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(based on 20 ratings)
About the Story
Eyes can see, and a mind can think. Insanity is just one step away. You are in a room. That's where you are, and you know exactly what is going on. But the truth is hard to take.
Language: English (en)
First Publication Date: October 1, 2014
Current Version: 1
Development System: Inform 7
Forgiveness Rating: Tough
12th Place - 20th Annual Interactive Fiction Competition (2014)
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Number of Reviews: 2
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Simon Deimel's Enigma starts out like an off-kilter version of "Hello, World" for Inform 7.
You start in a room frozen in time, and the whole game plays out as the protagonist's experience of a single moment oriented around one decision(Spoiler - click to show): to shoot or spare your best friend. Starting with only immediate sensations, you must build a chain of association between memories and perceptions that let you come to a realization about the truth of the situation you are in.
Exploring a memory may let you perceive things more clearly. Exploring a perception may trigger a memory. On occasion, a threshold can be reached that allows a kind of breakthrough into new conceptual spaces. Sometimes memories or perceptions will be enhanced, providing a more connected impression over which to mull, so you must return to a topic to see how new scraps of information fit into it. The text is delivered in a fast-paced, heart-hammering style that seeps into your attitude and keeps you rapidly typing until you arrive at the conclusion.
There are really only two verbs that make a difference(Spoiler - click to show): 1) "examine" and 2) "remember" or "think about". If you somehow get lost, the "hints" command will offer specific topics for introspection. This is probably not a good thing to use as a first resort, but it's helpful on a second run through.
It's really quite remarkable that Mr. Deimel has managed to create such a compelling experience out of such a small range of action, and the extent to which he has achieved this speaks to his creativity in developing and executing the concept. While he notes in the post-game INFO block that the basic concept is not new, it was new to me.
From a technical standpoint, the execution is good but could use a bit more refinement to reduce repetition of certain topics and smooth the experience. As a player, it's sometimes clear that you have hit a dead end, but it's also difficult to ascertain which topic will advance the situation without resorting to hints. Perhaps a routine that would "auto-associate" previously-explored topics that have been updated due to new information after a certain number of turns?
On the other hand, the sense of urgently and repetitively reviewing bits of experience very much conveys the mindset of the PC, and perhaps it enhances rather than detracts from the play experience overall.
From a writing standpoint, there are opportunities for improvement(Spoiler - click to show)-- for example, it's not made at all clear what drove Tim over the edge, and this leaves the whole scenario feeling a bit forced. Then again, it's not always clear in real life, either, so perhaps that's intentional.
In addition, although I liked the writing style, some additional work to smooth out the line breaks when reviewing the scene would have greatly improved the impression of a fully completed and polished work.
Overall, a good comp entry and an enjoyable short work. I look forward to more from Mr. Deimel in the future, and will be interested in exploring some of his past works.
I really enjoyed the concept and execution of this game, except for some slow points at the beginning and end.
This game is, in fact, an enigma. You start in an almost blank room, frozen in time, and must slowly recall and piece together what's going on.
The story that unfolds is gloomy and perhaps over dramatic, but I found it intriguing.
The main mechanic, which I won't describe here, is almost like a hunt the pixel game, but in text. The initial hiccup is finding out how the mechanic works. The final hiccup is trying to figure out which thing you have neglected to search.
As Emily short said in a review of Toby's Nose, that game has a similar mechanic that was also effective.
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Clac ! La porte blindée se referme derrière vous. Aïe. J’ai bien peur que vous soyez pris au piège.
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