so best to get your coffee and read your poetry when you start the game, as so to avoid it

Circle Back is a short psychological horror visual novel, where you play as an unnamed employee in a big corporation, freshly promoted, the night before a big presentation. Except… you get locked into the bathroom.

Ensue some strange meetings and conversations, where you will not only have to confront things about your life and situation, but also will make you question your sanity (at the very least) and what’s really going on at work (seriously, what’s up with the (Spoiler - click to show)dormitory?!?!?!), and maybe flirt a little bit.

I was really enthralled into the whole story, getting anxious when we found out the way out was locked, or you start hearings voices, or checked out the security system and…

the screen turned black. I hope this is just a small bug that can get fixed, because I really want to discover what’s really going with work. Because it’s really sus and I want to find out why!

The Croaking is a short train murder mystery, made in Unity, feeling like a 3D version of a bitsy game. Here, you play as Detective Luddington, a toad on the same car as a handful of colourful passengers going to a retreat. But, as expected of the genre, nothing goes as planned, and a murder occurs during the trip. And it is up to you to figure out what is what…

Go back an forth between the different NPCs, ask them questions, confront them about their statements, and accuse who you think is the most likely actor. While you can accuse anyone (and they will get arrested), only one person is the true murderer.

And the link to get there seems a bit broken, where you can ask that suspect a question, but can’t ask any other NPCs for confirmation or rebuttal - which is strange because you can (Spoiler - click to show)accuse the actual murderer from the start. Restarting the game also seems to be broken - you need to refresh the page to actually restart it.

There was a bit of a mysterious setting, with all these different characters being part of some strange organisation (which may or may not sound like a cult). You only get bits and pieces, but it would have been interesting to see more of that aspect into the story.

Just A Simple Interview is a widely branching short Twine… well, interview. You were one of the few to be selected for an interview with LazyTown HQ, for the cool position of Fix-It-Man! Aren’t you the lucky one! Now, you just need to ace-… Uh-ho…

Twist and turns awaits your interview, depending on the choices you make. Lore about the company and your interviewer can be discovered, leading you to many different endings (I have found 4 so far). And it’s really fun trying to explore all the different paths too, very humorous!
It was a quick one, but I had a lot of fun playing it!

The Truth About PRIDE! is a short bitsy piece, where "you" explore the meaning of < pride >, by going through each of its letters (and an exclamation point). It is short and sweet, though it seems more of a personal interpretation of the meaning of the word rather than its "true meaning" (is there truly a true meaning for the word? or wouldn't you end up with individual interpretation of the word depending on your personal experiences?).

Each path leads you down that-letter-shaped corridor, where you can interact with that-letter-shaped element (where the author defines and question the meaning of each letter) before you can choose which path to go through (get the special meaning of P or back to the main room). There is also a secret path (which wasn't working for me).
Moving the sprite is a bit tedious (which is usual for bitsy) especially when you need to go across the screen with no interaction, or when an element is blocking your path in the next screen, or when it is not quite clear which tile is the exit.

Does it challenge any concept? Not really, it's more of a feel-good celebration of Pride, a pep-talk about yourself as an individual rather than pride as an aspect of your identity. But sometimes, that's all you need.

The Portrait, also titled as A Taste of Isekai in-game, is an exploration parser, a sort of amuse-bouche to a larger game coming out in the future. You are introduced to the PC, isekai'd into a strange world (and a new body!) without knowing how or why, and are given hints of the world you stumbled into, through exploring the couple of available rooms and examining the different elements in this room.

As the title of the game suggests, there is a massive portrait in the first room you land on, with an insane amount of details to discover (earning you points every time you find something interesting). Depicting three women, the picture will trigger memories (which you are certain are not your own) or mention other elements you could examine next.
This was clearly influenced by the "IF Art Show" competitions, where the goal was to focus on one specific object and mainly interact with it. This piece would have fit right in that event, as you (mainly) interact with the painting and all its little details. It's kind of neat to see newer games being influenced by (almost) forgotten events that defined IF. It makes for a lovely tribute.

The text is pretty verbose and extensive, similar to the very flowery style of the late 1800s. And quite focused on the body (which shouldn't be too surprising as (Spoiler - click to show)you are a man, waking up in a woman's body), which at times sounds a bit strange. It reminded me quite a bit to those pulpy romance novels, actually. It feels a bit voyeuristic and a bit uncomfortable, as we are told the PC to be, and somewhat disorienting. I mean (Spoiler - click to show)wouldn't it be extremely disorienting to wake up in a completely different body?

From the little you get to explore (and examine), it is clear that a lot of worldbuidling has been put down to paper (in the same way Creative Cooking felt to me - are they connected?). From the different species (maybe even are in conflict with one another?) with visuals reminiscent of known fantastical creatures, down to the architecture and decor reminding you of cultures on Earth (maybe there's more than just one link (you) between the two worlds), there is still quite a bit to learn to make this picture whole...

I finished with a score of 64 out of 80. Though I didn't find all the details, I feel like I have had a complete experience.

