WHOM I SHOULD LOVE ABOVE ALL THINGS

Formatted as a kinetic micro play, this entry shows a snippet of a discussion between a priest and a confessor, both having had a shared history. With only a handful of passages, and a relatively short amount of words, the story gives just enough information to understand the dynamics between those two, but leaves enough out to make you wanting more. It is dramatic and painful - for the characters - with the beautiful writing focusing on the little things.

I left the game with so many questions about the characters and their relationships - incl. a chicken and egg one about the priest status and the potential forbidden lover trope. I hope the rest of the piece, from which this one is taken, will be published one day.

This is a brief excerpt from a longer work-in-progress that packs a lot into its short space. We, the readers, watch the scene unfold in third person as two long-separated men reunite in a confessional booth. Their dialogue has script-like formatting, most of the work a conversation with brief pauses for description. Said description paints a vivid picture of the two, deftly characterizing them through both their appearances and actions. We’re told none of either one’s backstory or their shared history, but are left to infer it based on their conversation, which is sufficient to provide a strong sense of who each is—Andrey, charming and flippant; Joel, earnest and emotional—and why this reunion matters to them.

The religious aspect is well-employed, both to hint at what drove them apart—Joel is a priest, while Andrey has lost his faith—and to serve as an analogy. The work’s title is taken from a Catholic prayer, which when excerpted at the end is cast in a new light by what we’ve just seen play out. A hint of sacrilege, delightful in the deep meaning it gives their relationship.

There are no choices in the piece; the reader simply clicks a link on each page to continue, with the short length of the pages encouraging you to linger on each, taking in the richness of the writing, processing each beat of this emotionally fraught moment as it unfolds.

This is a short game entered into the Bare Bones jam.

It has no real interactivity and a stripped down interface, but that's kind of not true as it uses text alignment which gives both some variety in link clicking and is visually appealing.

But overall there's really nothing here except the writing. As a lifetime woman stan there's really nothing in mlm stories for me, but the characters were well-written. There is a big focus on concrete details like clothing, appearance, etc. The dialog feels natural, with a back and forth more like what you'd expect in real life or in a back-and-forth part of a play.