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About the Story
"In the event of my disappearance, my legacy shall not be distributed until every room in my museum has been searched in case I can be located."
Nominee, Best Game; Nominee, Best Story; Nominee, Best Setting; Winner, Best Puzzles; Nominee, Best NPCs; Nominee - Getting the light upstairs, Best Individual Puzzle - 1999 XYZZY Awards
A massive work, solidly built on the same principles as Curses!. This will take you months to solve. The sheer quantity of puzzles is staggering, and virtually every kind of puzzle you've ever seen in a text adventure is represented (excluding the maze of twisty litte passages all alike, but including a liquid measurement problem and a cryptic crossword clue). The story concerns a search for an elderly relative in his museum. The museum turns out to be a museum of magic, and the magic turns out to be strange stuff indeed. From the museum, the player can sometimes escape into self-contained sub-worlds through visions, time travel, or other means, often learning more about the nature of magic or the history of the Mulldoons in the process. Alternate solutions abound, and many parts of the museum can be reached in more than one way. Humorous, imaginative, full of surprises, and most of all, devious. Relies on character graphics in a couple of places.
-- Carl Muckenhoupt
Part of the reason that it's huge is that it's full of puzzles--this is, in every way, a puzzle-fest. Moreover, a lot of the puzzles are quite difficult, sufficiently so that you shouldn't expect this to take less than several weeks (unless you have a telepathic connection to the author or are relying heavily on a walkthrough). The length and complexity of the game adds to the difficulty, in fact, since you may be required to connect one puzzle with an earlier event that you might have encountered several weeks before, or with an object that you haven't touched in a month. Similarly, you accumulate quite a few objects by the end of the game, meaning that (a) it's easy to lose track of some in the shuffle and (b) it's easy to overlook the connection between the latest puzzle and one of the objects in your archive.
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Number of Reviews: 5
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Wonderful, simply wonderful. Okay, I admit (and this has already been said):
-It has A LOT of puzzles
-There is a HUGE object list to carry around
-It is almost impossible to complete without consulting the walkthrough (or is it just me?)
But so what? It had me immersed in it for days, despite the fact I didn't have a clue what I was doing most of the time, like a monkey fiddling with a Rubik's cube. Minor quibbles, and I feel awful for even saying this, as I cannot praise this game highly enough, would be the size of the object list (could some spent objects have been conveniently disposed of in the similar way that used keys are left in locks in the game?), and that the sheer size and complexity of the game (did he really write this when he was doing his A-levels?) means the player could do with a bit more guidance about what to tackle and when. Unless you are an incredibly patient, organised, observant, methodical lateral thinker and hyper-intelligent pragmatist (I am none of these), you could spend days of your life wandering around the museum in blissful ignorance (and I did).
Anyway, I am increasingly amazed, and incredibly grateful, that people like Jon put years of their lives into creating these things, despite the fact the only reward they get is the joy of creating them in the first place and (presumably) the vicarious enjoyment of others playing them. A big thank you to everyone out there who creates IF. The main reason for posting this is not an in-depth review, as you have probably noticed (I did type one but got timed out and sent back to the IFDB log-in page!): this laziness is the main reason (apart from a lack of the scary levels of intelligence, technical ability and imagination which Mr Ingold possesses) I can't create masterpieces like this. I just want to see if anyone is out there reads this and who shares my love for this medium. Whenever I try to explain the premise of games like this, which is increasingly less often, to one of my friends, who are increasingly less in number as I lock myself away to play these games, they look at me like I'm mad. Perhaps I am. Mr Ingold, I salute you!
First of all, this game is incredible. I started playing it and was hooked after five minutes (excluding the opening scene, which I couldn't get into at first). Entering the museum, exploring the first rooms, speaking with the first NPC, beginning the transition from the tangible to magical realms. This was very exciting for me.
I had read the author's notes about playing the game without a walkthrough, and I was very excited to attempt this. I made a determination that no matter how long it took, I would not consult any solutions guide. But, of course, the spirit is willing but the flesh is weak right? So after days of being at a standstill at one particular puzzle, having exhausting all my efforts and resources to try and solve it, I finally gave in and looked at a walkthrough. And I was completely and utterly disappointed. I still have not figured out how I was supposed to reach that particular conclusion without guidance. Nothing in the game up to that point (Spoiler - click to show)(how on earth was I supposed to know I needed to point at the sign and get the monkey to look at it? I mean, huh?!) seemed to have given a clue as to encouraging that particular action in that particular circumstance. It felt like such an unfair situation that, in spite of having the answer I needed, I found myself half-heartedly playing the game after that (continuing to use a walkthrough), before finally giving up and moving on.
Now, would I still recommend this game to others? ABSOLUTELY! It is a great piece of work, and it deserves every bit of praise it receives. (In fact, I personally think Jon Ingold is a genious). But I do wish that I had been able to play without a walkthrough, particularly since this was the author's own advice.
A sprawling, engaging game stuffed with puzzles and the joy of discovery. The game doesn't do much to direct you, which meant there were a few times I had no idea what to do next-- but it meant I truly felt like I was exploring this strange and magical museum.
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