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About the Story
A personal game about my experiences waiting to go on stage.
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Number of Reviews: 1
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The stage is prepared. The house is open. Now, you wait.
The author captures the inner landscapes of performance well here. There's the restlessness before the curtain rises. Reflecting this, there's a small number of things you can do in this game, which is randomised in parts. There aren't any obvious goals. You can do things for NPCs - tiny quests, if you will. Regardless of what you do, the curtains will eventually rise, and you will assume your role.
Another aspect of performance: the bleeding over of on-stage roles into how you see the actors themselves. NPCs are referred to by their roles - Chatillon, 1st Executioner - even before they get on stage.
I was attracted to this because I've had my share of performances, with very similar feelings. If you've ever been part of any kind of performance, you'll probably enjoy it.
Guide of Identification of Musical the Instruments of Frobnia, by Rowan Lipkovits
Average member rating: (2 ratings)
Are you burdensome with troubles of music instruments of surplus and not of knowing they name? Helpful this program, directly from Ministry of Muzikanalytik of People's Glorious Democratic Republic of East Frobnia and Territories, to...
|Come to Bag, by PaperBlurt|
Average member rating: (10 ratings)
"...and humans shall cometh to thy bag and feast upon its bounties" (a twine cacophony filled with goodness for all)
|Sleep, by Snoother|
Average member rating: (7 ratings)
[This game is a stupid bit if juvenilia -- Snoother]