Reviews by manonamora

Virtue is a short-ish linear entry, where you follow Gloria, a newly middle-class woman on a self-righteous path to prove her standing in her new community. It is meant as a satire about the origin story of a conservative member of parliament in Britain.
It should be noted that while the blurb sort of spoils the gist of the game, the original content warnings are not clear enough on the actual content of the entry. Please note that there are mention of an assault, as well as xenophobic comments.

Honestly, I am incredibly conflicted about this entry, because it is clear what the author was trying to make fun of, but the results is undermined by issues (see last point). A shame the ending is spoiled in the blurb, it would have made the revelation stronger...

On the surface, the entry does a decent job at make a jab at those conservative pundits, how they got where they are now, how conservative talking points are sometimes hypocritical, or downright dangerous, or how comically easy people can fall into extremism. It touches on what you'd expect, and makes clear who you are supposed to like or not.

But when you dig deeper, the entry feels a bit shallow. While meant to be off-putting and shocking, the text barely dives into the tory-ism and more extreme talking points. I was expecting Gloria's decent into her "moralistic" path to be more explicit in both her views and her spoken words, but she barely go further than what you'd see a light "Karen" do*. She is much too restraint to make the satire work in that regard (even with the British "politeness" coming into play).
*sorry for all the decent Karens out there...

Speaking of Gloria, it is obvious from the start she is not meant to be liked. She is a vapid busy-body woman who has nothing better to do than keep up with appearances. Like your usual stereotypical middle-class stay-at-home mother, she berates her husband to no end, disregard her daughter (which I felt she even envied), and, in some sort of Oedipal concept, puts her son on a small pedestal... that is when she actually pay attention to her family. She seems more interested in her little dog than anyone else. To further the point of how sad and empty this woman's live actually is, the game shows a clear lack of hobbies and passion by the end of the game.

With Gloria putting so much importance in appearance and status, coupled with her lack of personal life, it is no wonder she'd end up where she did. And it works for the game! Who doesn't like a comically evil (or maybe stupid) character.

Finally, a bit of the elephant in the room.
[Mention of assault moving forward]
(Spoiler - click to show)The whole tragic backstory of Gloria having been assaulted in her childhood, used later on as an angle for moral and sexual purity, was not just uncomfortable to read (especially the implication that it helped pushing her down that path), but downright unnecessary and unimaginative. There are enough content out there using the rape trope as a backstory, and coupled with the "self-indulgence" satire, it leaves a bad taste in the mouth. The whole 'you're dirty' angle played almost for laugh is genuinely upsetting, as the need of wanting to be clean is an actual trauma response following an assault. The carelessness in this, especially when the content warnings are lacking in that regard, really sours the game.

And there were other directions the author could have taken to use the whole clean/dirty bit. Gloria came from council houses, aka poverty, aka was a dirty poor. But now, she lives in a middle class house. She is not dirty anymore, she is a proper not-poor person. She has worth. She turns her back on where she comes from because that's shameful and dirty, and she is a proud and clean woman.

And that's it. No need for the cheap assault trick. Instead of undermining the point of the satire, it pushes the hypocrisy angle of conservative points.

Please Sign Here is a fairly linear visual novel mystery. As a coffee barista, you have been brought in for interrogation after being involved in an accident that took the life of your friend and the police finding your signature linked to other incidents. The game goes through the events of the past week, ending with you potentially naming who you think did it. There are about a dozen endings.

Out of all the things I would expect to see in Twine, a visual novel wasn't really one of them. Usually made in RenP'y or Godot, this one was made in Harlowe, a Twine format. Even if the scaling doesn't always work, or the positioning is not always quite right, or the music bar being distracting, just for trying to do that, kuddos to you!
Just a little note on contrast, the text sometimes blended with the background, which was a bit hard to read. A darker text background or different positioning of the image would help a ton!

The story itself might be a bit generic (oh, no! you were accused wrongly!), and the prose awkward at times, but throughout, the game managed to keep up with the suspense. When it starts to mellow out a bit, here's a creepy sprite, or the background changes with darker tones to reflect the state. It is also made clearer with the main character slowly losing her sanity, which is already exasperated by working too much.

Though most of the story is pretty linear, you have a few choice on how you interact with your surrounding and the people entering the coffee shop. Still, your agency stays fairly limited, as the majority of the game happens in a flashback. The main choice happens at the end of the game, with most endings being fairly similar to each other (not one felt quite satisfying).

A big big plus for this entry was the illustrations for the game, especially the backgrounds. Really added to the vibe of the game. I think I liked the car scene the most.

The Ship is a hypertext puzzle game, following two interconnected stories of captains, each looking for a specific location. The game includes different kinds of puzzles, from visual ones to more fetch-quest like, and achievements. I completed 3 chapters out of 7.

I don't know why I had a hard time getting into the game, it has all the stuff I like: pirates, some sci-fi elements, some puzzles, some fun characters with interesting or funny backstories... Mixing genres is usually so much fun, and drawing parallels between storylines is usually intriguing (has me on the edge of my seat). But something just didn't click with this game.