You Can Only Turn Left is a surreal piece exploring "the hypnagogic state between sleeping and wakefulness", based on a past dream journal. Though it may seem quite linear when going through the text, the game actually includes multiple endings, affected by the choices you can made throughout the story. I found two out of the four coded.

The game is quite unsettling from the start, with a fast animated sequence of moving text, uncomfortable sound, and changing background, asking you whether you are present or still dreaming. This aesthetic, along with blurred or flipped text, continues on in the rest of the entry, emphasising on the unreality of it all (whether it is describing dreams, "memories" or pure hallucinations). It often veers on the uncanniness of things (especially one ending), edging on the nightmarish.
There were some moments where reading the text was almost impossible, as the white text would barely be readable behind a light moving background, or bring too blurry to make out the different letters.

This vibe is also mirrored in the text itself, as you move from memories to dreams, with the narrator waking up, only to find themself still dreaming or going back into that hazy realm. You will go from very detailed and vivid settings to just a passing blurred line in the distance, real and grounded moments to bizarre and skin crawling hallucinations.

This was very strange, and yet very familiar (fudged sleep pattern with insane vivid dreams). It is bizarre and comforting.

Bydlo; or the Ox-Cart is a minimalist micro Bitsy piece about, according to the blurb, the triumph of art over drudgery.

Using a simple orange and white palette, and the dreary Mussorgsky's Bydlo theme from Picture At An Exhibition, the game lets you control a little sprite (farmer?) navigating through its field, day by day, as an ox cart passes through the screen. Each sequence (about a dozen) shows a different iteration of the field, with boulders, plants, and carcases blocking your path. Yet, you must continue on, weaving through the obstacles to reach the next level, and the next, and the next...

Until... the cart exit the screens. And so can you.

There is very little you can interact with in the environment, only moving about the screen. You learn nothing about the setting or yourself, why you are here and what you want further. There isn't any text aside from the title and the final screen. Only the chirped version of the melancholic theme...

I am not really sure what to make of it still... Monotonous work pushing people into boredom and daydreaming? Tediousness making us wish for an easier time, a more fun time? Or is it a confrontation of how we view labour (i.e. seeing beauty and art in the mundane)?
Or... should we just enjoy a piece without reading too much into it...

A Woman’s Duty is a short epistolary game, made in Ink, set during some undisclosed war, where you, as Mary, correspond with your sister who has been sent to the front and another private who was put into contact with you. Through the exchanges, you learn of your family’s relationships, the state of the war, and the moral of your correspondents.

While you send about a dozen letters before the game abruptly ends, most of them only having some sort of variation in the content of your letters, you neither affect the fate of your correspondents with your words, nor the overall situation.
Granted, the latter could have been a big shot, but there is very little impact with your words, unlike what was promised in the blurb. Though, this is less obvious with the letters sent to the private, who seem to react to the different prompts you are given.

I wonder if the piece should have maybe focused on the correspondence of only one of the subject, rather than both, and explore that path more fully - maybe even affect their fate in some way.

Him (and Us) is a short conversation, made with Ink, between Theomer and Heron before dinner, though it starts with a bit of difficulty, as Theomer is awfully quiet. Playing as Heron, you have different ways of pushing your partner to talk, forcing him to reveal an unpleasant interaction prior to this.

There is only one ending to this entry, one where you finish the conversation with dinner. Though, whether you learn about the secret interaction will depend on your choices. (And it took me a few tries to finally get the right combo… which I got more by chance than by conscious choice).

Still, you don’t really learn who was the interlocutor (though it could be an easy guess), nor the reason for that interaction, only that it was not pleasant and you do not seem to arbour any good will towards that person. The silence answers it all…

Printjob is a horror short game about “labour and machinery” wherein you play as a job-seeker filling an application at the conglomerate Heavex. Soon, you a offered a job and must discover what your purpose in this company ends up being. What kind of cog will you become in this organisation?

The tension builds slowly, with you disregarding any potential red flag because you really need this job, before settling in and spreading all around you, taking over you. It is visceral and bleak, and with no option of escaping. For your job matters more than you, whatever that job ends up being.

However, as good of a job it does in the horror department, there is quite little dialogue. Most of the text is narrated, describing your situation rather than conversing, even describing past conversation rather than playing them out. I do wonder how more powerful it could have been had the entry followed the rule of the jam more closely…

Also makes me wonder whether it was influenced by The Stanley Parable game, it definitely has this vibe.

Off the Podium — One Last Lap is a ChoiceScript game set around a GP race, where you play a middle-of-the-ranking driver on their last race, before they retire. Through conversation with your team, friends and family, you can learn about the state of your driver and how they ended up in this situation. You can also train for that last race, modify your vehicle, set a game plan and… start driving!

I don’t know much about racing competitions, aside from knowing cars go around a track as fast as they can without getting into troubles. Even through the technicalities of the sport (turns out there’s a lot more that goes into the driving), I was pretty engaged, trying to min/max my car’s stats so I could win the race (I never managed, is it even possible?). I learned a couple of stuff about the sport even (like you need some serious muscle neck strength).

