Ratings and Reviews by diddlescatter

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Alabaster, by John Cater, Rob Dubbin, Eric Eve, Elizabeth Heller, Jayzee, Kazuki Mishima, Sarah Morayati, Mark Musante, Emily Short, Adam Thornton, Ziv Wities
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Dangerous Curves, by Irene Callaci
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The Mulldoon Legacy, by Jon Ingold

7 of 8 people found the following review helpful:
Hard to complete without a walkthrough., February 3, 2011

First of all, this game is incredible. I started playing it and was hooked after five minutes (excluding the opening scene, which I couldn't get into at first). Entering the museum, exploring the first rooms, speaking with the first NPC, beginning the transition from the tangible to magical realms. This was very exciting for me.

I had read the author's notes about playing the game without a walkthrough, and I was very excited to attempt this. I made a determination that no matter how long it took, I would not consult any solutions guide. But, of course, the spirit is willing but the flesh is weak right? So after days of being at a standstill at one particular puzzle, having exhausting all my efforts and resources to try and solve it, I finally gave in and looked at a walkthrough. And I was completely and utterly disappointed. I still have not figured out how I was supposed to reach that particular conclusion without guidance. Nothing in the game up to that point (Spoiler - click to show)(how on earth was I supposed to know I needed to point at the sign and get the monkey to look at it? I mean, huh?!) seemed to have given a clue as to encouraging that particular action in that particular circumstance. It felt like such an unfair situation that, in spite of having the answer I needed, I found myself half-heartedly playing the game after that (continuing to use a walkthrough), before finally giving up and moving on.

Now, would I still recommend this game to others? ABSOLUTELY! It is a great piece of work, and it deserves every bit of praise it receives. (In fact, I personally think Jon Ingold is a genious). But I do wish that I had been able to play without a walkthrough, particularly since this was the author's own advice.

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Suveh Nux, by David Fisher

9 of 9 people found the following review helpful:
Don't be put off by the "magic language" aspect...., February 3, 2011

I must say, I was initially put off by this game when I read in reviews that in this game you interact with your environment by learning to communicate in a language it understands. As a semi-relative-newcomer to IF, all I could think was, AGH!! ISN'T THAT ALREADY THE PROBLEM WITH INTERACTIVE FICTION?! DO WE REALLY NEED TO MAKE IT HARDER?!?! However, I found myself continually drawn back to this game with its strange title, and eventually I just had to try it. Casting aside my misgivings, I downloaded the game and began to play. And, I must say, it was well worth it. I was immediately drawn into the story and my fears about the "magic language" were completely dispelled (no pun intended). There were NO endless "guess the verb" sessions as I had feared. Rather, everything needed to solve the puzzle was provided within the game. What a relief not to have to read the author's mind, as seems to be the case with so many other games. All in all, Suveh Nux was a beautifully simple and enjoyable game. I now laugh at my initial hesitation to try it. After completing the game, my only disappointment was that it was over!

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Solitary, by Kahlan
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shadows on the mirror, by Chrysoula Tzavelas
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Pick Up the Phone Booth and Aisle, by David Dyte, Steve Bernard, Dan Shiovitz, Iain Merrick, Liza Daly, John Cater, Ola Sverre Bauge, J. Robinson Wheeler, Jon Blask, Dan Schmidt, Stephen Granade, Rob Noyes, and Emily Short
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Lord Bellwater's Secret, by Sam Gordon
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Galatea, by Emily Short
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Cheeseshop, by David Welbourn
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