I don't think there was one reason for why it didn't work (for me), but more of a combination of frictions with the story or the gameplay that resulted in not enjoying as much as I thought I would have. I could see where it was going with the tropes of the characters and the similar elements between the captains, so it felt a bit frustrating.
I ended up relating quite a bit with the first captain from the start of the game.

Though there were bits of humour, I found most of the prose a bit dull and dry (more so in the sci-fi section than the pirate one). The dialogues were more palatable, especially with the more cookie crew members (they had some funny bits, playing the tropes and such). The pace was a bit slow, and in conversations lore-dumpy with the long paragraphs.

Still, I pushed onward, discussed with the different fun characters on board, ran around the ship to get things rolling, tried to solve the puzzles and put stuff back into order... I followed what the game wanted from me, but it still didn't grab me. After reaching the navigation puzzle, I stopped. It's a neat puzzle, in itself, but too many to levels solve at once to continue the story.

Lonehouse is an emotionally charged piece about facings reality, processing one's grief, and finding ways to remember passed loved ones. The entry feels very personal albeit short. Following the passing of your estranged sister, you find yourself sorting through her belonging, reminiscing about the past, and learning new things about the time spent apart.

The entry takes you through different rooms of your sister's place, each giving the player the same actions (inspect, move, thing). It feels methodical, as if you had to force yourself going through the things your sister left behind. But, in each room, you discover a special item, triggering a memory or thought - each showing a different facet of the person you (thought you) once knew.

Grief can be a heart breaking and complex feeling, rendered even more complicated when the situation is itself a complicated thing (there's a lot of unsaid things in the entry about how it got to this point). I felt like this entry showed maybe a more detached look to that feeling.

This is a tales in two parts, two POV, where things are not quite what they seem. You are given the choice of two paths: to follow the story of the boy or the girl (you play the other as well), with the actions from the first part of the story affecting the second, and both the ending.

I managed to get a fairly good ending, by playing it smartly - choosing any option to get the hell out of here, I'm not following dumb horror actions xD. The writings about what is going on are on the wall, the game not always been very subtle about it.
I did like the mirroring of the actions between both paths. It does not fit quite completely, both PC being somewhat unreliable narrators, but it makes for an eerie experience.

I also chose to play the "boy" path before the "girl" one, which ends up working in favour of the game - the former pushing more of a damsel in distress trope, while the latter has a badass taking charge girl. The writing is much superior in the "girl" path than in the "boy" one.

There is an interesting core with this game, and I hope the author will update/polish it in the future!

This was a short-ish story about fantasy prophesies and predestination. The game does an interesting thing by using a different POV to the tale, from the monster's position rather than the saviour, as well has hinting that the monster and the saviour were friends. The ending (notification of one) will end depending on your actions (the monster's), and its trust in its friend.
Also, don't forget to click the link in the ending page, even if the text looks familiar...

That said, the writing didn't quite click with me. Nothing seems to be wrong with it, it just didn't grab me as much as the premise of the game itself.

There were also some issue with the bold formatting in latter passages. I don't think this was on purpose

As the title hints, this short sci-fi story is predetermined. Your ship is task to investigate an area, only to essentially land in an ambush. The game includes multiple endings, all of which end fairly abruptly (if there is no link on the page, it's an ending).

The building of the tension in the action sequence is intriguing, but I wish the different elements (NPCs and such) were introduced a bit more and were more fleshed out. You're king of thrown into the situation, making things a bit confusing.
I also thought you could have a bit more agency in what to do during the height of the action sequence. A lot of things seem to be happening, but you (the player) have not much control over the PC.

I do wish this had been a completed game rather than a demo, because it was quite fun to play through it.
Choose the UNFINISHED paths at your own risk... You may run into dead ends...

From what is there, it gives off vibes of those 20s-40s mysteries, like your Agatha Christies, with a locked room murder or an unexpected setting for a murder to take place (ZEPPLIN! DON'T SMOKE xD). You play as an up-n-comer detective, still needed to prove to the world you have what it takes to do the job and solved mysteries!

The game takes an interesting approach with exposition by making you write a letter to set your background and reasons for being. The writing overall is pretty playful and fun, reminiscing on those old mystery pulp, and playing with their tone and tropes.

As for interacting with your environment, the game offers you multiple traits, affecting the way you act around NPCs or interact with things. It reminded be a bit of The Thirty Nine Steps in that way. To solve the murder and get information out of people, you can also spend Detective Points (very TTRPG/Fate system), though it didn't seem you could earn some in this current state.

I am looking forward to see how the game pans out...

I got inside (with some struggles), looked around (with some struggles), and... got stuck, I think?

This kinetic parser is a follow-up to Ranaway, which is coded the same format, continuing the use of unconventional keys and commands to progress through the story (like L for leave instead of Look). The issue is that commands are not always made obvious, nor what is interactible either. The bug didn't help either (that or it was the ending?).

I still don't know what to make of this game just yet. There was no blurb on the game page, no tag line on the submission... nothing. I had no expectations, and I still know know what to think about it.

The game opens on an broken item, asking you whether you'd like to discard it or stop [the game], with the first option showing you a different object, and then a different one, and a different one... This continues until you either choose stop or discard the 27 items (of different levels of broken) coded inside the game.
For some objects, you get an extra option: ruminate on the item.

Anyway... I just know it made me sad when I reached the end.