Ratings and Reviews by manonamora

Lake Starlight is an incomplete young-adult fantasy game, where you play as a teenage girl on the day of her “coming-of-age” celebration, during which she will be given the choice to go to a Magical Summer Camp™ to harness her powers or * shrug *. Themes of sisterhood, environmental justice and anti-corporation are prevalent throughout the story. The current version includes two endings: a “sad” one, and the end of Book 1 (which ends abruptly).

I didn’t particularly enjoy this game, honestly. It wasn’t much of the typical YA setting where the Earth is on fire, society is really bad, but you (yes you! a teenager) can change the course of humanity and solve all its problem (with magic!) - those can be pretty fun! But the execution didn’t quite click with me.

I think part of my issue with it was both in how lengthy the passages where, giving the player little to do but try to digest the over-exposition of concepts or other characters. I’d often go dozens of passages before I could do something… if the game wouldn’t pull the rug from under me and end up choosing for myself instead. I wondered what the point of it all was…

Even if the game goes all-in with the exposition, and in a pretty cliché way (a very-YA style), it often does very little with the concepts introduced. The world is pretty bad all around, but who cares, here’s your ticket to essentially Heaven on Earth for the summer. Meet a bunch of girls with tragic or at least interesting backstories, but you don’t get much to do with them or engage with those background either. The reason for it being the story being incomplete. One would hope this would end up being more fleshed out when/if the game updates.

I played this game twice, finding the bad ending first… and I think I liked that ending better. It at least gave closure. The “good” path of Book 1 ends too abruptly…

Last Vestige is a fairly short parser, built as a mix of an escape room and mystery solving. You play some sort of detective, called up on a case, to find the hows and the whys of a strange death. The game includes hints in-game and an external walkthrough.
I played the post-comp version, which had fixed some stuff.

Called up on a Sunday to check out a crime scene, you end up in a single room with a handful of furniture pieces and clearly no sign of entry or struggle... or body for that matter (taken away by the police already). You can roam around the room, snoop and interact with the stuff, or ask questions to Inspector Knapp and the landlord - though they may not be as helpful as you may want. Who doesn't love a good ol' mystery on their day off?

The game calls itself part escape room, part detective mystery. I thought the 'escape room' part was on point, the solving the mystery part less so...

As soon as you arrive on the scene, you are "stuck" inside those walls, with Inspector Knapp calling you back inside every time you try to leave (that was funny). To "escape" it, you need to find the item the police has yet to discover: a hidden item, locked behind a multitude of keys and passwords.

Like you'd expect from an escape room, you need to interact with object to find information or and element that will help you interact with another object, which in turn... repeat until you uncovered everything. I struggled with the piano puzzle (had to look that one up because I only know the Do-Ré-Mi...), but I thought the nonogram was a neat one! I did try to "solve" that one on the wall instead of the correct device however...

Through snooping around the room, you may be able to link things together and solve the overall mystery (what truly happened in the room). Better remember to write things down, because you will complete the game with a test!

I honestly failed pretty hard, especially the 'how'. I picked the completely wrong option, because of that one little detail I hadn't uncovered when probing the NPCs on the victim's condition. I didn't make the link between the victim's health and their demise. There were even options on that final test I was surprised by, since they didn't come up during my playthrough...

Some mystery will require some prior knowledge on a subject to solve it, this one is medical conditions. While there are hints in the game, I think there should maybe have been a few more items to bring the player to the right path (like a piece of clothing for the victim's condition or notes of a doctor...).

As the final note of the game indicate, this game was create for educational purposes. I think this was telling on how the game was formatted, both in terms of what is available to interact, the hints and information provided by the NPC/action responses, and the test at the end. If I were a student in this class, I'd probably have quite a bit of fun figuring out the whole thing (and maybe not struggle as much as I did at the end...).

Overall, it was enjoyable. I'd try another mystery/escape room from this author.

The Tin Mug is a fairly short choice-game where you play as a tin mug, on its birthday. It is a fairly linear story, with the binary choices leading to the same ending. The game is maybe more meant for children, but it's enjoyable nonetheless.

