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About the StoryA weird tale. Some parts make use of sound, so this game is best played with headphones. One ending.
"Two Pieces of Interactive Fiction Which I Love"
"This first piece is very recent and is basically a short story about a family in which the father, one day, goes down into the dirt-floor basement with a brand-new shovel and he begins to digÖand digÖand dig. And he wonít stop digging. The story goes on from there in a brilliant piece of creepy, riveting writing that I would have adored had I come across it in a book. Itís well-told and very, very sharp. I canít convey that strongly enough."
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My Father's Long, Long Legs
"Michael Lutz's piece of Twine-crafted interactive fiction horror piece My Father's Long, Long Legs might just be one of the finest, most cleverly executed pieces of freaky fiction I've ever read. Best enjoyed with the lights out and the sound up (and headphones on, if you're rockin' 'em), it tells the story of a girl whose father one day suddenly comes home from work and begins digging a hole in the dirt-floored basement of their house. Day after day he spends every free moment down there, coming up only to eat, use the bathroom, and work... and once his factory closes, he stops coming up at all."
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Emily Short's Interactive Storytelling
My Fatherís Long, Long Legs
"My Fatherís Long, Long Legs is a deeply creepy Twine game, a horror story centered on an unusual and startling premise. The structure seems linear at first: often in the early stages there is only one link forward, or there are multiple links but they control only the order in which you will read the same text. Later, things branch more, but in a way that still never gives the player a sense of strong agency. The experience is instead always of being drawn onward to explore even though thereís the strongest sense that you wonít like what youíre going to find. Thereís no chance that youíre going to be able to control what that something is."
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|Average Rating: |
Number of Reviews: 11
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Most Helpful Member Reviews
The narrative is strong, and very creepy, and the technical capabilities of Twine are well-used here to give a sense of exploration and terror. Through text, sound, and limited sight, fear slowly creeps up on the player, and you may find yourself more in the perspective of the narrator than in a graphical video game.
The side stories and anecdotes shared throughout are well-done and plotted well. Although the story has only one ending, the possibilities suggested by that ending are complex, provoking speculation as to deeper meaning and intent.
But then! The end! The end was great! A really effective use of sound and there was one effect that I'd never seen before and worked really really well! Excellent job on that! I just wish there had been more- maybe different sounds based on the options you chose in the dark? And because the lead-up was so long, it felt a little unbalanced. I think it would have worked better if the story had been a bit punchier, and/or if there were some other ways that it took advantage of the medium throughout. I think using the final mechanism only at the end makes a lot of sense, but I think some subtler effects- sound, or even something as simple as changing the background color for some sections- just anything so I don't spend the majority of the story wondering why it wasn't just a regular short story. The ending answered that for me, but the fact that I spent so much time thinking about that at all undermined the experience for me.
However, as an example of interactive fiction, I found this text to be lacking. Although the reader is presented with a few choices, the story is overwhelmingly linear, with minimal replay-ability, something intrinsic to interactive fiction/hypertext fiction. I am not sure how more interactivity could have been worked in, which leads me to believe that perhaps this would have functioned better as short fiction rather than IF. Despite these shortcomings, I still found the reading experience enjoyable.
See All 11 Member Reviews
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