This game disappointed me in its shortness and easiness. A one move game, like the other fingertips games, you'd think being short and easy would be fine. But this game has promise, seems like it would have more depth.
You are an undercover spy whose house is on fire, and you have to get out. Examining the objects will quickly tell you what to do, and then you're gone.
Polished, with good writing, but not compelling.
In this game, you see a graphical image of 2 hands, and you have to type in the number of fingers you see.
If you're right, you get one ending. If you are wrong, you get another.
If I missed something big here, please comment.
Edit:
Joey Jones pointed out that there is another ending, which does make the game better, in my opinion. Also, looking over again, the graphics are really pretty good. So I've changed my rating to one star for polish, one star for writing (the three endings were pretty good), and one star for being willing to play it again, because I did play it again, and enjoyed it.
This game has more variation in it than any other one-move game I have seen. Depending on your action, you could be a human, a robot, a galaxy, or who knows?
Each scenario is well written. I would have given this game 4 stars, but it has a meter telling you how many of the endings this reached, and this just made it frustrating as its quite difficult to guess all the verbs.
This game has one clever puzzle in it. It's Tuesday night at the bar, and like every other Tuesday night, someone is getting punched in the eye.
The game tells you explicitly what the most interesting actions are, but it can take some time to get it to work. A meta puzzle is going on, which makes sense for a one move game.
Recommended for one move fans.
This one move game, based on the Apollo 18 album, has you standing in front of a grocery store late at night, trying to make an important decision.
I found this game less effective than the others in the album, but I may not have seen the best endings (I carried out what I meant to do, I chickened out, and I walked away).
Not to be confused with the Ian Finley game All Alone.
This is a surprisingly complex one move game. It was written for the Apollo 18 Tribute album and named after the corresponding song.
You are stuck in a time loop as a reactor core explodes on a station over a black hole. You have to look at everything, learn a new number system, and figure out some alphanumeric codes.
As a mathematician, this was pretty fun. As an IF player, I appreciated how much work went into this. Great game.
This is an exceptionally polished release of a speed IF, with brief story about a star on the moon who is ready to leap to the earth.
The writing is descriptive, and the settings are creative. I had some trouble actually leaping due to not reading the description, but the help menu is quite clever and just as fun as the actual game.
In this short game, you play as three separate djinn, magical creatures who have various powers. Each one usually deals with characters with flaws (a separate flaw for each djinni) that prevents them from being happy. But the masters in this game is different.
The puzzles in this game are clever, but it is really unpolished. There is a mysterious counter in the status line that takes some time to figure out, you are given only a few hints on what commands to do or what is possible, and even movement and inventory behave differently).
Reading the beginning of the walkthrough is immensely helpful.
God for fans of setting and story who don't mind some fussy commands.
In this charming little gem from the IF art show, you play an amateur farmer trying to keep a rabbit out of his garden by catching it. As is usual for the art show, the focus is on the experience more than puzzles, so you have tons of items that are well-implemented (a ladder, a tractor, a chainsaw, a net, carrots, etc.) and can use them in creative ways.
The writing is cute, and much of the subtext is about your feelings about the rabbit.
It was based on a true story. I was impatient, so I looked up the ending, but winning isn't really the point; the point is your experience.
This game shows the power of Undum by allowing you to adapt a text from beginning to end.
You are a parent telling a story to a kid at night about a pumpkin slayee (or other kind of fun monster). But the kid keeps complaining, so you go back and edit the story.
The writing is charming, and you really feel part of the storytelling process. The effects are well-polished however, the story didn't completely grip me as much as the technical capabilities.