Reviews by Vivienne Dunstan

This is a time-limited parser game where you have to escape from a very dangerous situation. It is briskly written, with lots of atmosphere, scares and tension. However I found that I was often fighting the parser. The experience could have been smoother. I don’t know if it being in PunyInform was a factor, but e.g. if I had a key for something that it obviously fitted UNLOCK X wouldn’t smoothly work. I had to type UNLOCK X WITH Y KEY. There’s also quite a bit of juggling tools, where again you need just the right command. So I think this could have benefited from deeper playtesting. However it was exciting to play, and the concept is strong. I got a good ending but also had a look at what happened when time runs out. So good stuff, but playtest more, and if possible smooth the player experience.

Wow. I’m not quite sure what to say about this. It’s a parser piece, which can be played to an extent as a traditional parser game, episodic in this case. But it’s also metatextual, highly experimental, and in places for me was profoundly affecting.

The metatextual side is perhaps the least spoilery I can go into. It adds a guide you can interact with, that expands, and provides hints. You can also read in game footnotes. This is reminiscent of some discussion on this forum a while back about how old games could be effectively bundled up in a wider package, providing extra contextualisation etc. It’s really neatly done here.

The traditional parser/puzzle side is arguably the least interesting element. But it’s well done. And uses a neat mechanism throughout, that I won’t spoil.

There is also something very interesting about the narrative structure that the game does. But again I don’t want to spoil it!

But it was how the game affected me that I found most impactful. This relates to something that happened in my own life almost a year ago (spoiler: (Spoiler - click to show)my dad died). And I feel quite shocked after playing the game to be honest. But in a good way.

Kudos to the author for a powerful and innovative piece.

P.S. As I said to Drew elsewhere I could have written so much more about this in my review. I sort of wish I had. But I feel very strongly that this is a game best discovered by each player afresh. And I absolutely didn’t want to spoil things. If anything my review underplays how good it was. There are many more things I could have acknowledged. But that way lies spoilers. And I wanted to avoid them! Try it out anyway folks!

This is a Twine piece where you try to escape from a cult. It feels more like a parser game than Twine generally does, with geographical locations, and objects that you can manipulate, and verb and noun pairings. Plus inventory management. Oh and it’s partially point and click. It’s an intriguing combination, and works well with the puzzles of the game.

However I found quite a lot of problems. There are a number of typos, and also I ran into a runtime error. I replayed several times, but couldn’t get past (Spoiler - click to show)the room below the swaying cultists. I had pulled the lever 4 times, rating “Psychopath”! Also I am very much not a fan of slow timed text, which happened in the opening of this game. I read very very quickly. I do not like text playing out very very slowly.

However the story and puzzles were intriguing, and fun, and I’d be interested in seeing more works using the game engine.

This is a curious parser/Twine combo. I admire the author’s bravery for trying to implement a parser in Twine. Though I found it more often than not somewhat frustrating.

For example there’s a point where you are asked your name. Rather than just type that into the entry box you have to type e.g. “name Viv”. Which felt unintuitive.

Often I would struggle to get the game to respond. Not helped by the screen also often not scrolling down to show me when new text had appeared if I did type something recognised, so there were frequently times when it felt like I’d had no response but I just didn’t always see it before trying other commands.

There is a crucial choice moment where again I was running into a parser brickwall. I tried something different, and got an interesting outcome. Then replayed and managed to get a bit further through the choice, to get another ending. Then tried one last time and got a third ending. But I did not want to replay further. And ran into a bug when I tried to use BACK at the very end to go back to a previous choice.

The underlying story is interesting, intriguing scifi-esque, but I think this game might have been better if written as a more conventional Twine piece. Often I would be repeatedly typing C or CONTINUE to move the story on, which felt like little more than clicking “next” or “continue” in normal Twine. And then when I needed to use the parser I would struggle.

This is a short Twine game with multiple endings. I liked the intro explaining (especially for newcomers to Twine) how the interactive story and clickable links work. And I really appreciated the option in the game to go back to the last checkpoint if you reach an ending, rather than go back to the very start every time.