Though it is your birthday - as a tin mug - you are faced with many challenges: fancier china and crockery looking down on you for being so cheep, rowdy children not caring much for things, and well... the lack of birthday wishes. Through trials and tribulations, things take a charming turn, leading to a well deserved send-off. It is simple but hits the mark. Good deeds always pay off.

And had cute illustrations to accompany the text!

While it was very cute, I struggled most with the program used for this game. Strand is a parser-choice hybrid format (though it uses only the choice mechanic here), where the formatting of the text leave to be desired.
- For longer passages, the program would force you to scroll back to the top of the added text to pick the story up from your last choice. This was particularly egregious when illustrations were added through the new bits of text.
- As for the illustrations, their scaling didn't quite work, covering often too much of the page, forcing you to zoom out to get it in full.
- Often, the dialogue would be formatted in ways that made it difficult to distinguish who was speaking when, as the speaker would change multiple times within one line/paragraph.

It is an entry with lots of heart, but needs a little tweaking still.

Shanidar, Safe Return is an interactive fiction piece where you follow a group of Neanderthal/Cro-Magnons first fleeing for safety, than travelling to the distant land of Shanidar. The story is set from the start, though your reading will depend on which link you click.

This was quite the peculiar entry. Not just because of its subject - while there are many IF games going back in history, very few end up that far - but the way the story is told. It flips between different POV or groups of characters depending on the link clicked, sometimes even going back and forth between present and (close) past. The passages, sippets of side-stories connected through the overarching story, tells the escape of Haizea and her group, their temporary settlement in the Bear Cave, and their travel towards the promised land.

The story follows a staggering 19 characters, including you (23 if you count the mentioned NPCs), which can be quite confusing. Even with the list of characters opened on another screen, the going back and forth was sometimes quite a bit, especially when the game is not quite consistent with the naming of the characters, and because it introduced characters almost constantly. Though, I appreciated the fact the game allows you to start the act over to connect more dots, and maybe even find new snippets.

With those snippets and the fairly concise prose, the piece reminded me of those documentaries trying to “reconstruct” how humans lived back then. Unlike those representations, Shanidar does a lovely job at humanising both spieces, through the descriptions of customs and relations between the characters.

This was pretty different, and I’m not sure I managed to connect with it as much as I would have with a more traditional way of storytelling. The lack of actual meaningful choice (opportunities to have some are plenty here) relegates the player more as a reader-first than an active participant.

Magor Investigates… is a relatively short linear parser, where you play Magor, the court’s sorcerer. Though the game is part of a series and a larger universe, it is not required to have played other instalments to complete this game (relevant information is provided in-game). In this entry, you are tasked by the king to work some genealogy magic and find whether the monarch has some relations to another crowned head. While there is no walkthrough, a comprehensive hint system is implemented.

This was a quaint and low-stake little game. With the return of the King after a difficult quest, you are given the simple (though maybe tedious task) to trace back your monarch’s lineage and hopefully find a connection to another royal family. But oh, no! the Archivist is down with a bad stomach ache and can’t let you browse to your heart’s content. Good news! Being a sorcerer, you have an extensive library, which includes a tome on remedies. Fix up the concoction, nurse the archivist, go back to your main task, and report back to the King. End Credits!

From the premise, and the length advertised on the IFComp website at an hour and a half, I… expected more. Even though I loved the cozy and low stake vibes of the game (with a non-existent difficulty, and super well hinted actions), I was done within a third of the expected time, having completed the 9 out of 10 tasks.
The discussions with other NPC are triggered after an action, which you (the player) do not control/cannot change (you can’t ask people questions). This is a bit of a shame, because those discussions are at times lengthy (had to scroll back up at multiple occasions), and could have been broken into multiple actions.
As for the investigation, only one action is require before the task is complete. And even if the game includes many room, the engine does not let you explore much of it, as it tries to railroad you into one specific path.

Another gripe I had with this game was the visual aspect. I am all for funky and bright interfaces, but the use of this particular palette with the Comic Sans font was quite painful to the eye. And when you have long block of texts on the screen, it is not really comfortable to read. For this aspect, I was kinda glad the game was fairly short.

It was a cute short game, otherwise.

