Reviews by manonamora

Fix Your Mother’s Printer is a fairly short and linear story, with a visual novel-like interface, where you try to help your mother fixing her printer ahead of an important presentation, through a Zoom-like app. There are multiple points where the game can end: you can go through the whole ordeal and fix the printer, give up before it starts, or annoy your mother and quit half-way through.

Printers are such fickle beings. They always whine and beeps when you don't use them, and refuse to work every time you have an important job for them. And when something goes wrong, they will never tell you what. Is it enough paper? Or enough ink (or the correct one)? Are the cables properly plugged? Is it a computer issue instead? Or [roll dice to select the issue of the day]? It's already a struggle for people who get printers, so when you don't have the magic touch... you just want to throw it at the wall.

Enters you, called through a fake-Zoom app, asked for help. There are multiple ways to handle the call, every as exhausting and anxious-ridden as the next. It brought back the many many times I've been called to resolve computer-related issues for my family, especially the passive-agressive snippy comebacks, the eye-rolls, and the conversation changes half-way through explanations. I seriously wanted to throw the whole printer away half-way through*. But I did like the little vignettes of the mom, especially when reminiscing old memories.
*and of course the solution is dumb, it always is with printers. they are the devil's invention...

The interface was quite playful (you wouldn't have guessed it was made in ink), with your mother's expression changing depending on the situation, moving around when she had to do something, and showing an unexpected visitor at some point. It was nice to be able to just click the text box to advance the story, rather than finding the arrow every time. And the dark mode is great*!
*How are you a tech bro and not using darkmode as your theme from the get go :P

The Finders Commission is a relatively short game, set as some sort of escape-room-puzzle piece where you are tasked to retrieve an artifact from an exposition, in broad daylight. There are 5 characters to choose from (though I am not sure whether they influenced the gameplay) and a handful of different puzzles to interact with. There are two endings: you retrieve the item or are caught trying. I reached the score of 92/100 after a restart.

TFC takes the campy traits of heist story, with the strange buyer requiring your help*, the security officer that has a tooth against you, the maybe-naive damsel/himbo that slip out important information, and the sneaky exit... The puzzles are diverse and interconnected, some requiring manipulation of an object, others to find a specific object to interact with another, and some to distract NPCs to enter new rooms. And there's a maze-like feel to the main location.
*I don't know whether it was a jab at like the British Museum losing artefacts recently or not wanting to give some back, but the thought of it being the case was funny :P

I played the game twice essentially, one where I felt completely lost, interacting with anything I could, solving puzzles a bit at random, and hoping for the best... and finding myself stuck, unable to find a way into a certain room to get the item to unlock the case with the artefact. Turns out, you have to interact not just with objects around you, but with NPCs (which I thought was a bit weird, you don't really want attention on you). So the second time around was easier... Though I still found myself running around the place, even after getting the map*.
*would have been nice to find a map at the start, with more indication of displayed elements on it. It's a gallery after all... and it's a bit hidden within the satchel, I would have put it in the sidebar imo. Or the rooms each have a name, like with parsers.

It was a bit bizarre to not be able to examine the case until you open it (a nice description of the item could add to the vibe, maybe staying too long would have the security guard be extra suspicious of you), or even examine anything that wasn't puzzle-related object (as a way to "blend" with the other visitors). Also a bit of a shame not to be able to interact with your rival or find a way to have them getting caught (they were really sus), or with the guard (I'm a sucker for taunting your "enemies" even if it would lead to a bad ending), or even further with the tour guide (I was promised romance ;-;*). I was a bit confused too with the need to include other locations, since you don't really have anything you can do there (unless it's the locations for future episode?).
*since the subtitle was Episode 1, maybe they'll be back in the next episode?

TFC is the kind of puzzle game that when you get it, it's smooth as butter... but if you struggle finding things or examine something at the wrong time or don't follow the steps as intended, it can become quite frustrating. With a bit more tweaks here and there, it could make for a well-rounded game.

In The Details is a very short game revisiting the Deal with the Devil trope, especially the moment when the Devil comes to collect its due. You play as an artist who traded something for musical talent, for a year. Long overdue, the Devil comes at the most importune time. There are 3-ish endings, with an indication the game will be updated at some point.

