Reviews by Wade Clarke

bdb project

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Homo Sapiens, by Garry Francis
1 of 1 people found the following review helpful:
A day in the life of the rise of the wise human., March 16, 2026
by Wade Clarke (Sydney, Australia)
Related reviews: bdb project, inform

Homo Sapiens is a BDB adventure in which the PC is one of the earliest members of our species. The player's goal is to survive and find a mate.

HS worked better for me than the previous BDB game I tried, The Wrath of Anubis, because HS's lore and goals and elemental qualities are all in alignment. Playing an unsophisticated character in a raw world of physical dangers is the kind of thing that suits a two-word parser well. Not that this is strictly two-word; the BDB adventures are built in Inform, but of course the source material is a 1980s two-worder.

Being close to pre-tools, the PC must mostly make good use of nature. Breaking things will involve scaling heights. Zapping things will involve exploiting bad weather. Animals can interact with each other to player advantage, and weather can change the environment.

HS is a short game but it has a good density of environmental variation in both the map and mechanics. It also has some of the less kind logic of early 1980s games. For instance, you can't just exploit any height, only the ones especially set up by the game, even though there are other high-seeming places. With a map of this size, that's not a big problem. And the HINTs don't go too deep but at least they're there.

The scientific opinion as I write this is that women probably were involved in hunting and stuff, too, contrary to most popular depictions of prehistoric people. This game is a retake of a 1980s game which was one of those popular depictions, but there's really no social scope here, not even an apparatus for one. HS's action is about solving environmental puzzles in a prehistoric world. Its focus on natural solutions is a point of interest. The moment the social level is broached, the game is over. I'm not going to hold that against forty-year-old source material about some poor prehistoric bastard seeking to scramble up a rung or two on the hierarchy of needs.

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The Wrath of Anubis, by Garry Francis
Well-executed but typical Egyptian tomb adventure, February 10, 2026
by Wade Clarke (Sydney, Australia)
Related reviews: bdb project

This is the first of Garry Francis's BDB parser games I've played, though I have played the related (and excellent) A Taste Of Terror.

The Wrath of Anubis treads some of the wellest-worn of adventure game turf, the exploration of an Egyptian tomb. It's solid, but perhaps felt a little short to me, especially in light of the length of the blurb and introduction. The backstory involving Anubis, ancient history, curses and village traditions is (relatively) elaborate, but doesn't really inform the action, or add anything to the goal of finding a single important treasure, except that it casts the quest in a positive light - not one of those bad old lights! The original game is from 1987, a lot closer to the time of Raiders of the Lost Ark (1982) whose tomb-raiding influence on some of the situations is obvious.

The Wrath of Anubis can definitely be commended for delivering accessible versions of traditionally 'Argh!' challenges found in old (read: past forty years as I type this) Egypt-set adventures. Its desert maze is samey and semi-illogical, but still designed to be a doddle compared to the incarnation of this kind of thing found in, say, The Sands of Egypt (1982), or even a non-Egyptian game like Wizard and the Princess (1980). There are oases, a thirst timer, and a checklist demanding you find food, but each of these things is paid off in the least inconvenient way possible. This speaks to one of the BDB Project's stated goals of updating the games for modern players, while obviously retaining that core style of pretty pure text adventuring.

So the game has most of the major features of the tradition, executed well, but perhaps unspectacularly and not at length. I probably expect a lot when it comes to the Egyptian aesthetic nowadays, and Wrath didn't raise my excitement levels enough. It's still a good piece of work.

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