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About the Story
Your eccentric Uncle Zebulon considered himself a wizard, and was rumoured to be very wealthy. But when he died, he only left you one single object in his will... Winner in the TADS division of the First Annual IF Competition, 1995.
1st Place, TADS Division - First Annual Interactive Fiction Competition (1995)
Uncle Zebulon was a crackpot who fancied himself a wizard. Now that he's dead, you discover that his fancies were true. A pleasant little game set in a mixed fantasy/modern environment (like much of the Zork and Unnkulia games), with simple magic-based puzzles.
-- Carl Muckenhoupt
The main impression I had of the game was that it was a very solid piece of work. There were no bugs, all the pieces of the plot fitted together smoothly, the hook at the start was intriguing, and the ending was good, though not as much of a surprise as it should perhaps have been.
There were various aspects that disappointed. Apart from the one-object restriction, which was excellent despite needing a completely gratuitous demon to enforce it, the puzzles seemed a bit pedestrian. There are four objects hidden in obvious places and *two* puzzles involving collecting a set of related objects.
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The good thing about this game is, if you have collected the wrong objects, it is just a matter of going back for the correct ones. There is no sealing up of any part of the game except for the final scene, and even then, you have the option of using the UNDO command.
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Number of Reviews: 4
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Most Helpful Member Reviews
(I should preface this review with a note that a three-star rating from me means it is a good game; I reserve four stars for something special, and five stars for something truly amazing.)
Light-hearted in tone, traditional in style, "Uncle Zebulon's Will" finds that elusive balance between implied scope and actual delivery that many winning Comp entries miss. In short, it doesn't bite off more than it can chew in two hours of playtime, so it doesn't leave you disappointed when you reach the end.
I particularly admire the way in which the author provided descriptions and responses that are just enough to convince you of the reality of the game world. At no point was I disappointed by the lack of a particular programmed response: Even the game's bored and disinterested NPC was believably (and appropriately) bored and disinterested.
This economy of writing is one of the hallmarks of classic IF, and so perhaps it should not be a surprise that Activision included this entry in a 1996 re-release of classic Infocom titles. Other than the abbreviated length and the copyright date, you might never realize it isn't from the "Golden Age" of IF.
[Time to completion: 45-60 mins]
Your Uncle Zebulon has died, and while you're sure you were his favourite nephew, he bequeathed you just one item - it can be any item from his house, but you can only take one out. Your relatives have been all over the house, though, so will there be anything left?
This game is one of the games I've played this year with longer parser puzzles. One of the reasons I have stayed so far from these is because I am very bad at visualising and manipulating machines in IF - I do better when I can actually move things with my hands, which is a bit of a feat in IF. The puzzles here, however, are well-hinted. As befits an old wizard's house, Uncle Zebulon's Will makes use of some simple mechanics which work once, but are consistently implemented.
The writing is enjoyable, and I know some have called it terse or economical. This was typical of the time, but it felt natural to me; also, as others have mentioned, the one NPC that you get to talk to feels convincingly bored, with in-character 'error' messages when the player breaks the game's rules (most notably being the one object restriction when exiting the house).
A very solid game with good implementation and enjoyable writing. Would safely withstand the so-called test of time.
This game was the cowinner of the first IF Comp with A Change in the Weather by Andrew Plotkin.
This game has some very ingenious puzzles. It focuses on alchemy, metals, and a bit of mythology. There was a puzzle with bottles that I thought at first might have been like Emily Short's later bottle puzzle in Savoir Faire, but then the solution was very different.
I didn't really enjoy the middle of the game. After exploring all the areas, including the tower, I was overwhelmed by the number of items and possibilities, and just felt like moving on to a different game. However, I've been wanting to finish games, in case there is better material at the end, and that was the case this time. Following the walkthrough, I accessed the end puzzles, which were really good; it almost made me wish I had just stuck it out and experimented more.
The story was not that great, but it's not a bad story; I feel like the very first and very last scenes got the most work, and the rest were pretty unmotivated. The rooms are sparse; there is an in-game reason for the emptiness of the house, but it felt forced.
Puzzle lovers will love it; story lovers should just use a walkthrough to catch the best bits.
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