The entry has quite an interesting premise and a teasing build-up, with a probably love-to-hate main character, sort of a trope-y artist full with arrogance and self-centredness. Staring with very limited actions (inspect and consider) to set up the stage, the game soon adds more actionable ventures and zest in the writing. However, the game ends, quite abruptly, when tension is at it highest.
It kinda felt like a teaser... :/

The cover art is hella dope though...

(Spoiler - click to show)(also, not sure if it was a bug or on purpose, but I couldn't tell the truth?)

Dysfluent is a fairly short slice-of-life story, where you spend the day as a person with a stutter, trying to get through their day. The game uses text animation to highlight the struggles of living with a stutter. While the game includes achievements, linked to choices throughout the story, there is only one ending.

Aside from my gripes with the timed text (more on that later), the game was quite enjoyable. I found the story especially quite touching with its representation of the realities of living with a stutter (the colour use for the choices were smart!*). Trying to go through the whole checklist of actions made me feel quite anxious (would I manage to go through the day before just calling it quits?), which was pushed further with the formatting of the text. Social interactions felt like a nightmare, and the flashbacks made everything worse.
*though I was a dummy, and put the same thing for the best and worst dish... played myself there...

Though there are heavy moments throughout the story, I felt like the game tried to be as light-hearted as possible (save for the flashbacks). You may have a bit of a hard time saying certain words, or get some weird looks from people, but you leave each sequence with what you needed or did the best you could. It sometimes felt like you struggled more with your own feelings than other around you? Which I makes sense if your upbringing laughed at the ailment or looked at you with contempt at best.

It was a bit of a bummer to find out you wouldn't get the job, but it also didn't feel much of a loss when it happened - partly because of the conversation you have with your friend just after the news, but also because there is not much information on the job itself or what the MC thought of the job. Was it a job where talking is required or an added bonus? Did we really want that job? Did we need the job? Was there outside expectations with getting this job? Why didn't we disclose that we had a stutter before*? Would it have changed anything if it did? Was the company open to accessibility? Did we prepare ahead of the job at all?
Just having to pick up a suit at the dry cleaner didn't feel enough, I guess?
*maybe because we feel ashamed, prob

I understand the choice of using animation and timed text to emphasise on the hardships of having a stutter, how seconds feels like minutes when words don't want to come out, how frustrating it can be to be blocked for no reason, how anxious it can make you knowing something requires speech... but the overuse and drawn-out length of the timed text becomes more a friction than pushing the point (especially as a fast reader). For many passages, I would be doing something on the side, waiting for the page to load fully before continuing to play.
As the animation setting is locked behind the ending (for understandable reasons, also makes replaying the game more smooth), I would advise a reduction of the use of the timed text (instead of bits of sentences, show the whole paragraph) or of the time between each block (at least by half, not more than 2s), or transforming it into a type-writer animation, or making the player click-to-reveal (trying to push the words out of their mouth).

Still... It was frustratingly nice.

Last Valentine's Day is a fairly short linear story about love and heartbreak. Set in a Groundhog-Day-like loop, the story uses references to Greek mythology to drive forward its messages. Side-story are interwoven between loops. Though you have some flavour choices throughout the game, there is only one ending.

I was not expecting the game to be this dark. From the blurb, I thought we'd get some sort of whimsical story with maybe silly ways to stop your partner from leaving, next to serious introspective ones, and maybe a choice or two of leaving it all behind. But you neither meet your partner throughout the story (save for the letter they leave behind) nor can you change much your actions before reaching the end of the loop. And through it all, the story gets darker and darker with each loop.

I liked how the game build up from one loop to the next, with details changing between each, whether it be in the descriptions, in the colour scheme, or the header font, or even the names of the locations. Behind the main story, you find the end of a long-lasting relationship, the loss in interest in a hobby, or the remembrance of a lost loved one. While the main story is quite tragic, and the use of looping to add onto the background of that storyline was interesting, I thought the highlight of the game was those side stories and the bits you could uncover with each new loop.