~~ Updated Review from the 2022 IFComp bc I replayed it recently ~~

Am I My Brother's Keeper? is a short mystery Texture game focusing on the themes of grief and loss. You play as Sara, whose sister Sofìa has disappeared without a word. That is until your phone rings once more. The game has two endings.

Though short and fairly linear, this was still an interesting game, where the story pulls you in from the first page. There is a mystery afoot, but you are powerless in how to solve it. The desperation of the PC wanting to find her sister is gripping, but the most disheartening thing is her realisation about her relationship with her sister, and her struggles of having been enough for her, of having reciprocated enough. The mystery is even enhanced with all the questions left unanswered (what truly happened to the sister? who is this mysterious figure?) In this game, the writing shines the most.

When I first played it, it had taken me a while to understand the meaning of the title, since there are no brothers ever mentioned in the game. It only made sense when choosing to avoid answering the fated call. The whole Abel and Cain reference makes total sense after playing that route.

Though there are interactive elements on the screen*, there is only one branching block in the game - the phone call - which sets the tone for the rest of the story. After that point, which happens pretty early on, it may feel more like the game is pulling you towards the end rather than you having agency through these paths.
*options of which I wished it would disappear after use rather than stay on the screen.

~~ Updated Review from the 2022 IFComp bc I replayed it recently ~~

Thanatophobia is a relatively short horror chat-like parser in which you play a therapist trying to uncover what is scaring Madeline, your patient. There are two elements to uncover, before you can make progress and reach the end.

I remember enjoying this game quite a bit when I first played this game, mainly because this is a parser where you could type complete nonsense and still get a coherent response out of the chatbot. Even if there are hints on the page, to guide your psychological session, their vagueness didn't make you feel cheated for solving the puzzle. My stance on the game has somewhat evolved since.

As with my first playthrough the game, I enjoyed the psychological horror aspect of the story. From the start, there is something quite wrong with the person answering your questions - questions often left somewhat unanswered. Madeline only reveals the truth when your force it out of her, probing her mind until she gives in - which at times requires quite a bit of walking around the bush, as she is not the most forthcoming person, deflecting any element that is a bit too hard to deal with.

Replaying it so long after, I had honestly forgotten about the twist that came with the final beat of the game. Until the absolute last moment, I even was doubting who the strange figure was truly (something I had caught early on the first time around). Still, that moment brings everything into context, showing how much Madeline struggles with her issues and how it affected her. It is incredibly sad, yet ends on a hopeful note.

The horror aspect of this game doesn't just stem from the setting itself, and the story as a whole, but the gameplay as well. Unlike the majority of parsers, this one is not bound by rigid commands to advance the plot. Instead, the system will still respond to the most strange commands given (even complete and utter nonsense). It is incredibly eerie how the "AI" answer your questions, even striking back in frustration when you are not making any substantial progress with the session.

But this system is not without friction. As it is a chat-experience, Madeline does not say more than a few sentences at a time, forcing you to time a command during monologues - which at times broke if the command resembled a bit too much one for another bit of the story. I think I would have rather gotten a larger block of text, or multiple messages in a row.
In the same vein, getting information out of Madeline is sometimes pretty frustrating, even if you can mark it out as 'the patient being a bit difficult in sessions because it is a heavy topic'.

Overall, this was an interesting game. One I do not wish to revisit any time soon.
Turns out, I have thanatophobia too :/

The Paper Magician is an interactive game centred around a singular puzzle. In it, you play an unnamed PC, a test subject, whose knowledge goes little further than the four grey walls around them and the books provided by the other scientists. That is until you meet a magical cat who helps you escape.

I’m a sucker for speculative fiction, especially when it has some fantastical elements attached to it! And boy, did this game scratched that itch!

I’m a sucker for speculative fiction, especially when it has some fantastical elements attached to it! And boy, did this game scratched that itch!

Told from the POV of the PC, the game starts with a fairly lengthy introduction, going through the thoughts and experiences of the PC stuck in the test room since they woke up. With no memories prior to their awakening (suspicious!), the PC describes their life in that room, what is around them, what they do, what they feel, what they hope…
It takes a while - until the introduction of the cat - for the story to move on, allowing both the PC and the player more agency and to tackle the main obstacle (escape!). Until then, the story is pretty linear, almost kinetic, with the few and far between choices adding little variation to the screen.

