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"With this game you start at the end - the end of a road, surrounded by forests, farmhouses, fields and a slight depression. You already have 50 points to your credit and haven't even touched the keyboard yet! Can this success last? Well it seems to do early on, as you can soon pick up quite a few treasures. The adventure's basically another excuse to go wandering round an underground cave system at the start - and I like the Tomb Room where failed adventurers are buried. It does open up to other areas too later on, and obviously the treasures get rather tougher to collect!"
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"Some of these sections are quite easy. Some have problems that will keep your mind active all night. The real difficulty comes in deciding in what order to complete the separate parts. There are lots of one-way routes and cleverly chained puzzles. The number of times I found myself needing something that I'd had to leave behind somewhere else where it was now impossible to get it again were legion. And, to complicate matters still further, your lamp will only last just long enough to finish the whole thing. When the whole adventure finally nears its conclusion and you close the safe to find that you have managed to obtain every treasure, there is a real sense of achievement."
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"So, it's venerable, but how does it stand up to time's criticism? Well, by and large, pretty decently. Of course, you can forget about the plot. There is one, in theory, but what it boils down to is this: solve puzzles, so that you can collect all the treasures. Given that it was written by mathematicians at Cambridge University, and its main audience was presumably their colleagues, it is also no surprise that it is rotten hard and on occasion requires not just lateral but downright contorted thought. So, it's a humongous, arcane treasure hunt. But it's a well-written one, and for the right player - and yours truly is - a very enjoyable one, at that."
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Review by Richard Bos
"If you like hard (and large!) games, and are not put off by a bit of old-fashionedness, give this one a try. It's a classic and one of the originals, and even in its own right it still remains playable to the right player."
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Number of Reviews: 1
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Acheton has finally bitten the dust for me. A bit like getting married, cleaning the windows or cutting one's toenails, I had kept putting off a full scale assault on this 1978 mainframe game until the last possible moment. My previous dalliances with it had led me to believe that a full score of 1500 points and the discovery of all 55 treasures would in fact be a triumph of hope over experience.
And so I pulled out my etiolated, half completed maps penned in the days of Filofaxes and mobile phones the size of an engineering brick, squinted at them, shook my head and filed them under "Ignore."
Once more unto the breech....
Acheton was one of the first, if not the very first, game to be written in England, begun by two Cambridge postgraduates Jonathan Thackray and David Seal (who also wrote the proprietary T/SAL programming language that would become a standard for the Cambridge few) and doubled in size by Dr. Jonathan Partington after he had completed the first half. The whole thing took around two years to write. It took me about that number of man hours to solve it. The version I played was the Phoenix version converted to Z Code and it has some minor differences to the Topologika version released for micros. The advantage of the former lies mainly in the fact that a typo doesn't cost a turn, which in this game is often the difference between success and a sudden demise.
The game begins with a warning to would be players that it is considerably harder than the Adventure mainframe original upon which it is based and this isn't a frivolous piece of advice; deaths ranging from Cirrhosis of the Liver to being savaged by Ferrets almost certainly await you underground. Indeed a list of deaths and ways to make the game unwinnable would I suspect run to more text than the complete coding of some games.
All begins above ground at the end of a Good Road near a Farmhouse. Exploration throws up a few traditional items (and a handful of sudden deaths!) including two that ostensibly seem to lead to a route underground but don't. You have been warned.
When you finally make it down below, multiple routes soon lead to multiple routes. Most passages curl or bend sharply so mapping is somewhat tricky although Trizbort is a big help. In the days of yore I ended up with multiple ruined line drawings on A3 paper and empty biros.
My advice to any would be player is to not worry too much about tilting for victory early on. Explore, die, explore, die and slowly the map is pushed outwards and your score increases. Deserts lead to a Shoreline via an Egyptian Pyramid. Giant Caves lead to a Mine. A Wizard's Garden leads to a Roc's Nest. My advice is keep many saved copies, more so than in just about any other game. And remember that when this was written there was almost nothing else around so you couldn't become frustrated, give up and move on to one of the many thousands of other games that are now available. Put yourself in a Seventies mind set, convince yourself there are no other games to try and you will have those eureka! moments just when you thought you would give up. And the rewards are well worth fighting for.
In deference to the difficulty of many of the puzzles there is an excellent set of graduated hints which start at a basic nudge and usually finish in the total solution to a problem. These are not present in the Phoenix version. I can resist anything except temptation so I avoided the use of these.
The actual problems themselves range from "use A with B to get C" but usually in a very clever and subtle way, to chaining problems which run across multiple locations (very much a trait of Dr. Partington's games in general.) I can think of maybe only two puzzles I would call downright unfair. And some, like one inside the pyramid, are exquisitely constructed.
The thing that really made the game so tough for me though is the lamp timer. You will need to find a way to recharge it and even then it is tight to finish in time, as choreographing the jigsaw so that you can fit it all together in the life span of the lamp and not leave behind an object somewhere where you can't get it any more is just as challenging as the puzzles themselves. There is a built in transportation system which you will need to use in the game, for without it you will never get all your trinkets into the safe in time.
Unusually for these games there is an inventory limit of eight items; I think all the others have a limit of seven.
Magic words, short cuts to other regions and NPCs abound. The latter include a Mummy (an affectionate in-joke aimed at a certain Mike Oakley) a drunken Dwarf, an old Weaver, Pirates, Snakes, Scylla and Charybdis, a Garden Gnome, a Wizard... nearly all of them are out to put a spanner in your works.
I must confess that I got to 50 treasures and got completely stuck. Fortunately Adam Atkinson was on hand to give me some subtle hints and without him I really don't think I would have crawled over the finish line.
At the end of it all there is the inevitable (for its time) endgame which is something of an anti-climax. It is fairly straightforward and not particularly memorable.
In short, this game is everything that is unfashionable nowadays. That doesn't take away from its entertainment value if you have a decent attention span and come from an era before everyone had an allergy to something in the air or on their plate. Or to a lot of words on their Monitor.
The game has the standard (for its time) two word parser but it isa very good one. TAKE ALL works and TAKE and also DROP will assume the last object used. Unfortunately no VERBOSE or BACK or, of course, EXAMINE. This only really bothered me in one place, in the Wizard's Garden.
Given the latitude afforded by the mainframe space that the authors had available there are nicely evocative descriptions; long when they need to be with the occasional long text dump. There are almost no typos and no real bugs either that I came across in gameplay.
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Games where deliberately losing/dying/losing an item advances the plot by Andrew Schultz
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