Who Iced Mayor McFreeze? is the second instalment of the Gumshoe series (or is this a prequel?), which I remember quite fondly, a noir-esque story where everything is candy. In this game, you must solve the disappearance of Mayor McFreeze, and piece out the mystery. I used the hints for the last puzzle.

Having played Who Shot Gum E. Bear? last year, I was excited to play another instalment of the series, putting my feet in Gumshoe's shoes (which I don't think she has?). WSGEB was full of saccharine fun and pulp-y detective tropes, which I looked forward to find in this new entry. In that regard, WIMMF didn't disappoint.

From the dame barging almost suspiciously into your office, to the dreary caramely rain, the goons locking you in a dangerous place and dang the body of the missing person right in front of you... the game happily takes on those tropes again, humorously throwing it back into that world full of anthropomorphic candies.
Also... the smell and taste commands are still hilarious!!

Compared to last year (sorry, hard not to compare), the main investigation is less obvious. The main clue is not shoved in your eyes at every turn in the first room (though the game introduction should hint enough at an ending), and you cannot circumvent the game's puzzle to reach the end. You actually have to go around and investigate - so you don't feel cheated when you reach the ending.

Though, while last year was throwing hints at every turn, this entry was much more reserved with it. The descriptions of the environment, items or people are more bare (which is a bit of a shame imo). It was not always clear what should or could be done (lots of trial and errors, the hint/waklthrough were nice).

I was a tad disappointed with the ending. While it felt a bit expected, I would have loved to be able to ask questions or accuse (or call back up) during that part. The conversations bits in WDGEB were very fun, and I think it could have made the final act a bit stronger with it.

Still laughed my butt off :P

Bali B&B is a slice-of-life management game, where you are tasked to run your grandparents' B&B in Bali for a week. Between taking care of the guests and the house, the trials and tribulations will make you realise whether this is the life you want to live. How will you do on this test?

Slice of life games, especially the cosy ones, work like a balm on a heavy heart or mind. They make you forget about the harshness of the world and transport you into a world where you may have some things to overcome, but there is no real danger, no impending doom - worst that can happen is a disappointed NPC. BBB does just that.

Wrapped in a blanket of spice and sweets, the game makes you feel right at home, complete with the overbearing family, anxiousness of one's life's dreams, and the plethora of good food. The prose is quite lovely, short but saying everything and more - the secondhand embarrassment of my failures were palpable...

There is a lot to enjoy in this entry, from the delightful and diverse cast of characters, the different approaches to run the B&B (I'm happy to report I was terrible at it....), or dealing with unforeseen issues. But also: the food, the descriptions of the environment, the food, the cats... It was a good time, but also a bit too short of a time.

Artful Deceit is an old school parser, made for the Commodore 64 machine (or a C64 emulator), where you are a detective hired to solve a murder, one the victim had been expecting. As the game has specific commands, reading the manual is highly recommended before starting the game.

I managed to find some clues on my own, before using the walkthrough. The game crashed* about 2/3rd through the game.
*not sure if it was because of the emulator or the game itself.

I'm a bit of a noob when it comes to parsers, especially the old types, and my frame of reference on what is or should be in an old-school parser rest essentially on what other people say about certain games. There are old-school and old-school parsers... like the ones who will only run on 8-bit machines that haven't been around since the 90s. This was the first time I dared to try out a game like this.

Even with an emulator, this was honestly an experience just loading the game and faffing about. There's something quite charming about those retro-style games (even the cluckiness of it or the loading of the command added to it), a style you can emulate visually with the likes of Adventuron nowadays. But it feels different with games like this one - sort of keeping some traditional alive in a way.

Aside from the novelty of it all, which was quite a lot for me, the game itself is a corny who-dunnit murder mystery, with a bit of a cliché revelation (but in a good way, it fits the vibe). There are some neat puzzles with hinting items close by, the ANALYZE mechanic was fun (I did send the other detective on wild goose-chases...), and I was glad to find I didn't need to read some of the clues on the tiny screen. But it wasn't too long or too large, it was just enough to solve the mystery, and seemed large enough to not feel unsatisfied.