In the second beat, you are able to roam around the 8 available testing rooms, go through documents left behind, and attempt to enter codes to unlock a door and escape. Fail to enter the correct code, and the scientists are averted of your little escapade outside of your room, grabbing you and sending your right back in there.

In and of itself, the puzzle (entering the correct codes) is fairly straight forward. Each password is accompanied with a question related to a bit of information found in the documents. The downside of those textboxes is that they don’t just require the correct string of word(s), it also needs to be formatted the correct way (capitalised). While the first is slightly annoying, as the phrasing of the documents gives some questions a bunch of options for answers, the latter is pretty frustrating - not all words are capitalised…
This adds A Lot of friction to the game, since getting the answer wrong sends you back to your cell.

Another bit that made it more difficult than it should was navigating the little complex. Even with only 8 rooms, the way their locations were defined was a bit confusing - especially when the description mentions opposite walls, but the directions are next to each other ( East - South). Drawing a map will help, especially to remember where each code need to be inserted (in case you fail).

Finally, if you manage to enter the correct codes in the correct places, you will trigger the final third of the game: your escape.
The ending sequence is a bit bittersweet, returning to the more kinetic approach, similar to the introductory part. The events are played out before your eyes, without much interaction required from the player, de-escalating greatly the tension built during the puzzle. But it is also very lovely, and sweet, giving a proper send-off to the story with its resolution.

And yet, I did leave the game wishing for a bit more. Maybe more interactivity in the first part, or another puzzle or two trying to escape the compound (maybe it’s much larger than those 8 rooms), or have more agency in the final confrontation with the scientist (maybe giving them their just desserts.

Still, it was a neat little game. I enjoyed the premise of it quite a bit.

Creative Cooking is a relatively short parser, with minimal puzzles, set in a fantasy world. Your goal is to gather ingredients to complete the different dishes planned for the dinner with your friends. The game files include a walkthrough.

The game warns out ahead of time it is a sneak peek at a much larger WIP to be released in a few years. And it is the sneakiest of peeks. A short, homey, and low-stake peek into a fantastical world. There is both little and quite a bit inside this game, which makes reviewing a bit perplexing… it is both under- and over-cooked.

First, there is little in terms of gameplay. Unlike the title and blurb implies, there is no actual cooking in this game (to my grand disappointment ;-;), though you are tasked to gather ingredients for the dishes you plan to whip up. This fetch quest takes you around your little quaint town, where you either need to talk to some NPC to get an ingredient, or pick it up yourself. Get all of them, go home, and… you’re done. Depending on your movements, you may be done in 20min or so (which is fine, we don’t need just epic stories with masterful puzzles!)… or explore a bit more, and you’ll double/triple that time.

But that exploration was pretty limited, due to the very few interactive elements coded. Each “room” comes with a lengthy description, often shining light on a handful of elements standing in that spot… though only a dozen or so items (from the 25 rooms) can actually be examined. You have a secret underground closet, but can’t snoop inside. There’s a bench in the park, but you can’t sit on it. Mentions of plants, but won’t learn more about them either. I think I spent more of my time running around the game trying to interact with things… unnecessarily because there’s nothing to do with them. And for the amounts of rooms available, it’s a bit disappointing…
As well, then you do have an action coded, there is often only one way to do it, which may not even be mentioned in the About section of the game. I had to open the walkthrough to find that solution, because it was kind of obtuse you needed to throw it.

On the other hand, it’s clear the author put a lot of time into shaping up the world of this game/teaser. As mentioned before, the room descriptions are fairly lengthy (for a parser), revealing quite a bit about the town, or introducing fantasy concept (yay for new made-up words). Yet, the library room is the clearest example of that, with the different tomes available, providing exposition for the world and what might be to come. It is the real teaser about the universe of this whole WIP project…
But it’s easy to miss, since the main puzzle doesn’t require it.

I do wonder if the time spent on the whole worldbuilding and those details could have been maybe spent on the more puzzle/interactive aspect of this teaser. Still, there is an endearing aspect to this entry, short as it was, even if the implementation didn’t quite follow what you’d expect of the parser recipe. Yet, it made for an intriguing amuse-bouche…