The writing itself is separated into face-to-face dialogues and online/text exchanges between you and other characters (or voice commentators describing the race). There are a handful of non-race-related choices, though they mainly affect pronouns or names, rather than the story. There were also at times where you borderline on monologuing, creating pretty long paragraphs (maybe a bit too long for ease of reading).

I’ve done a few rounds, one losing the race badly, one reaching a qualifying spot (7th), and, unless I didn’t reach a high-enough spot, it seems the game only has one ending. And, strangely maybe, losing the race felt more fitting to that ending…

A Winter Away is a high-quality short visual novel about a Duckling moving to a foreign region to follow her dream, exchanging letters with the ageing mother she feels guilty having left behind.

Between the dialogue, the letters received, and the ones composed, you get an emotional story exploring the hardships and fulfilments of moving to a different place - I so could relate to this, having moved quite a bit myself… It’s hard! People you love now live far away, and you can’t just drop in for a chat or a hug. You don’t get to be there for the big moments. The things you are used to do or have might not be possible. And it can feel pretty alienating if you are not fluent in the language. But it can be so fulfilling, too. Meeting new people, learning new things, finding passions… With the limited length, the game managed to encapsulate all this.

The game itself is so beautifully done, I can’t believe it was made in just 5 DAYS. It is so polished in its presentation, with the SFX used, the different illustrations and sprites… it reminded me a bit of children’s book in the style. It’s really lovely!

An Exercise in Emotional Honesty is a short conversation between you and (I think) the author of the game, where the latter opens up to ongoing struggles with their health and creative drives. Made in Twine, the interface and use of music emulates a light Visual Novel genre, where the sprite changes along with the conversation, smiling at you or looking away.

There is a very comforting and sweet vibe to the piece as a whole, and the warmth of sitting down with an old friend to catch up. And the discussion itself were quite lovely, opening up this way about the want (nay, need) to create but being unable to. Really nice.

The Impossible Conversation is, like its name suggest, an impossible conversation, or at least one that will probably not lead to a happy ending in its current form. You (an unnamed person) is having a conversation is your (probably former) best-friend following an unexplained conflict. Your choices in where you bring the conversation forward should influence how your relationship with the person go.

Due to the nature of the conversation, the writing is heartbreaking and painful. The end of relationships are hard, especially when people have strong bonds with one another, and it is the more painful when both parties have hurt one another (though, in this case, the hurt seems more one-sided). The bareness of the interface (keeping to the base Harlowe UI) and interactivity (click to show the next words) does add to the struggle and dreariness of the situation.

Come back soon, Oddie is a short linear Visual Novel, formatted mainly as a monologue from an unnamed soul, waiting for their friend, Oddie. The soul, shown as a shadow in a field of yellow flower (symbolising friendship), awaits the death of his friend, so they can be once more reunited - though he still wishes for Oddie to live a long and happy life until then.

Aside from its gorgeous interface and calming music, this game also includes voices, narrating the text with an emotional tone, balancing longing and grief. It is quite touching, the way the words are said aloud. It was really lovely.

I also didn’t expect Oddie’s actual name…

Marooned is a short dialogue piece made in Ink between two castaways on an island, waiting to be rescued… though your castaway-partner has other ideas. The story starts around the 6-month mark, and shows snippets of (frustrating/ed) conversations of a handful of days. Through your choices, you can reach different endings - I’ve found two so far.

The writing takes the less is more approach, going right to the absolute bare of dialogues to describe the situation the characters are in, the frustration one feels towards the other, their wants and wish. I quite enjoyed both endings, giving different vibes to the story (though (Spoiler - click to show)the rescuing being a choice removed from the original PC’s actions feels a bit strange).

Honestly, it’s a wonder they were still alive by the time the game started.

How Do You Like Your Pain? is a short grim visual novel made in Ren’Py about a demon looking for death, or at the very least learning what death feels like. Contracting a painful disease, which he inflicted on himself willingly, the demon must now endure a painful operations to remove it, lest the pain would make him wish for actual death. The procedure is done by another demon, who finds amusement in the situation.
While the game is part of the Art Without Blood series, knowledge of the other entries is not required, the game being enjoyable as is. There are 4 endings in this game, through my choices, I found 2.

Formatted only as a dialogue (even the choices), the two characters get into a dance of quips and flirting. The writing circles between dark violence and borderline eroticism in the way it interacts with the flesh. The implication of pain, whether it happens during the game or prior to the story unfolding, looking for it before being forced to endure it as so to reduce it is masochistic but really grasping. The pursuit of knowledge about death backfiring, making you wish for or afraid of death…
It is uncomfortable but drawing to the point you can’t take your eyes away from the screen (ironic considering the procedure).

I don’t want to talk about it. is an emotional short Ink game about grief and connections. Set in a therapy office, you meet with a patient who recently lost someone and is reluctantly going through grief counselling. It is heartbreaking but also beautiful, in the way the story unfolds, as you ask the patient more questions and try to help them talk about the person they lost and what they are struggling with the most.
A beautifully made and executed short entry.