Ratings and Reviews by tggdan3
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Ug!, January 4, 2011First of all, bonus points for the lemon-flashlight puzzle. Very clever. However, you describe the "wire" as "wires" but the game does not understand "wires" as the "wire". Frustrating.
When you get to the "exit" you cannot "enter" the "exit" (and the game doesn't recognise hole).
The trap door is to the west, apparantly (up and down do not use it), which is odd, considering trap doors are usually built into floors.
The purple book should probably not state (in which is a key) when you first see it.
I assume the fact that you cannot leave through the exit is a mistake, since it clearly says that I can.
Also examining myself seems to examine the flashlight.
This game is not hard (it tells you what to do at each step) but the lack of synonyms and several errors (not to mention the extremely tired premise of trying to escape a room that changes for no reason and contains no logical puzzles) dooms this game to obscurity. I was really excited about the lemon-flashlight puzzle, as it was clever, but then, the game tells you when you look at the flashlight to put the lemon on the wires. (And putting the lemon into the flashlight doesn't work- well it DOES work, but doesn't turn on the lights).
What the heck happened?, January 4, 2011I expected some abandonitis when I read the description... what I didn't expect was...
>Sleep
You aren't feeling especially drowsy
>X Me
As good-looking as ever
The Creature approaches from the east
>X creature
You see nothing special about the creature
It sildes up to you then slits your throat in an instan.
You scored 0 out of a possible 0.
(And when the creature follows me around it is reported to me twice)
Library
>READ BOOKS
You don't see any such thing.
Okay, enough rant. Polish the game! What creature is this that can slit my throat? I pictured some kind of rat type of thing, apparantly it has a knife? There should at least be a description! The way it is nonchelantly brought up I thought there was SUPPOSED to be a creature here. (Apparantly Vionlence is not the answer to this one if I try to kill it!).
Another thing- list the exits somewhere! The first few rooms list the ladders that lead in various directions, but there are also a bunch of rooms off in the cardinal directions that are not listed in any way. (For that matter, what good does N,S,W,E,U,D do in space? There is no magnetic north here! But I can forgive that one).
The game has some typos "even the maintenance bots can't make it smell like nything else". The writing is done well, and the atmosphere makes me really want to play this game, but there needs to be some kind of indications as to what can be done. I couldn't pet the creature, or examine it, but this creature which is described (as it kills me) as not violent, kills me without provocation and in an intelligent way that describes malice (it's apparantly not eating me).
It (the game) kills me because I can tell there is a good game here, but little things like this really turn me off. The library should respond to the word books (even if there are no physical books- a digital library should respond to the word, even if to refer me to a console). And having exits listed is a must-have, even if it's just listed in the status bar or something. If a creature is going to kill me after a number of turns, I can't spend most of them bashing into the walls trying to discover where the exits are. (And I should get some indication that it's hostile!).
I reccommend some beta testing and a new version- it looks like the premise and writing is good, but these polishes are a must-have!
Not a game but not necessarily a waste, December 3, 2010One of the things I noticed on the inform7's website was its usefulness in classrooms. It seems like the author here was trying to portray history (or possible alternate histories) in a unique way which could better benefit his classroom.
As the other reviews state: this is not a game- there is nothing but a menu of 6 choices, with certain historical events with a "what if someone important had died" question.
As a non-game, it would have been nice if certain meta-commands had been disabled (I'm still as good looking as ever and am carrying nothing). Perhaps a hypertext document would have been better suited than a Z-code project, but it's not fair to just slam it, because that's one of the things that inform 7 is marketed as.
Even still, IFDB might not be the place for it as it isn't a game or story in any real way, and so people looking for such won't find much here.
CROWNing moment of AWESOME!, December 3, 2010Okay, the stuff that makes this game AWESOME is hard to talk about without giving things away.
At some point in the game you will control various characters. The narration tone switches with characters very well! The various characters are needed to complete the task. As you learn what's going on, (and complete the game) the reality is fantastic, and the realization is brought on slowly, shown to you rather than told to you, another great storytelling piece. (Spoiler - click to show) You are toys that trade a magical crown to become animate, neither is aware of the others actions
I rated this game 4 stars. Some bugs and a VERY annoying guess the verb made it miss 5 stars. (Spoiler - click to show) You need to use a grappling hook to flip a switch. You can't THROW HOOK AT/TO SWITCH or PUT HOOK ON SWITCH or HOOK SWITCH... you need to OPEN SWITCH WITH HOOK. I had to go to the walkthrough to figure this out which really angered me considering I knew what to do.
