Planetfall

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Most Helpful Member Reviews

A true classic from the Golden Age, February 27, 2008
"Planetfall" is undoubtedly one of the finest games in the history of interactive fiction; it may be my favorite Infocom game, to boot.

If you ask someone who played "Planetfall" back in the 80s, it is certainly Floyd, the player's bubbly omnipresent robot sidekick, that will be mentioned first. Floyd was, quite simply, a quantum leap in the category of NPCs, presenting an unforgettable comic personality that played perfect counterpoint to the otherwise dark and foreboding tone.

Beyond Floyd, the game is built on a well-constructed story, having taken enough care in the creation of the game universe to be solidly convincing, and offering as its premise a steadily mounting series of challenges that intertwine the player's fate with that of a seemingly-abandoned planet in a natural and game-appropriate way. As the plot moves from survival to exploration to the intense climax, the reader can't help but be impressed every step of the way.

As a side note, this is the only work of IF I've ever played where eating, drinking, and sleeping are implemented in a manner that not only avoids being annoying, but which is ultimately essential to driving the plot. You must reach the end before your supplies run out, and some of your dreams are hints for solving the tougher puzzles.

If "Planetfall" lacks anything, it is the literary quality that marks the finest works from the new school of IF-writing. I can't hold that against it, since nothing like that existed when this game was released. Indeed, this game may be among the first steps in that direction -- if the prose was a little more flowery, there would be no doubt.

"Planetfall" remains a landmark achievement that is in many ways unequaled today. If you can find a copy, don't give in to the impulse to look at hints. This one should be savored over days or weeks as the rare treat it is.

Not just a classic - A Legend, June 2, 2012
This game was everything that an interactive fiction game could be. It was an adventure, and this meant the player would have fun exploring an amazing fictional world, and would plan strategies for the next game session instead of listening to the teacher during class. It was fun, laughable fun, like most of the Infocom classics, so even the thirty or fortieth play through weren't old. And, most important, it touched your emotions. The antics of Floyd, your robot friend and adventuring companion, brought this character to life in the same way that characters in a well written book come alive. You, the real you, not just the you in the story, cared about Floyd. And Floyd cared about you. That is what made this game not just a classic, but a legend. That is what turned game players into fans. That is why we have the IFDB and the competitions and the thousands of games today, because games like this touch our hearts and live in our minds forever. Planetfall was everything an interactive fiction game could be, which means it's more than a playing experience, it's an emotional treasure.

Great early Infocom game, February 1, 2019
This is one of my favorite Infocom games. I think it stands out as an important transitional game in Infocom's early years that was hugely influential on their later games, and we all know Infocom was hugely influential on IF in general. One of Planetfall's best-known innovations is of course Floyd, probably the first attempt at an NPC sidekick. The bag of tricks the game used to make Floyd seem continuously present and interactive formed the basis of NPCs in countless subsequent works. The innovation that was more important to me, though, was less about technology and more about the game design philosophy. Planetfall was deliberately designed to be fair to the player. It probably doesn't qualify as "merciful" by modern standards, as it did let you back yourself into an unwinnable corner, but its puzzles were logical, consistent, and well clued; at no point did you have to read the author's mind or exhaustively try every VERB+OBJECT combination. That was a huge break from the fashion of the time, which conceived of the adventure game as a contest between designer and player without any constraints on the designer's sadistic omnipotence. There was a certain pleasure in beating a game that had such blatantly unfair rules, but even the most obsessive players got tired of that after seeing one or two such games. IF wouldn't have endured (even to the limited extent it has) if the design philosophy behind Planetfall hadn't come about.

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