But old-parsers also means frustrating commands, especially when trying to interact with some elements (you need to type out the adjectives, all of them) or conversing with the suspects (I barely managed to get a response from them). It's not always quite clear when an item can be open or not (like that painting) or why you have to take some objects to read them (but that might be an old-parser thing).
But the thing that frustrated me the most was the maze-like environment, especially in the manor. There are so many empty rooms where there is nothing to do... It was a bit disorienting at times. Even if the map helped a bit, I still think there were too many empty rooms...

I'm not against trying other games like this one in the future (hopefully they don't crash on me...). This was fun and new!

Hawkstone is a retro-type parser adventure, using old-school RPG elements to drive the puzzles, and a Scott Adam-style of gameplay (not all locations are listed in the directions and puzzles can be obtuse). The game includes a walkthrough listing the required commands and order of actions*, and a built-in help system (pay in-game currency to get it).
*I messed up wanting to go my own way and skipped some steps

To say this was not the kind of game I am good at is an understatement. It combines a confusing worldmap (with weird locations) and difficult to almost impossible puzzles (hit the wrong butterfly and meet an early end). I did try to give it my best shot, but after finding myself stuck, I exclusively followed the walkthrough - save for not wanting to drop loot (but that's me playing RPG).

So Hawkstone is essentially an RPG exploration game. You get items, break some stuff, give stuff to people, maybe sell some items maybe buy some, attack harmless butterfly, and go round and round you go around the map. Do some actions and maybe level up and your skills, or get a random dice roll for extra stats. If you finish enough puzzles, you get to the end (I didn't).

There's not much direction given to you (aside from the start text telling you in case of stuck, look at stuff) and you have to rely on guess work (or just be like me and follow the walkthrough) and thinking of silly ways to solve things. The combat system is pretty fun (though it would be nice if there had been more opportunities to use it), and the game as a swanky stat/inventory system. There is quite a bit of humour in the text, especially in the reaction of actions, and if you manage to run the game without any glitches, it's pretty cool looking too!

But darn, you need to be a level 9999 experienced parser to do this adventure on your own... even a sword is not enough.

My Brother; The Parasite is a raw horror highly stylised kinetic piece, which you are a woman looking for closure after her brother’s passing. Given a second change to talk to him thanks to a parasitic procedure, this speculative piece of fiction explore family trauma and processing grief.

This game is intense. It is incredibly emotionally charged, not just from the gruesomeness of the brother’s death or the description of its corpse coming back to life, but through the hints of unprocessed past trauma (between both siblings, and their mother). The story told through minimal descriptions and bare dialogue punches your gut at every turn. What is supposed to be a tool to process grief and find closure becomes another knife plunged and twisted into the wound. It hurts, but you can’t take it out or you’d die. It hurts, but if you look away and don’t confront it, you’d never find peace.

You have a feel that something is not quite right from the beginning, but it is hard to say whether it is due to the character feeling grief or something bleaker is afoot. The visuals are graining, with most of their colours washed out; some are slightly animated, with tears falling down their face, or the slight breathing movement of the corpse, or the uninterruptable thoughts glitching in the background, or the slight changes in portraits between passages… every element on the page has a purpose - which is to keep your eye on the screen until it’s all over.

Something that struck me with this entry was how the tension built from the start. It kept building and building as you go through the game, leaving you little reprieve or a moment to catch your breath. If the game could send scent, it would try to overwhelm all your senses. And the tension starts small, with a little bit of uh, something feels weird… but becomes uncomfortable, with confronting the corpse of your loved one, confronting harsh truths… and quite bleak, with the realisations of your past, of your present, of your future… and honestly quite creepy if you think too long about about it… and then oh no, oh god, everything is going wrong, are we going to die?!?!?

Though I understand the stylistic choices made in this game, and was warned with the eyestrain in the blurb, I found the font size and low-contrast colours text (especially the greys) quite hard to read. It required a little bit of changing the size on my browser and zooming in to be able to read comfortably.
would be lovely if it was a tad more accessible.
There were also some instances were the timed text and images made me wonder whether I forgot to click on something or whether my internet wasn’t working right. I didn’t mind it when the game would use a “loading” passage to change the background, but was quite confusing with the drawer bit (I also couldn’t see the 4th object in that passage, clicked at random on the page…). Maybe a bit of a shorter length for the timed text…