Some minor nitpicks, it's awesome when you switch characters the first time and read how they react to the change in atmosphere, I only wish that change in atmosphere was reflected each time the atmosphere changed (Spoiler - click to show) such as when the train stops, reverses, or when other characters break doors, etc Also there are 2 doors that you cannot see through, so you better remember what was described when you first opened them, since there's no way to get that description again, which is unfortunate. Also UNLOCK and CUT seem to by synonyms, and often times you have to OPEN objects with unlikely "keys", which could have been better hinted/described. And the puzzle where you have to get a mirror is GENIUS!
The ending is priceless and ties the whole thing together, though in a way, (Spoiler - click to show)sad, considering the ultimate fate of the "player"s.
I'm really excited for other people to try this game, it's an excellent use of switching characters and an environment that you are forced to discover as you progress.
The game isn't long (27 moves in the walkthrough, though it took me over 100, partially due to that annoying guess the verb), but it's really well written. Some implementation caused it to not get 5 stars. Hopefully a revised edition comes out soon!
up and climb are two different words. I didn't have time to accomodate both, December 2, 2010This is an actual note from the walkthrough. I'm glad he cared so much.
You are locked in a room by your employer for some reason. You must escape. All is fine except that everything is drastically underimplemted and buggy.
Here are just a few of the nightmares you'll find.
>cut drum with saw
Which do you mean, the hole in the drum, the drum cover or the big wooden drum?
>enter wooden drum
But you're already on the old wooden chair
(You need to enter the drum. The idea is get on the chair and type UP. Climb chair and enter drum do not work. :( )
>enter hole
You can't, since the hole in the drum is in the way
>x drum
Which do you mean, the hole in the drum, the drum cover or the big wooden drum?
>cover
What do you want to cover?
>pull wire
Nothing obvious happens.
>get wire
You reach for the wire, to no avail! The wire is too high!
Going beyond this:
You need to fix a machine with some wire. You need to turn ON the switch to disable power to the machine. (Oops- not turn OFF the switch?).
The game starts out reasonable but then gets worse, with keys hidden in rats (which print in the room description but not the item descripton, and apparantly you HAVE TO put the rat on a chair to discover this), and that horrible drum which DESPERATELY needs an instance of DOES THE PLAYER MEAN ENTERING THE BIG WOODEN DRUM: IT IS LIKELY.
The story is almost nonexistant, and upon freeing yourself from the wine cellar your employers have trapped you in for no reason you need to contend with a charging elephant. Yep.
This game is possible, but you better know the "official" verb usages for things, since synonyms are not used, and use the walkthrough. (It's nice that in the walkthrough he aknowledges known errors then says he doesn't feel like fixing them, hence the title of my review.)
Hopefully the next game would be better, but his next game already got some pretty bad reviews and low ratings, so I'm not too hopeful. This game could have been good- it just needed a little testing, and if he couldn't figure out how to solve known bugs, he might have wanted to AT LEAST have the game prompt you on the RIGHT way to do things... (or gone to the forum and asked someone).
Everlasting Edition?, December 2, 2010Reading the previous review, apparantly you push the big red button and die.
Nope.
The everlasting edition is just what it sounds like- it has no end.
So there's a room with no description and an item with no real implementation. (They forgot to even make it fixed in place, since I was able to take the Big Red Button). Yes, capitalized each word too. Well what can you do?
I guess this is what I get for selecting: 10 random games produced this year.
Very Very Frustrating, December 1, 2010You have 7 turns to solve this game. On Turn 7 you die. This is common in his other games as well.
First off, this is a game. That is refreshing. Aliens are going to attack and burn the world and maybe you can survive.
There are some typos (thr fire can burn anything), and the game is minimally implemented. (All default responses to examining things). Exits are not listed in any way, which is frustrating regarding the low turn count. I have to undo after every turn just so I don't waste that precious minute.
I wasn't able to figure out the survival ending (if there is one). This is mainly due to the under-implementation of things. (Spoiler - click to show) There's a rock you can't take. Some experimentation reveals that it's a supporter, though you can't climb on it or hide under it. Treetops are described but don't "exist", nor can you climb trees. You're in your house with a bolted up door- presumably done by you to hide from the aliens, in fact, you refuse to open it for fear of ruining your snowball's chance in hell, however you will break the window and climb out it without a fuss.
