There were times during Cabal that I laughed aloud, and the irony of the player character investigating conspiracy theories while being the very thing he was hunting was not lost on me. I appreciated that I was able to enjoy the narrative and not get bogged down by puzzles. Honestly, I wouldn't even call them puzzles. They have the veneer of puzzles, but solutions are clear and obvious if you pay attention to the writing and you're basically told what to do. (Spoiler - click to show)The twisty maze was familiar and evoked prior memories of torment. It was fitting it was part of the new Archive somehow. And the elevator puzzle, the only true one, was actually pretty intuitive after a few rounds of getting slapped. Heh. The ending didn't surprise me much. (Spoiler - click to show)You're clued early on that the player character is a bit strange, maybe not all there. The narrative is well done, and despite personally not liking the PC much, the story was short enough and the game easy enough that I was able to finish it with little effort. Parsing was excellent. No errors about not understanding what I wanted, even if the game is conversation-based for the most part. I even got the game and author references, though not the politics. Being someone who favors modern IF and IF as art form and narrative, I had a hard time getting into the mindset of the player character.
I would not replay this game. It was well-implemented, characters were stock and more plot device, but while I am enough of an IF gamer that I understood what was meant by story-based versus puzzle-based, I am not enough of an insider to appreciate the inspiration for this game and what it's poking fun at. The tie-ins with real-world conspiracy organizations helped to understand the story, but if there are any Freemasons, etc, they probably shouldn't play this. I know of RAIF, RGIF, etc, but I think this game appeals only to a small group of IF authors/players. Perhaps I could have rated the game higher if I were part of the "Cabal." :)
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