Adventure

Yes, yes, I get it. Adventure was the game that started it all.

And there are SO MANY different versions of it, that it hardly seems possible to review or score it, considering you probably played the sub-optimal version.

I've played the two-word paser version, and the inform update.

The inform update is full of bugs. You can carry any number of things in the wicker cage, allowing you to bypass puzzles that might not let you carry certain items up certain areas by putting them in the cage. The scoring is off too, because if you carry a treasure in the cage to the "base" you get penalized when you TAKE the item out of the cage, then get the points BACK when you drop the item, stopping you from geting proper points.

Anyway, version aside, the game has its plusses and minuses.

The game is a cave crawl puzzle fest, except that everything is totally random and the answers to the puzzles are totally arbitrary. Everything is under-implemented. I had trouble catching a particular bird, and then, i just caught it. I imagine it was turned away by something that was in my inventory then and not now, or vice versa, but regardless, I was able to catch it at one point and not at another point. And your use for the bird is rediculous and there's no reason to believe the bird can be used for its indended purpose.

It keeps going. You have your mazes of passages, rooms with exists not clearly defined, multiple paths going to the same place, and the reverse direction doesn't always take you back where you started. Random enemies show up and attack you, for what appears to be no reason, and never seem to hit you, making their presence appear useless and annoying.

Much like Zork, you are dropped in the middle of nowehere with no clue as to what's going on. Had I never played Zork, i never would have assumed you need to put the treasures in the house. But since I played zork, I tried it. Yep, it works. And it's relevant.

I can only imagine the nightmare of beating this game with a limited parser, considering how frustrated I've become with even newer versions (which allowed you to bypass inventory limits with a wicker cage!).

Okay, okay. Adventure gave us PLUGH and XYZZY. But Infocom gave us BLORB and FROTZ. Adventure gave us Sierra Online (as the creators made games because they coldn't find more games like adventure), but I guess this is one of those games where "you just had to be there". As it is, I am finding myself having little patience with limited inventory, drop items in the maze and map it, and perform any random action you can think of to see if THAT works. Yes it was the first IF game EVER, and for that, it deserves to be played and deserves to be respected. The site wouldn't be here without adventure.

But you need to be a die-hard IF fan AND IF history buff if you're going to get a lot out of this game today. The same can probably be said for the Zork series.

I gave this game 3 stars. Compared to current standards, it really is terrible. But back when it was written, it was the best there was (the only there was). It gave us so many IF conventions we take for granted today (such as the dark room, and using compass directions to move!, inventory and LOOK commands), and people really need to play it if they want to see IF roots- just be ready to take a while, and have hints on hand!

Adventure was the very first text adventure of all time. It inspired the genre and its name.

The point of the game is to gather a variety of treasures and bring them back to a small building. The game is pretty accurately based on the Mammoth Caves, which explains the mazes and the fact that exits and entrances sometimes don't match up exactly (i.e. going west and then east may not leave you where you started).

For me, the most enjoyable way to play this game was to keep it at a slow pace, going back to it time and again while playing other games. I kept a numbered list of every room with all of its exits to other rooms. This made the game much easier. After several weeks, I got to a point where I couldn't get any further for several days. I finally looked up a walkthrough for the last three or four puzzles.

Once you get all the treasures, there is an endgame that is surprisingly good; it seems more like a modern deconstruction of the game than the very first game of all.

I played the 350 point version, and I found the game incredibly enjoyable. I admit that I used the wicker cage bug (as mentioned in another review), where you can carry everything in the wicker cage. To get full points, you must remove the items from the cage outside of the building before placing them in there.

Every Interactive Fiction player should play this game because so many other games reference it heavily.

Introduction:

"Adventure" is a timeless text-based interactive fiction game that stands as a cornerstone in the genre. Developed by William Crowther and Donald Woods, the game's legacy is as enduring as the immersive experience it offers. As an enthusiast of interactive fiction, I couldn't resist the allure of visiting this iconic title. In this review, I will delve into the game's foundational features, narrative and gameplay mechanics.

Story and Narrative:

One of the most remarkable aspects of "Adventure" is its foundational narrative. The game's story transports players into a captivating world of exploration, mystery, and puzzles. As a daring adventurer, players navigate intricate cave systems and uncover hidden treasures, all while piecing together a tale that gradually unfolds through the environment and sparse but evocative descriptions. Despite its simplicity, the narrative's sense of discovery and the player's personal involvement remain its enduring strengths.

Gameplay Mechanics:

"Adventure" excels in its innovative gameplay mechanics that laid the groundwork for future interactive fiction titles. The game presents players with a series of text commands, allowing them to interact with the environment and solve puzzles. The ingenious use of concise descriptions and responsive commands creates a sense of agency, immersing players in the illusion of exploration and interaction. Though rudimentary by today's standards, these mechanics are a testament to the ingenuity of its creators.

Pros:

+Foundational narrative and gameplay +Ingenious use of text-based commands
+Immersive world-building
+Historical significance and influence on the genre

Cons:
-None

Rating: 8/10