Teatime with a Vampire

Vampire stories–and interpretations of vampire stories–have often been vehicles for addressing serious issues such as racism, xenophobia, and homophobia. If Teatime with a Vampire has an underlying theme it might be something like “pop culture under late capitalism”? And in this, it is witty, incisive, and totally entertaining. For example, “‘They’re just like us!’ touted magazines around the world for years, featuring the nightly walkers in every of their issues, tracing family lines and connecting individuals, reporting on the horrors and the wonders. And between the awe and hatred for those mystical beings, it turned out this catchline was not completely wrong…aside from the whole blood sucking thing and living only in the dark, that is.” Ultimately, the integration of vampires into human society has turned out to be mostly a source of entertainment, a business opportunity, and a welcome solution to a third-shift labor shortage.

My favorite part of the game is the vampire Mr. Orlok, who is the host of the titular TV talk show. Whereas the Orlok of the Murnau movie is stilted and awkward (like everyone in silent films, to be fair), Mr. Orlok is handsome (“honey blond short hair, parted and twisted into finger waves, unwavering thanks to a surely ungodly amount of hairspray”), magnetic and flirtatious, and has the audience–and the mopey PC Alex–eating out of his hand. There were some spelling errors and agreement errors which, if fixed, would give the game a more polished feel, but I didn’t really care because I felt swept up by the rhythm of the show, and dazzled by the lights. For a game that takes as its premise the guilty pleasure of a gossipy talk show (a format that the author really nails, btw, with segments like “Eat or Dish” where the guest has to answer a personal question or eat gross food), this game has a lot of depth and humor, and a pretty outstanding NPC in Mr. Orlok, who I will definitely be nominating for best NPC in the next round of IFDB awards.