Like the other games I played by this author, it was a welcome treat for a morning off work. This game took me a couple of hours to play to the end, but a lot of it was spent making the map, listing the objects and taking notes from the descriptions. I had to laugh at myself when I reached the ending. But it was a great experience, it shook up my conception of IF and really made me feel more free about how to write and create my own games. I would recommend just sitting back and exploring the house, taking in the sensory information. DO make a map, and experiment with the objects. I played this game without the recommended soundtrack (you will be given this option on the play-in-browser website)--I may just go back and play with the soundtrack, just to get the whole experience!
I enjoyed this short game very much. I would recommend it to beginners because of the simple problem-solving in the game and the scavenger hunting that is often found in IF. I would recommend it to seasoned veterans because it offers a good hour or two of fun, and it has an original premise, a lot like the author's Taco Fiction. Like being a part of a funny movie, an idea I like. I would put two thumbs up, if they weren't stuck in cupcakes!
I rarely--if ever--give something five stars, but this vignette is a work of art. As art, as an artistic expression of IF, it gets five stars. If I qualify further, I may have to give something away, so just try it and see for yourself.
This game reminded me a lot of some of the old Infocom games, in that there's not a lot of embellishment in the descriptions, usually just a few sentences. I didn't find it too terribly difficult, it took me only about 2-3 hours to play through, and I'm a careful examiner of EVERYTHING. I usually don't play games that I would expect to be short, because I enjoy getting involved in long games, but this one was a nice and entertaining diversion from my usual route. What I really liked about the game was how the real plot seems to evolve from one thing(which is obvious to the player, albeit with a little coyness), to something much broader. I gave it only 4 stars, because some parts of the game, especially the ending, rely on conversation, which, in this game, is choice-based, so there's not a lot of freedom in this respect. I got frustrated with this part because you have to make the right choices, not all of which are available right away. It could get confusing if you use SAVE and RESTORE a lot, and you don't remember what subjects led to what other subjects. Plus there are things that you have to actually do, before some subjects for conversation open up, and these things are not entirely obvious. Specifically, (Spoiler - click to show)with Zuleika, the cashier in the ice cream place. I could have easily not noticed the checkerboard on the table--it wasn't in the room description!--had I not examined the table. You have to engage the cashier in a checker game, and then talk about your 'day' etc etc. to open up other important subjects. However, I also see how this was not essential to winning. (Spoiler - click to show)Though it was the 'best' ending. As usual, I would advise any new players trying this game to explore everything, see what you can do. If you like short games, this is ideal. I may just start getting into playing more short games! Here, the puzzles are not hard at all, especially if you take pains to examine things and seemingly unimportant details. (Spoiler - click to show)Remember to look in your back seat! Also, you have to make sure that you have examined everything found in the cult's back office. The details there are very important. Better yet, take it all with you! A good short game! Someone suggested I try a Ryan Veeder game. I did, and will be back for another one!
This was the first IF game I've played by this author. All in all, it was a good experience, and it took 6 days for me to complete.
It wasn't too terribly 'verbose' in its descriptions--but I see the advantage to that--the best images are created by the mind of the reader. For the most part, the descriptions were 'good enough'. But one reason I gave it only 4 stars was because in some places the author could have been more clear. For example, (Spoiler - click to show)no matter how hard I tried to look at it, I just could not understand how the huge gate in the 'autumn' area worked, but maybe I missed something about it. Also, I think he could have tightened up the grammar in some places, though I know programmers aren't necessarily professional writers. Plus I understand that the author was in his mid 20s(as I was) when this game came out in 1996.
Perhaps like a number of others, I thought this game was going to be a cinch when I first started playing it. Not quite. The first problems were simple, but soon after, I got stuck. One hint--it really helps to take a step back and take in WHERE you ARE. There is plenty of teleportation, and though it seems that you remain on the same planet, the many places you visit are different. The problems are varied and interesting, and I know it's a good game when I get obsessed about solving them.
