Ratings and Reviews by Andromache

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Violet, by Jeremy Freese
3 of 5 people found the following review helpful:
Strong characters but unenjoyable world, December 25, 2012
by Andromache (Hawaii)

This is not a true review. More like impressions after partial game completion.

The thing I liked most about the game was the unconventional narrative voice. I found violet laugh-out-loud amusing. I also really felt the affection and exasperated mockery she has for the player character and the ex-girlfriend. I felt genuine remorse and sorrow at the things the player character has to sacrifice to get the writing done.

However, and maybe I am just dense, but when I tried to solve puzzles in normal-seeming ways, I had trouble getting the game to understand what I wanted. And while the puzzles do make sense for the setting and story, I didn't find them very intuitive. I've had to constantly look up hints and that's just not what I play IF for. The player character isn't very likeable, either. Neither is Violet in some ways, since she seems to expect you to know something won't work when as a player, part of puzzle-solving is doing things to see what happens. She's the only narrator who ever made me feel bad about quitting the game, though.

Maybe I'm taking the game too seriously, but I couldn't handle the things I had to make the character do. I wouldn't want to do such things to myself and while initially, I was drawn into the game, with all the stops and starts because of the puzzles, the mood was broken and I began instead to focus on just how depressing and pathetic the character felt.

Ultimately, I won't finish this game. The writing was great, but there are other games to try that are probably less frustrating and more immersive.

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Vacation Gone Awry, by Johan Berntsson, Fredrik Ramsberg, and Staffan Friberg
1 of 2 people found the following review helpful:
So not my thing, December 24, 2012
by Andromache (Hawaii)

The premise of this game looked interesting. I certainly wanted to know what happened to the player character's family. So I began playing, and soon discovered what I've taken for granted playing modern IF - intuitive command entry. It should be noted that I did not grow up with text adventures. I have no nostalgia for tedious gameplay, timed puzzles, and constant restoration. My intro to IF were games like Photopia, The Moonlit Tower, and Glowgrass. All excellent works, I might add.

I will say now that I have not finished this game and do not intend to. It is just too frustrating a prospect since I was already banging my head against a wall before even making it past the first puzzle. I did eventually solve it when I realized it was timed and I'd seen what to avoid, but it was a lot of trial and error. I do not consider that a worthy expenditure of effort or time. Every step forward presented a new problem for which I couldn't think of a ready solution without experimentation, and continuing in that vein to reach an end that might not be worth it is just not my idea of fun.

I don't like writing negative reviews. I wanted to enjoy this more. But the genre, choppy parsing and puzzles that I did not find intuitive combined to finally have me giving up on the game.

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Shade, by Andrew Plotkin
3 of 3 people found the following review helpful:
Elusive symbolism, but well-written, December 24, 2012
by Andromache (Hawaii)

I've never been very good at working out symbolic meanings. I think I'm supposed to take something away from this, but it eludes me. (Spoiler - click to show)I have impressions of someone going mad from dehydration and possibly drug use, but the ending feels like I'm supposed to be grasping something that I'm not.

There were some parts of the game where I struggled with what to do. (Spoiler - click to show)The only thing that gave me any clue was that if something was intact, it must be destroyed. However, I had tremendous fun wrecking everything, and the writing during that part of the game had me laughing out loud. The to-do list, changes in room description, and the plant showing the state of dehydration were nice touches and enhanced the bleakness of the atmosphere.

This is a fun diversion and mostly intuitive. Not difficult at all for anyone familiar with IF conventions. It's worth playing just for the amusing and ironic writing.

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The Dreamhold, by Andrew Plotkin
2 of 2 people found the following review helpful:
Imaginative Setting but Unsatisfying, December 23, 2012
by Andromache (Hawaii)

I'm a bit conflicted on this game. I loved the exploration but am frustrated by a couple puzzles I never found the solutions to. The writing was too vague to get more than fleeting impressions, and even though I did complete the game, I'm still not sure if my impressions are correct. If they are, I have to say I don't like the player character much, which probably influences my feeling of dissatisfaction. On top of that, I'm left with questions concerning the character's backstory that don't have answers that I've found in-game. (Spoiler - click to show)I realize the character doesn't remember specifics, and using masks as devices for recall was a neat idea. But by the end of the game, the character should be able to fill in gaps, and I don't see that happening. Also, the issue with his child's deformed foot and the crutch, which figures prominently but not sure what happened to the child. Was he killed in combat? Was he killed by the player character?

Due to the sketchiness and ambiguous writing, puzzles don't feel precisely natural. Ostensibly, the character knows what everything is and how to use them, and the puzzles feel like they are just put there for something to do. (Spoiler - click to show)No real reason why the masks would be scattered around the property, or that there'd only be one glove in the shed.

Mechanically, I thought the game played well. Writing was good also. But ultimately, my frustration with the extra puzzles and unclear storytelling leave an unfavorable impression.

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Bronze, by Emily Short
3 of 3 people found the following review helpful:
A more mature fairy tale, December 23, 2012
by Andromache (Hawaii)

I'm revisiting this game after a hiatus from interactive fiction and it is still a good story. Beauty and the Beast is my favorite fairy tale, so when I saw this was inspired by it, I had to play it. The first screen drew me in and gave me a clue right away that this heroine, while just as determined and sensible as the Beauty of the fairy tale, was not necessarily pining for her family or even that devoted to them. Much like Metamorphoses, there are multiple endings which allow for roleplay of the protagonist in some very unconventional ways.