The writing is amusing, but I was initially wondering if I would explore too far, if things got too repetitive. But in the end I played through to see all the different endings. It’s a branching narrative, so they’re not too hard to reach, but it just takes time. The writing is a good reward though. Lots of amusing scenes played out, multiple genres, neatly written.

As an insomniac I could also relate to so much of this, albeit with more amusement than tossing and turning. Thanks to the author!

This is a Twine piece with branching narratives where you are a legendary elf hero, tasked with saving a kingdom.

The writing is amusing, and I replayed quite a lot to see different endings. I never got a successful outcome one. However I ran into a bug. After (Spoiler - click to show)facing the ogre single handed I got a mostly blank screen, just the red background, then two horizontal lines. The game had totally seized up.

I was also frustrated that at least in my Safari on my Mac I never saw the stats (e.g. HP, EXP etc.) on screen again after the opening. Given I was doing things to affect them I really really wanted to see them! That may just be me though.

But it was an amusing fantasy piece. Nicely short too. I’d just like to see it polished a bit more.

This is a combined parser/click game, where you can interact with elements of the text as well as type in parser commands. The game is set in Ancient Greece, and sees you try to uncover what is going on, including a journey into Hades. I definitely recommend playing it online because you will get images there. The images don’t appear - or at least didn’t for me - using the downloaded game file and an offline interpreter.

There’s a lot to like. There’s a lyricalness to the storytelling. However being relatively unfamiliar with the setting and the ancient Greek myths I found things quite incomprehensible in places. I also had difficulty understanding the geography and the directions. For example early on I was trying every direction to move things on, even though the game suggested I was following a clue character. This repeated trying west/north/east/south broke the immersion for me. I think clearer clueing would help.

I got to an ending where I think (Spoiler - click to show)my character died, after dreaming of his wife for many years. Which was satisfying, but overly abrupt. I’d like to see that smoothed. I would also have liked to see some after game notes that you could read after finishing. There are also a lot of unimplemented scenery objects that are mentioned in the text but don’t respond to EXAMINE X. A fuller and richer implementation covering those would be well worthwhile

This is a fun spoof version of - no it isn’t, yeah right! - Star Trek The Original Series, where you are presented with a series of mini puzzles, and have to figure out the right word to use to solve the situation each time. Or you can type “pass”. I laughed so much throughout this, but I think it would work best for any fan of the series it obviously isn’t (yeah right!) based on. The characterisations of Scotty, Bones and Spock are nicely captured by the author. And there is a tongue in cheek humour throughout.

I did have a few problems with the interface. On Safari on my Mac it wouldn’t initially play the opening sound. I switched to Chrome, but after the first puzzle that no longer left the current puzzle paragraph clear to read. But that aside it was fun. Recommended, though especially if you’re a fan of Star Trek. I especially liked how it let you type “pass” if you got stuck, and that isn’t a game killer. And you can view the surprisingly readable source code to see how it works. An interesting system. Thanks to the author!

This is a Python piece, that combines ruminations on the process of writing (which could be any form of writing, but in this piece is chapter-based text) and some numerical tricks. I enjoyed the earlier parts of the experience more. I’ve written enough - including a very long PhD thesis - that I have lots of thoughts about writing myself! And indeed the balance that works or doesn’t for me between reflection and writing. The game captured that early on very well. However as it got further in and became more of a numerical puzzle I found it less satisfying. But I did get to a rewarding ending. Worth checking out anyway, if you can get the Python to work. It set me thinking afresh about how I relate to writing, and for that thank you very much Andrew.

This choice-based piece is a Victorian-set detective hunt, where you play a female detective. The writing is strong, the mystery intriguing, and as I played I felt thoroughly engaged in the investigation. There are some things that could be smoother. Eg when you are asking lots of questions it might be nicer if questions where you won’t get any new information weren’t presented again as choices after you have asked them. But it was remarkably good fun. Recommended to any fans of mysteries, detective hunts, Victoriana and Sherlock Holmes. And nice to have a female protagonist! Oh and I adored the cab mechanism.