Warning, however---there are also plenty of red herrings. Locked doors, paths and entrances that seem to admit you, objects that seem like they could be used for SOMETHING, but turn out to be non-essential. At one point, I thought I might be able to make out a pattern to solve what I thought was a problem, but it was like reading tea-leaves--the problem wasn't what I thought it was. Also, there are one or two loose ends, event-wise, but, as they say, that's life. At any rate, I follow the old IF rule, 'If you can take an object, keep it.'
This is probably about the 'darkest' IF I have ever played--you are a 'lowly' palace minister who is seizing an opportunity to essentially become king(after the king has died) by eliminating your rivals, one by one. And you have two hours(within the game, not on the clock) to achieve this. When I say 'eliminate', I mean actually killing your rivals--albeit indirectly(get my hands dirty!? Perish the thought!). If you object to this idea, then I strongly advise against playing this game. I know it's 'only fiction' but I can see how some would be turned off by it. But being the persistent IF-er, I pressed on...
It took me about 7 days to figure this game out, and should you decide to 'press on' like I did, I suggest you do the following--
1. Lay aside any expectation of 'winning' within the first few playthroughs. You will not. This game has a very tight time schedule, instead of a turn-counter, there is a time clock that measures out time according to how long the author estimates your chosen actions would take(instead of each action taking 1 turn, a 'wait' may take 2 minutes, a move between rooms may take 10 seconds, etc, though the clock at the top will advance only in 5 minute increments--it will not visibly advance with every move, so you have to guess). Most estimates I have seen say that a successful playthrough should take about 100 moves(which would sum up to about 2 hours, game time).
2. Expect to play through to the end(a failure,(Spoiler - click to show)when the war secretary-turned-warlord takes over the city-state) many times. But see each playthrough as a means of exploring the palace(you really won't be able to go anywhere outside) further, and getting to know each NPC more, by surveillance, observation, questions, etc. Search your own room, first, figure out the machinery.
3. Probably the best perspective to take is to realize that, at the beginning of the game, you ALREADY have a plan(to eliminate your rivals)--you just need to recall what it is, and put it in motion. Your initial playthroughs will be about figuring out the component parts of the plan, then you will need to put them together timing-wise.
4. These parts will interlock, in the final game(where you actually win) in such a way that you will need to work on each of the rivals simultaneously, putting a move or two in here and there against each. The order in which you execute these moves is very important. One mistake can be costly. You have to find out the correct order in which to destroy them.
I must make a confession, here. Though I have found out how to eliminate each of the rivals(there are 5), I never got the order correct. I kept dying, because I would forget something, took too long to do another thing, etc etc. Finally, I decided that I had other things I wanted to do and put the game aside. The 'enjoyment' that I got came from the 'figuring out' process, and I was content to know that I 'could' have figured out the timing. This game is truly rigorous. If Mr Cadre's intentions were to completely vex you, then he succeeded with me.
I did enjoy the rich descriptions and full character developments. Clearly, you are meant to explore all of these before completing the details of your plan and carrying them out with the final playthrough--in which you will NOT have time to do any information gathering. Look at EVERYTHING. ASK QUESTIONS. Experiment with ALL take-able objects. USE the equipment(for example, in some of my first playthroughs,(Spoiler - click to show) I did nothing but sit in the room and watch each one of the main NPCs on the surveillance system, particularly the rivals, for the entire two hours. I did this for each NPC.).
But for all its intricacy, there are some flaws. I think that the seeming anachronisms (palace guards, albeit with rifles, the 'war' with Venice, etc) were intentional, the author is bringing the old era of city-states(the Carolingian League) into the future, with electronics, helicopters, etc. The two biggest flaws that I can recall are--
1. Indifference; apparently, none of the deaths that you will have caused will be investigated, despite the social rank of the victims(in fact,(Spoiler - click to show) in the one in which there IS a reaction,you are present and it's obvious that you supplied the weapon. And surely, the queen and/or her son would notice that her brother-in-law had been murdered by the falling toy, which she had to have seen you take...!??.
2. In case no one noticed, (Spoiler - click to show)there is a cannibalistic plant taking over the palace! Nothing is said as to what was/will be done to eliminate it! Unless I missed something.
It bears repeating that in this game, YOU WILL BE DOING A LOT OF KILLING. Which perhaps leads to a third flaw--(Spoiler - click to show)when you destroy the war minister, you will also destroy his army. There may not be many people left to rule..!!??