As the story unfolds, one begins to see that none of the characters are true to the source material, but they do retain their roles. That is, what they do is the same; their personalities are not. It's a study in contradiction, where there's a jaded, flawed, and yet somehow likeable Beast and a Beauty that's caring but also a tad vengeful. This newest version of the game sees more polish to the vignettes of their backstories, with some downright hilarious lines and touching moments. (Spoiler - click to show)Like how the Beast says not all the women who died before they were married were his victims. Quite amusing in context. And when Beauty and Beast meet again after their week apart and you can tell the Beast is truly moved and honestly hadn't expected to ever see her again. Or his thoughts about Beauty later in the game, and her own affection for him.

In terms of mechanics, the travel system is awesome. I wish all games had it. Puzzles were well-clued and felt natural. The room counter in the status line was handy. And the system of magic and servitude was explained clearly and worked for me.

What I like about both Bronze and Metamorphoses is the obvious attention to detail in world-building, characterization, and background. I get the sense that these characters are real to the author and while there's a nagging sense of only scratching the surface, what players do see still manages to have a strong impact emotionally. These people have distinct voices in the narrative and because no one is purely good or evil, there's a satisfying depth to them not found in the conventional fairy tale.

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Metamorphoses, by Emily Short
2 of 3 people found the following review helpful:
Deep and faceted game, December 23, 2012
by Andromache (Hawaii)

This is the second time I played this game. The first time, this database was either not operational or I hadn't discovered it yet. Being one who comes and goes in the interactive fiction community, part of the reason I replayed it was to get back into the mindset of this medium and I remembered I thoroughly enjoyed this game the first time.

Playing again, I have to say I appreciate it more because I'm not as preoccupied with how to solve the puzzles. It's not that the puzzles are hard; they are in fact incredibly intuitive and I didn't need a walkthrough. I even found several solutions to puzzles that I hadn't discovered the first time. There is one guess-the-verb issue and another solution that is somewhat alarming, but I think this is a subjective judgment coming from someone who isn't generally in it for the puzzles. I don't mind puzzles, but they need to be consistent and plausible for the story, and all of these were. They were even fun, because you can be very creative with the paths you take.

However, what really makes this game stand out for me is the symbolism and writing. Knowing more or less the results of actions allowed me to focus more on aesthetics in prose and story, and this game is a good combination of acquiring items and giving those items significance as more than just treasures to take home. They are concrete items with ties to the immaterial, and it's not only the items that undergo changes.

It is tough to talk about the game without spoiling things. But if you like well-intigrated, logical problems that grow out of the world and backstory of your character and get fulfillment from endings (yes, there are multiple ones) that make you think and are what you make of them, I think this is a journey worth taking that is immersive enough to revisit from time to time. I know this one isn't leaving my collection if I can help it.

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Ditch Day Drifter, by Michael J. Roberts
9 of 9 people found the following review helpful:
Happy Hunting, January 23, 2009
by Andromache (Hawaii)

Every once in a while, I'm in the mood for an old-fashioned treasure hunt. This game sounded like just the thing to satisfy my craving. Well, it didn't disappoint.

First, the negatives: no hint/help system, and I couldn't figure out how to get the game to tell me when my score went up. Not that I couldn't check the status line, but I'd have felt more accomplishment if I'd been notified. But those are really personal preferences.

The game was put together well. No bugs that I ran into, puzzles were really easy, and the most annoying thing was just the hunger/sleep. Even the maze was easy. I solved it by myself by taking a few notes. I'm very proud of that.

The only reason I give the game three stars instead of four is that I had to play through it twice because I took so long exploring everything. But really, the game is finishable with only one item of food. I liked the game enough to play the sequel. Usually, treasure hunts aren't my first choice, but this game was so straightforward and smooth to play that I'd recommend it.

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Tookie's Song, by Jessica Knoch
2 of 6 people found the following review helpful:
An ambiguous opinion, January 21, 2009
by Andromache (Hawaii)

This game turns humans into lab rats, which doesn't really sit well with me, which is why I gave it an average rating. Also, there's a minor bug that makes the game somewhat choppy to play during that section, but it's quite cleaned up for a first release. Puzzles are super easy and the hint system was nicely implemented, broken up into bite-sized pieces so as not to spoil the game outright. The game is entertaining, if a bit condescending. Worth playing at least once, but the cuteness doesn't really mesh with something as serious as respecting the dignity of experimentees.

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The Water Bird, by Athan Skelley
3 of 3 people found the following review helpful:
Frustrating Beyond Belief, January 21, 2009
by Andromache (Hawaii)

This game was so unplayable I never bothered to finish it, even though somebody went to the trouble of writing a walkthrough. The author said they didn't favor hints, which is unfortunate because this game really needed them. There were so many bugs, and I'm not even the type who tries wild experiments just to see if the game deals with them. You could only carry a limited amount of items, and if you had multiples of the same item, you couldn't examine them. The game would ask which item you mean, when there's only one choice. Puzzles were obscure and there's at least one instance I know where you have to guess the verb.

Basically, bad mechanics ruined what could have been a very interesting story. I was so disappointed I couldn't finish the game.

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Dragon Adventure, by William Stott
6 of 8 people found the following review helpful:
An easy, clean diversion, January 21, 2009
by Andromache (Hawaii)

I tried out this game because it has sound effects, and sound effects are just plain fun. I enjoyed the added immersion.

This is a good game for people new to IF because it's short, text is sparse and concise, the world isn't overly huge, and puzzles are mostly easy if you follow the old convention of experimenting with items. There's also a handy sack for unlimited inventory space, and it automatically shifts things around so you don't get those, "Your hands are full" errors.

There isn't much of a plot to this game, though I do like that I could win without killing anyone. A cute game and worth the couple hours it took to play.

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