Reviews by MathBrush

This game is a sprawling and varied horror comedy twine game about trying to use the toilet at night.

The style is kind of like a gauntlet but with more branching. You can select between multiple paths, but along each path, there is often only 1 choice that lets you live, while others let you die. The deaths give you many, many different endings, with comedic names and which are listed on the main page of the game after you unlock them.

The story draws on a wide variety of horror tropes, from witches and imps to shadow-creatures and eldritch horrors. It's low on continuity and high on amusing moments and subverting expectations.

The writing is descriptive and funny.

Overall, this game has a lot to like; however, I think for my personal preferences (that do not reflect all players!) I would have preferred some more coherence in the storyline, or more unity in the themes.

This game was entered into Ectocomp 2023, in the Grand Guignol division.

It is a wordplay game, centered on the idea of rhyming pairs where you swap the first consonants.

I always enjoy this author's wordplay gameplay, but I often find the words used too abstract or obscure to fully enjoy, or have difficulty knowing what to do.

This game is much more concrete than usual, with vivid imagery: animals, mountains, machinery, buildings, ravines, etc. This made me more invested in the game.

I also liked the symmetrical structure, with a neat trick where paths diverge and converge and you have to approach each problem from both sides.

I got stuck on a few of the parts where you had to use an item elsewhere, and I think I ran into a bug where someone will pursue you once but seemingly (?) won't pursue you after that. But it was only a slight thing in an overall nice game.

The difficulty level was just right for me, with many easy things to do, some pretty easy things, and only a few really challenging problems (I used the treat chunk a couple of times and peeked at the walkthrough for one ending thing).

This is a long Twine game entered into Ectocomp, Grand Guignol.

You play as what I interpreted as a trans man, someone born as a daughter, raised as a son, who killed his father and took his name and identity. I may have misread it, though.

You have quite a few options in the game. In your life, you come across the devil, who makes a deal with you, which you get to pick.

Near the end, you get to choose between four different endings, some shorter, some longer.

The world setting is a dark and unhappy version of the wild west. Towns are dead or dying; men are jealous and violent; women are suffering. The Devil stalks across the land, doing as he pleases with no mercy.

While the opening didn't grab me, being a bit too rich for me (like thick, bittersweet fudge), the endings grabbed me, being strongly written. I had a love ending, and I liked it.

The timed text was obnoxious; when the game trusted to the text to provide the pacing instead of some html code, it worked better, IMO. I eventually discovered that you can speed it up a bit by clicking, but that meant that for both my endings I missed the finale, which is timed text where a single click skips it all with no way to get back. But the fact I wanted to read those endings was a tribute to the strong writing of the finales. A good game for those in a lonesome mood.

This is an Ink game entered into several competitions; I saw it in the Grand Guignol ectocomp competition.

This game is fairly long and has some nice, rich structure. There are parts where you can walk around a house, examining different things.

The plot is mysterious and frightening. You follow a friend to a town, hearing vague rumors about his past, until you enter his family home and discover his awful secrets.

The setting and concept were, I thought good, and much of the writing is good. However, I felt for the first third of the game like I was constantly grasping for threads of plot or action. So much was vague, it was difficult to see what direction things were going in.

That's a recurring theme with the writing, that it becomes so descriptive it almost becomes undescriptive. For instance, in a library, it says 'You wonder if the hallway's actual walls are the most-likely peeling drywall or columns of thick tomes covering them.' I get what it's going for here, with rich figurative language, but I think that hedging the metaphor with 'I wonder' and 'most likely' lessens its impact.

However, there are also very strong moments; I especially liked the arrival of the Brother, which was a tense scene and written very dramatically and descriptively. So this isn’t badly written, it just has highs and lows.

Overall, I like this story and would like to see what happens next.

Edit: I didn't realize this was intentionally dreamlike, so I'm increasing my score from 3 to 4.

This game was entered in the 2023 Spanish ectocomp.