Therefore, I gave it three stars. With these things in mind, I hope you enjoy the game, should you choose to play it.
When I downloaded this game last month, I kept putting off playing it because I thought it would be JUST an interactive novel, with very few puzzles--even the author in his opening notes suggested that the puzzles 'weren't very hard'--so I had it sized up to be a very easy game. In fact, I kept it on my computer while I went along playing one or two other games--as I tend to prefer games with lots of hard puzzles. Finally, I threw up my hands and said that this game wasn't going to play itself, I might as well get it over with.
I was so wrong about this game.
First of all, the game area is SPRAWLING. If you are a 'puzzle-ey' guy like me, you might not be used to starting out being able to explore large areas(many 'rooms'). My instinct when I begin a game or new area in a game, I map all available rooms. In Anchorhead, just about the whole town is free to explore from the start(except a number of not-yet-available places). This almost overwhelmed my compartmentalized male mind. But then I reminded myself that this game is not so puzzle-driven as it is plot-driven. Let the story guide you, I said. Nevertheless, I continued to map the entire city, before even meeting with Michael.
And yes, it did kind of startle me to find out that I was playing a female protagonist, especially as I was (Spoiler - click to show)having fun envisioning myself as Inspector Clouseau, with my trenchcoat and umbrella, climbing through the window of my real-estate agent's office. I don't recall any mention of the protagonist being female. So to me, this promised to make for an interesting experience for me.
It was encouraging to be more or less guided by the events in the story as to what area to address--ie. 'what to do' next--however, it's very important to explore all available areas, examine EVERYTHING, read everything, look behind and under--and in--all things, and know your inventory. There were a couple of things in this game that I missed, that I thought were easy to miss. The author was very descriptive in this game, but there were a couple of spots I thought needed more description. For example, (Spoiler - click to show)I had no idea that there was a book of matches in the kitchen, because the description of the kitchen was so spare, I didn't think to look in the cabinets. The other major thing that I think could have used more attention was (Spoiler - click to show) the study--this was the whole key to the wine bottle problem--apparently you have to be able, at the right time, to follow Michael's movements through the house, and if you do not know to be in the study immediately after you wake up on the third day, and how to get into the secret passageway there, you will be unwinnably stuck--I found this out the hard way. I talked to Michael too long and I made him storm out of the house, and ended up beating my head against meaningless wine bottles. I finally gave in and looked at a walk-through, and got that betrayed feeling like this was something I could have solved had I noticed these little things, capped off with the thought that I just cheated. But more description could have been used there. It would have saved me from (Spoiler - click to show)constantly hitting my head on the wall in the dark area of the asylum, because I didn't find the matches in the kitchen cabinet with which to light the lantern, after I escaped from the rubber room. I was constantly being chased--and eaten--by the madman, because I thought I had to somehow manipulate the light in the stairwell to get light into the rooms downstairs, only to find out from a walkthrough that there were matches in the kitchen that could have been found on Day 2. But then, this is all a part of the territory of IF adventure--part of the challenge. These games have things like SAVE and RESTORE; real life does not. So as IF adventurers, we are actually having it easy.
Otherwise, the game is RICH in description. The atmosphere is excellent, you really get the feeling that you are there. The characters are full of life, even the 'bum' near the wharf. There is even a subplot that is touching. Were I actually a female, I might have wanted a more romantic tone, and I kind of expected the train to play more of a role in the game, at least as a puzzle or the solution to one. I even hoped that (Spoiler - click to show)at the end of the game, while the town was being sucked into the vortex, Michael and I would run with careless abandon, and with perfect timing, the train would speed through and we would jump and perfectly land on a flat car and ride our asses out of town. But such was not to be.
However, the horror angle was NOT underemphasized. This game is not for the faint-of-heart. Scenes of violence and gore--including violence done to the protagonist--are incredibly graphic. One must wonder at the imagination of the author. I did feel a certain vindication at the (Spoiler - click to show)lifelessly prone body of the asylum orderly, though I wish somehow (Spoiler - click to show)the bum, and even William, could somehow have been spared. But then, this is horror. It's the reverse of fantasy land.