The concept here was good, but the author really should have done one of two things: 1) greatly increased the turn count- otherwise we are expected to guess the author's mind on how we are supposed to solve this puzzle, or 2) have certain actions take no time (such as going in a direction that doesn't exist, or examining things). Every item needs a description, even if mundane. There's a rod. How big is it? How strong is it? Is it a lightning rod, a ladder rung, a sceptre, or a car (hot rod)? There's a sturdy rock. How big is it? Is it a boulder? A pebble? The size of a basket ball? A big boulder I might try to lift with the rod (lift is not a verb i recognise), a small rock I might try to hit like a baseball up at the aliens in hopes of knocking down their ship (there are no aliens here).
I'm glad the author has tried this- it's definately a departure from the "look I made a room" things he tried before and has gone into game territory. The next step is finding the beta testing website and having others test the game- all this could have been fixed before release.
The big problem is that the concept was good, but the lack of implementation and the RIDICULOUSLY low turn count did not allow for any experimentation to FIND the solution.
Well, it's AIF I guess, November 30, 2010Trying to write an AIF review is difficult- because AIF is really two different things: It's adult entertainment, and it's (supposed to be) a story or game.
I suppose commenting on the plot of an AIF would be like commenting on the acting of a Cinemax after hours movie. The plot has you, the adventurer, having been captured by the goblin queen and chained to a wall- apparantly after having eaten a magical equivelant of viagra.
The writing is what it is- it's fairly well written, considering the subject matter.
The implementation however was the biggest nightmare I've seen in an IF game in a while. Perhaps this is common in AIF, I'm not as familiar with the genre, but it seems like there should be more to the game than just hitting Z to bypass a cutscene.
There are 2 npcs to converse with: the goblin queen and the elf maid. If you try to talk to them in any way (ask goblin for [something], tell goblin about [something], etc) the game prompts you: For conversation ask [character] about [something]. This however does not work. You are supposed to ask the elf maid to do something to you (you can probably guess what), though it doesn't respond to the standard IF commands.
Let's say for the sake of euphamsim, that the proposed action is HUG ME.
The following do not work:
>HUG MAID
>MAID, HUG ME
>ASK MAID FOR HUG
>ASK MAID ABOUT HUG
(or any substutions of elf or her name for maid)
instead you need:
>HUG ME
After solving that horrible guess the verb puzzle (which is after about 30 turns of waiting, trying futily to escape, which must be done to trigger the next cutscene, and wetting yourself) you get to move on to an even more annoying puzzle:
The elf maid, gone, but having freed you, leaves you alone in the room with a sole exit- an exit which does not exist, and your pile of treasure, which mostly does not exist. The only items that respond (GUESS THE NOUN!) are a book and a figurine. The figurine is used as a prop in certain actions, and the book contains the list of commands that you can use on the goblin queen- who then shows up. Very nice addition, even though it breaks all memisis, considering the game is drastically underimplemented.
AIF aside, you should be able to look at things, and if you can't move or perform actions, NPCs should respond to things you're asking them to do, even if it doesn't work. What's more, I got more than one error message to the same command.
>GOBLIN, FREE ME
The goblin isn't about to talk to you.
I don't recognise that verb.
Further, talking to the elf maid elicits this response:
Elf: We aren't allowed to talk to the prisoners
(even though she is talking to you before hand and if you wait she will talk further).
So how do you rate AIF? On the quality of the interactivity, or the writing itself. I give the implementation 0 stars, and the writing 2, for a total of 2. I don't have much to compare it to. Perhaps it would have been better as an erotic short story or something, consdierting all the WAITING you have to do to move the cutscenes.
Good point, awkward medium, November 30, 2010So yeah... you're in front of the holy books of the major religions. And you can burn them.
You're pretty sure if you burn the koran you will die (damn titles which are also walk throughs). And yes, if you burn the others you will not die.
The muslim issue in media was better depicted by south park, where comedy central would refuse to picture mohammed, even acting innocently, but would show jesus and bush crapping on the amercian flag, buddah snorting coke, and jesus looking up internet porn. The idea is that you can do or say whatever you want regarding any religion and recive minor guff for it, but picture mohammed, bad mouth muslims, or burn the koran, and radical muslims will come out of the woodwork to murder you.
I'd like to say that the author is just being racist- but after the aformentioned south park episodes, even with the anti-christian imagry, it was muslims making the death threats, and the network only censored mohammad based words and images, so maybe the author has a point here.
As far as the medium, it's interactive fiction. There isn't much to do here except find out that buring the koran is deadly, and it's not so bad burning the rest. The game makes it point, but doesn't bring it home as far as the religious hypocracy- it's there, but perhaps just too subtly.
Truth be told I was considering something like this myself (more along the lines of picturing mohammad), so I'm glad the author chose to do this- I just wonder if IF was the right medium for it, or if he could have taken it farther.
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