This game has you sitting at a computer, typing away, when your computer program ruptures reality!

As a strange figure announces to you, you must try to restore this timeline.

This game managed to hit all of the things I like. I enjoyed the fantasy style setting, I didn't encounter any bugs or typos, I liked the polish of the different presentations of text (computer, tile, etc), and I enjoyed the small puzzles.

It's a small game overall, but I enjoyed it while it lasted. I may have enjoyed it more because it's in Spanish, with translation adding to the fun.

This is one of the more serious Ectocomp games I've played. It can be hard to write interactive fiction that has gravitas and purpose to it, as giving players agency can take away from overall arcs.

This game handles it well. You are in a hotel room, a haze filtering in through the curtains. War is going on, bombings and violence. And you are confronted with the memory of someone who is no longer there...

The game is short, so there isn't much to say, except that this is written well and was poignant.

This short Petite Mort ectocomp game features a branching narrative written in 4 hours.

Despite its short creation time, it manages to be interesting. You are at a party where things are getting pretty dangerous.

As you explore more, you discover a dangerous group of individuals who have taken over the building. If you can only figure out a good path, you can survive!

This game mostly is a kind of gauntlet structure where there are dead ends at each stage (although it's not totally a gauntlet because you get multiple chances for some things). It can be thrilling at times or disturbing at others. Overall, I found the story effective, but would enjoy if more time was spent adding different connections between paths and variable tracking (which would obviously take more than 4 hours!) Great work for the time it was written in.

Every year when I play Spanish Ectocomp I encounter a game by this author and it's always wild. They usually have 3d models that are in the uncanny valley, as well as choice-based gameplay where you can move around. The stories are always wild, often about crime or insanity.

This game restricts the 3d models to profile pictures, and they actually look pretty good. But the story now is some kind of procedurally generated thing, where 4 students have kidnapped and are verbally abusing and torturing a professor. Every action gets a reaction by everyone in the room (even actions you don't take), and you get the same choices over and over (my character drank at least 7 cups of a mixed drink of three heavy liquors with no ill effects). There are a few more dramatic choices, but overall this is mostly just seeing a wide variety of Spanish profanity interspersed with torture and the decision to drink or not. It's full of drama and mechanically interesting to observe but narratively a little weak.

This is one of two games entered in the Spanish Ectocomp Grand Guignol that use a ZX Spectrum emulator to make CYOA games controlled by the Q and A keys and Enter. I thought they were both by the same author, but apparently not.

This game is actually an adaptation of the Legend of the Mountain of Spirits, an older short story. However, it has been substantially expanded. In the original, a girl and her cousin get lost on a haunted mountain, with disastrous results.

In my playthrough, we left the mountain almost immediately, and had an adventure late at night in the city, although there were symbolic elements similar to the original story.

Overall, I found the writing good and the quality high. I don't really like playing ZX spectrum on an emulator (I use FUSE and it's tiny and can't be expanded), but as a game this was enjoyable.

Last year, when I played El Virulé (part one), I had a lot of trouble understanding it. It was written in what I would consider advanced Spanish, with very rich descriptions and realistic dialogue, about a guy with an ill-looking eye who sang for money but concealed more.

I rated it lower, but it ended up winning the Outstanding Spanish game award in the IFDB awards. So I reconsidered it.

I approached this sequel with new eyes. It has a lot of neat features, like a food bar you slowly fill up, but the real draw here is the relationship between the child protagonist and his father. Every aspect of the game shows how this child (the past version of the first game's protagonist) is influenced by his father's choices. Left alone, locked in the house, forced to feed himself, getting threatened, handling dangerous items...

I really liked this game. It's not too long, and while I had to think hard at times, most actions were natural and most commands made sense for me as a foreigner.

I especially liked the ending scene, and found it powerful. I didn't get to see the full ending poem because I was hitting enter too fast, but I liked this overall.