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Number of Ratings: 45
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- moonerz (Brazil), November 25, 2021
3 of
3 people found the following review helpful:
Linear story, great writing, September 30, 2021In this story you play Calaf, a rougish young man with rich parents whose primary leisure activity is spending time in brothels. But with a single glimpse of the legendarily beautiful and mysterious princess Turnadot (based loosely on the play/opera of the same name), he falls deeply in love with her (or does he?) and becomes willing to do anything to get her to marry him.
This is an interesting piece of IF. It is written in ChoiceScript, but does not make use of the stats features (instead replacing the stats page with a funny message), and I'm not sure any of the choices you make cause the story to branch much. But it illustrates well a different way to put interactivity into a work of IF. Each bit of writing in between choices is very small, you basically get to decide on 90% of the dialogue of Calaf. In this way I felt I embodied the character more than in many other pieces of choice-based IF, because he basically didn't do anything without my permission, I put all the words in his mouth. Now, between the subject matter and the necessarily limited choices I was given in most instances to choose the dialogue, I still didn't really connect with the character, as my personality does not fall any where near the range you allowed to pick from for Calaf's personality. Still, the quick pace of choices made me feel like I was playing the character almost as much as I would in a parser-based game.
The writing in this game is excellent as well. It is mostly dialogue between two characters and has a fun cat-and-mouse rhythm to it. It reminded me of the best scenes of dialogue from a Kevin Smith or Quentin Tarantino movie, and I enjoyed it very much.
In the end, I think mostly due to the subject matter, and a bit of plot dissonance towards the end ((Spoiler - click to show)I felt like the story went too quickly from Calaf discovering his friend murdered to the "happy" ending), this one didn't really grab me the way some lesser games with more agreeable plots have. Still, I think this is an important game for the quality of the writing and the lessons it can teach about the different kinds of interactivity. Certainly worth your time for that.
- Pinstripe (Chicago, Illinois), July 6, 2021
- Chin Kee Yong (Singapore), April 6, 2021
- Minidoc, January 23, 2021
- Doug Orleans (Somerville, MA, USA), September 27, 2020
- autumnc, September 24, 2020
7 of
8 people found the following review helpful:
A decent parody that had me wishing for more, September 23, 2020This is probably the toughest review I've written so far as I'm not entirely sure how I feel about Turandot. I should note this is the first ChoiceScript game I've finished and it's not my preferred style of play.
I was immediately turned off by the game's first section, where we intimately are introduced to Calaf's misogyny. Gijsbers tries to play it for laughs, as the entire game is kind of a parody of the opera, which was terribly sexist. While I smirked at times, I just don't find sexism ripe for comedy.
Things definitely improve once we meet Turandot, as she is a revulsed by Calaf as anyone should be and has an appealing flare for the dramatic. Her running commentary as she sends Calaf through the trials to win her over is witty and endearing. I was less taken by her change of heart, as Calaf's self-actualization feels out of nowhere, though I have to admit I was rooting for him by the end. And the ending turns the game on its head one more time, making us once again reevaluate everything we thought of our characters and I was left feeling a bit dizzy (not to mention confused for Calaf's friend).
Ultimately, I gave this three stars because Gijsbers is an excellent writer and I was compelled for most of the ride. But I was left quite unsatisfied. Perhaps if this had been written as satire, with more focus on the historic racism of Orientalist operas, I would have appreciated it more. Instead it felt to me like a few different sketch comedies thrown together, full of some laughs but with an inconsistent theme.
I should also acknowledge the quite overt references (so overt that it would be hard to call them Easter Eggs) to several famous IF works sprinkled throughout, though I'm not sure why they are here. It reminds me of how out of place it felt to get an XYZZY response while playing Babel. Though I imagine I will never again find quite as satisfying a result to clicking "Show Stats."
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