In reading some of the reviews for this game, I frequently came across comments that the puzzles on Day 3 had time constraints. Well, yes they do, but I think the author was kind in that he makes the story advance only after you complete each puzzle. In the final sequence, you do have a limited number of moves, but it's logical and intuitive. Be encouraged that (Spoiler - click to show)once you get handcuffed to the rock on the island of flesh, there is NOTHING you can do, so you can pretty much figure that solving this puzzle has to do with what you do with the mirrors BEFORE you are taken captive. I thought that this was the perhaps the best of the puzzles. The epilogue was a bona fide horror ending--(Spoiler - click to show)when the protagonist(s) survive, there is the promise of MORE horror!
In a word, I thought it was fantastic. Would I recommend it to a beginner? Some of these puzzles are tough, and at the beginning of the game, one might be misled by the number of locked doors/hatches, especially if you are puzzle guy like me who sees every locked door as an immediate challenge. I would recommend it with a little guidance--don't be discouraged by having to go back to (much) earlier saved positions, save often, examine everything to the hilt, make an accurate map, and let the story guide you, especially in such story-driven games as this. But then, the author provides this advice in his opening notes.
Four stars--but then I am a romantic, I wanted a (Spoiler - click to show)train-ride ending! And more description in certain places!
A very well- and carefully written game, one of the most intricate I've played. You are a not-so-perfect private eye who is called to investigate a murder, and (Spoiler - click to show)finds himself involved in more ways than one! I say carefully written, because this is one game where the NPCs are not only aware of each other when in the same room, they are also aware of some of the items that you are holding, so you have to be careful! Their actions are strongly influenced by these facts. Veteran IFers may be put off by this, if they are habituated to games where the NPCs are rather discreet with respect to each other(=confined to certain areas of play), and indifferent to what the player is holding, unless the IFer has played Infocom's The Witness, or Deadline. I would recommend this game to a beginner, because the beginner would play with beginner's eyes--EXPECTING the NPCs to interact with each other and to be curious or observant of what you are holding. Also, I would recommend it to them because the game is brief compared to many others--I would call it an appetizer. If you are focused on finding the evidence, analyzing it and interviewing characters, you should quickly uncover (possible) motives and get a rough idea of who did it(or COULD have)--but this is just part of the game! Another part is how to manage the investigation--and keep pertinent details to yourself, what to analyze and what to divulge--and when to divulge it. This is why you may need a number of replays to 'get it right'(which may have you tearing your hair out). One character suggests that it's like a chess match((Spoiler - click to show)and I thought the chessboard was another little touch of genius--see if you can liken the characters to the pieces on the board) Then there is the endgame, which I felt was a masterstroke.
I really have nothing but the usual complaints regarding Ingold's games--the Britishisms(not a real complaint from me, but others may be put off--for example, in the US, we don't call 'em 'vicar', we make coffee, not tea, a car has a hood, not a 'bonnet'), the-one-thing-I-could-do-but-didn't-realize-I-could-do(found this out from a walkthrough--and yes, I did consult a walkthrough, after hours of beating my head against the wall trying to accuse someone who I was sure did it), and there are at least a couple of places where you play 'guess the verb', or you get a different result using two very similar verbs(look at vs examine). These are also the reason why I gave only 4 stars(instead of 5), but again wanted to give an additional 1/2 star, for 4 1/2.
I want to also stress that this game is excellent. You'll get laughs talking to Joe(the officer on duty who assists you with the analyses and questioning). He does not trust you, wants you fired(he knows you're a (Spoiler - click to show)shady alcoholic, and (Spoiler - click to show)possibly even suspects you from the start. If you give him just any object to analyze(that isn't direct evidence), sometimes, without even looking at it, he'll call you a cretin and walk away. But sometimes he's nice and will let you look at the crossword in his newspaper(which I may go back to the game and try to work completely--it's a neat little puzzle on its own, and even has an allusion to the one in The Mulldoon Legacy, another Ingold game I enjoyed).
