Gun Mute

I disliked being forced to be the first one to shoot in an early scene. Instead of the game telling me "you think by walking past these they will shoot you" I would have wanted to be given the opportunity to walk past them and get shot. But then again, I am also somewhat of a pacifist.

Other than that, the action is surprisingly tight. Once one understands roughly how to get past an obstacle, the loop of taking cover, looking at stuff, and shooting it reminds me a lot of more graphical shooters. What robs the experience is not immediately knowing what to shoot. I have a feeling the game could have been more forgiving in terms of shooting the wrong thing, and not making that an instant failure, as it is in some cases.

Narrative and world-building are not great. This is a shooter, pure and clean, in the style of the original Doom.

I didn't have a lot of fun though, mainly due to how it took me out of the shooting to have to figure out puzzles. (The puzzled are easy, but at least one was more difficult than the others unless you happened to shoot the right thing first to get the clue needed.)

Despite that, it's a clear three stars for a novel concept well executed!

I really enjoyed this game. if only, there were more games with guns other than gun mute, torn, attack of the yetti robot zombies, and, midst the saige brush and kaktis.

You are Gun Mute, and your friend Elias is about to be hanged by the evil sheriff. So what's a man to do? You grab your trusty six-shooter, enter the post-apocalyptic Western town, and shoot anyone who tries to stop you.

Gun Mute is an almost pure combat game, where you move through a completely linear series of encounters most of which end with either you dying to your enemy's bullet or your enemy dying to yours. The fights are not based on a numerical combat system à la Treasures of Slaver's Kingdom or Kerkerkruip; instead, each encounter is a puzzle in which you have to identify your enemy's weaknesses and use them to prevail. Failure means death, but you can always undo. Some of the puzzles are better clued than others, but for the most part, they are enjoyable. Along the way, there is some room for non-combat discoveries; and the ending is particularly satisfying.

Essential playing for anyone who wants to design a puzzle-based combat game; recommended playing for all others.

In this game, you face a series of combat challenges, one after another.

Each challenge is in one location, and you use a variety of methods to attack your opponents.

Before Superluminal Vagrant Twin, this was probably Pacian's best known game. It has some violent and suggestive elements. It features a romance and several friendships, often with the people you are battling. The setting is rich and evocative.

A rail shooter implemented in text; makes you wonder where there isn't more effort to take graphical game tropes and remake them as text (c.f., e.g. Kerkerkruip.) Pacian seems to have decided on a limited list of verbs and actions, then created a puzzle using every possible permutation. This could potentially have been a tedious string of rooms, except that the concept is wholly novel and the writing is very strong. The game doesn't outstay its welcome, and has a visceral and satisfying feel.

A delightfully futuristic western tale which is fun all around! I love how each person has a specific way to interact. Being measured was the best part. :D

The western theme is extremely fitting and keeps the player engaged. It is clear to me why people kept mentioning this game in reviews when I played other games by the author. It is quite memorable and a classic.

Mute's inability to talk grew on ya and the story was quite charming at the end. I enjoyed it, it was one heck of a ride! Well done!

Play it if: you want a game short and easy enough to breeze through but quirky and different enough to be memorable.

Don't play it if: linearity is a major turn-off.

The premise is simple. You're a reticent gunfighter, The Man With No Voice if you will, and your single purpose is to save your loved one. Get from point A to point B. Kill obstacles. Rinse and repeat with feeling.

Gun Mute is probably the most fun I've had with a game this linear. It's something like a cross between Time Crisis and those town-wide shootouts that seem to populate the climaxes of old Westerns. And as with the best action sequences, no two killings are alike thanks to a series of varied if easy puzzles.

Although the game doesn't operate in real time, it maintains a sense of urgency. The need to make use of timing, not only in response to your opponents' actions but to keep your own gun loaded, gives rise to a near-illusion of real-time action. It's an interesting effect, almost reminiscent of watching the still images in a flipbook come to life with motion. Perhaps I'm overplaying it, but I found it notable.

The setting isn't a straightforward Old Western locale so much as a post-civilization anarchy that has reverted to a sort of New Old West. Cyborgs bartend at the local saloon, the railroad transports futuristic battle turrets, and you install GPS software by drinking it. Pacian makes the wise choice not to dwell on the setting, as it isn't the focus of the piece, but lets it color the environment a little and thus keeps it memorable and distinctive while still sticking to the basic forms of the genre.

Overall, this is a fun and different sort of distraction. Hardly morally challenging or thematically deep, but a great deal of fun. I spent less than half an hour getting from beginning to end, and it'll stick with me a whole lot longer.

I'm a big fan of gameplay based on explicit gimmicks. Sure helps with GTV. Gun Mute's title says it all. You will shoot your way through each area, and you will never talk.

I'm not a big fan of linear gameplay, but Gun Mute is an arcade game in words. Time Crisis with puzzles and a handful of verbs!

Be sure to read Pacian's .txt file, perhaps after the game if you don't need any help; it contains not only helpful hints, but also a list of hey-try-this's.

It feels a lot like playing Gunstar Heroes for Sega Genesis but turn based, text only and in "boss only" mode. For some reason I kept picturing everything in my mind as if it was rendered with the graphical style of Gunstar Heroes while I was playing the game. Yes, even the romance... And I'm not even a big Sega Genesis fan, I just remembered playing Gunstar Heroes a very long time ago and Gun.Mute brought that memory back.

Giant laser-firing robots, steampunk-ish western bad guys, radioactive mutants, badass gay cowboys with an attitude and a lot of shooting at people - this game has everything you need. You can call it an experiment on the form, because it purposefully limits itself to just a few verbs (of which "shoot" is the most important by far) and declares itself "an IF shoot-em-up". Experiment or not, this is one of the funniest short pieces of IF I've played in a while. Its unassuming attitude, approachability, shortness and blatantly linear gameplay only make this spaghetti-western-meets-mad-max-meets-doom pastiche more of a pleasure.