Ratings and Reviews by MathBrush

This game kind of threw me off at first; I used the walkthrough, which seemed super unmotivated, and some large pieces of occasionally-awkward text made me not like it as much.

But then lglasser said she loved it on her twitch stream, as did an Italian IFComp judge, so I gave it another shot, walkthrough-free.

This time around, I liked it. All reasonable commands seemed to be accepted. The game allowed a great deal of flexible exploration and a money system that worked. Exploration was all that was needed to trigger the story, and the hint system was just strong enough to get me through and just vague enough to make it a challenge.

It seemed oddly fixated an alien mating systems, but it was more National Geographic than anything else.

This game attempts quite a bit. You are trying to get into a mysterious club. The game is full of puzzles and many, many red herrings.

There was obviously a lot of thought and effort put in, but it could have used more testing. Fun with a walkthrough.

I had just played Fetter's Grim and Westfall (or Westport or whatever it is), as well as a few other Panks games.

This game has all the usual suspects: a village, a tavern, a cathedral on the west side of town with a nook to the north, jokes about the author being drunk or not being drunk, a hellhound that is in the first dark forest area south of town, etc. exactly what's in all the other games.

It doesn't understand 'X' or 'TAKE' even though other Panks games in the same year do. It's just bizarre.

This has to be a troll game; Panks admitted before that some of his IFComp games are troll games (such as Ninja II). But if not...

You play as a weakened mythological god, except that that never gets mentioned after the first screen. You can find and kill Jesus. Most of the game is fighting DnD characters. There is a village with a tavern, like most Panks games.

It was interesting, but not his best offering.

This story is actually pretty fun, given how little this is done in IF.

It's a traditional ghost/creepy story with an old abandoned house to search through.

It has numerous bugs, and a huge number of 'guess the verb' problems, but I was glad I played it and enjoyed it overall. I used the walkthrough.

This game is mid-length; it has you play as an assassin infiltrating a house to avenge their daughter's death.

I have to wonder if this is a troll game. It is over-the-top, and includes a random adult scene (in metaphor form), and involves toilets and superglue as weapons of death.

There were several bugs and the writing wasn't especially polished.

This game placed low in IFComp 2016. It is in Inklewriter, a beautiful story-focused engine that is now being discontinued.

Snake's Game has several variants depending on the play through, but most seem to deal with a world where time and space can be warped at will, taking you to hell and a variety of other places.

It's fairly short, and the writing felt unpolished, but the other had a lot of heart, making this game more emotionally powerful than most low-ranking games, to me.

This game casts you as The Packrat, and adventurer who is trying to fight their urges to take anything and everything they can get a hold of.

This is played up for laughs early on, but not so much later.

This game centers around 'guess the author's thoughts'-type puzzles, and as such is very difficult to finish unaided.

A ton of work went into this, but it could have used more polishing.

This is a small chapter book with a story about a cat.

It is well-written, with no typos that I saw. It incorporates animations that respond to screen touches and (I think) accelerometers. It also includes sound.

This type of augmented story is not something that has traditionally been entered into the IFComp, although I could see a day when things become more common. For me, though, I found it uncomplying emotionally, and the interactivity that was available was not exciting.

This is the most-illustrated IFComp game I've played, and one of the least appealing. Your girlfriend broke up with you, and you have to manipulate a dozen or so women into sharing their phone numbers.

The game is deeply misogynistic, and the art is in a style somewhere between simpsons and family guy in style and content.