I found only one bug in the release I played(#13), but even that gave me a laugh--(Spoiler - click to show)you aren't supposed to be able to take Emilia's ceramic water jug without breaking it, but when you go to the Kitchen sink, where the jug is, and say 'FILL JUG'--and the game usually would automatically say (first taking the ---)at any object you choose--the game will then say 'You filched her jug, BUG BUG BUG--I think the author put this in as a joke, once the bug was pointed out to him, and of course, you are not allowed to have the jug, you will have to use the whiskey bottle as a container. If you can hack the aforementioned gripes, then you will thoroughly enjoy the game and appreciate the conclusion. One tip without spoiling anything--when playing a game like this, always search the house and collect evidence, before interviewing. Like a lawyer in court, know the answers before you ask the questions.
After a years-long hiatus from IF, I went into this game, thinking that it would be namby-pamby, and when I started playing it, I still thought it would be thread-bare, with its initially spare descriptions. I was SO wrong. It turned out to be one of the most complicated games I have ever played(and I am an Infocom veteran, having played such hard nuts as Spellbreaker). I had to look at a walkthrough, by golly. This game has many areas, which correspond to certain events in world history. One plus that I appreciated was that I came out of this game feeling more educated, I had learned from it, or was inspired to do so. A minus was that it was not obvious to me what order in which I could solve each area. There is at least one instance where you definitely have to solve one area before approaching another, and you do not get another opportunity in that area unless you start over or go back to a previously saved position(and this is where I felt compelled to consult the walk-through--only to find out that I had no such position I could go back to, and had to start over). But most other areas can be solved in any order. I would recommend being especially watchful, by EXAMINE-ing and SEARCH-ing everything within reason. As with Curses!(Graham Nelson's other big game) and Jon Ingold's games, I would not recommend this game for a beginner, mainly because of the frequent shifts in setting and the sheer perspective of the plot. And there are certain actions that you will need to take that are not entirely obvious--or even obvious at all--that may stall out a beginner early in the game. For example, (Spoiler - click to show)it took me a long time to figure out what to do with the pyramid in the initial sequence(how was I to know that I could climb it!? I can see how some might have given up.).
This game is as full of nutcrackers as it is full of personality and color. Mr. Nelson made it just as intricate and at least as challenging as his other game Curses!(which I also recommend to experienced players). Be sure to exploit every object that you find, use it even if its purpose is not entirely clear, and look under and search every place and object possible. And please, (Spoiler - click to show)remember to sketch the animals! if you want a satisfying ending!
This game is huge and took me 24 days to solve. For the beginner? Definitely not. Admittedly, I had to consult a walkthrough, and on at least one occasion, I had to start over--but as I always say, that's par for the course in games worth playing. As with another game I reviewed, Curses!, this game is full of puzzles and conundrums on many fronts, and I would recommend it to any seasoned veteran who is looking for such challenges. I would recommend a thorough and accurate map, objects list, and list of problems/obstacles--which you will definitely need, because this game is so sprawling and hither-and-yon, that while working in one area, it's easy to forget what obstacles you found in another a while back. There are also a number of games-within-a-game 'vignettes'--one consolation here is that some are well self-contained(=with solutions near-to-hand), and even give you chances to 'try again'.
I think I do need to mention that even if you are very observant, some things in this game are easy to miss. You will need to move some things or do some actions that you might not think you would be allowed to move or do. Plus, remember that EVERY object that you find in this game is crucial to your completing it. And there is at least one object that will totally stump you as to its use--but when you realize what its use is, you will be very amused--which I thought was a stroke of genuine genius by the author.
I did not give this game 5 stars, but I would give it an additional 1/2 star if this were possible. I say not 5 stars, because of the above mentioned situations where things are not made obvious or details not made clear, also because in some places, the grammar and syntax in the descriptions are somewhat 'off'(at least in the release that I played). Words are unnecessarily repeated, there are typos, high school mistakes(of the type 'where is he at?' or 'an object which you don't know where it is', etc). And what are called 'Britishisms'--which can put off the already awkward-feeling beginner. However, I am a frequent watcher of British television, and am thoroughly amused by Monty Python, so this did not put me off, in fact I felt entertained by it, but others may not. But when you consider that Mr. Ingold wrote this game while also burdened by student work, he still did an excellent job. An A- from me.