Ratings and Reviews by Dan Fabulich

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23 Minutes, by George Larkwright
Non-interactive poem, April 11, 2026

It's a ~5,000-word non interactive poem, with just a handful of words per line, across 1,742 lines.

The POV character is depressed, and finds day-to-day life pointless and meaningless. I felt like it made its point in the first 1,000 words.

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Enigmart, by Sarah Willson
2 of 2 people found the following review helpful:
A charming puzzle hunt, April 11, 2026

The puzzles are pure self-contained puzzles, mostly word puzzles, mostly unconnected to the theme/story. The story is cute. We played it in a group and the SF IF Meetup, and we had a good time with it.

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The Van der Nagel Papyrus, by Ryan Veeder
3 of 3 people found the following review helpful:
Cool puzzles, except for one boring mechanic, March 2, 2026

Be sure to play the Vorple version on the author's website, which includes fun font stuff and color changes.

This game was developed under time crunch as part of the IronCHIF competition. The prompt was "a scroll that alters the world around it." This game has that! And a ton of puzzles to solve. Puzzles interwoven on top of other puzzles.

My only complaint is the mechanic at the end game.

(Spoiler - click to show)

Near the end of the game, you have to solve a bunch of puzzles via a sliding tiles puzzle. The game asks you to line up certain specific tiles all in a row, and it is an enormous pain in the butt to do it. There are tricks to solving it, but it's kinda like the Towers of Hanoi, where you have to count very carefully; if you mess it up, you'll ruin your own hard work.

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VALIS II, by wasnotwhynot
1 of 3 people found the following review helpful:
Queer sci-fi romance kinetic novel, March 1, 2026

It's a "kinetic novel," where you don't make any choices. (You can click "auto" to make the game autoplay, revealing the text without human interaction.)

That's fine, but the art feels like it's stuff pulled off of Google image search, and blurred so it wouldn't be obviously out of place in this game.

In a kinetic novel, the art needs to support the text, and I feel like the art is just there because the author felt like "there ought to be art here."

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oxblood, by Naarel
1 of 1 people found the following review helpful:
Strongly written, no choices, March 1, 2026

It's a fresh take on vampires, which is impressive in its own right.

It has no plot choices, but it still relies on interactivity, with cycling links that affect your viewpoint of the story, and a bunch of optional links to explore side notes. It feels like you're driving, even if the story is on rails.

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Neon Case, by Diaries from Future
3 of 3 people found the following review helpful:
Needs clearer AI disclosure, February 5, 2026

This game credits no author or artist. According to my browser devtools, the AI chatbot conversation is happening with an actual live LLM (Grok 4.1, from xAI / Elon Musk), but I don't think that was necessary at all for the trivial interactions you have with the bot.

I believe the art is AI generated as well, but, with no credits, I can't prove it.

The game includes one actual choice, but there's no real difference in the three endings. If you crack down on the politician, does he go to jail? Does he make us suffer? It all ends in same scene on the couch in your apartment, which makes the choice feel less important.

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Within the Woods, by BrownPants
1 of 3 people found the following review helpful:
A scavenger hunt where you examine everything, February 5, 2026*

This is a game where winning the game requires examining objects in the scenery that may not seem very notable at first.

Once you finish examining and searching everything, the puzzles are fun and fair, and the game is written well.

* This review was last edited on March 1, 2026
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Divine Hammer, by kaetts
Dan Fabulich's Rating:

Out, by crotovane
Non-interactive kinetic novel, February 5, 2026

Good music, solid story.

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The Acreage, by Daniel Tozier
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