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A new f(r)iend from the land Down Under…
A kangaroo is a terrible pet! At least, that’s what 13-year-old Lené believed until meeting a kangaroo at her local playground. Sure, their teeth might be sharp and jagged, and their breath might smell like rotting flesh, but who expects kangaroos to have perfect dental hygiene?
Follow Lené through the perils of crushes, sibling squabbles, and telepathic marsupials in this interactive Twine story, The Marsupial of Mathis Street.
| Average Rating: Number of Reviews Written by IFDB Members: 1 |
This game doesn’t seem to be available currently, which is too bad, because it was a really fun read.
The story is framed as a newly discovered Goosebumps manuscript by R.L. Stine that was never published, but it’s easy to forget that once you get into the story. Fortunately, R.L. Stine himself pops in occasionally with some tangential author’s notes, to remind you that what you’re reading is just a made-up story by a writer of young adult thrillers, thank goodness.
The writing does feel like Goosebumps at times, but mostly it’s its own thing: wacky and cinematic and nostalgic and eventually quite disturbing as the horror element rises to the surface. The mix of comedy and horror is an oddly effective foundation for a heartfelt story of a child with a neglectful and cruel family who just needs to be loved, and if the humans around her can’t do that, an escaped kangaroo may be the next best thing. Of course, nothing in Goosebumps is simple, and as she learns more about her new friend (Spoiler - click to show)(through telepathy, nothing weird about that), she’s faced with a choice that’s explicitly laid out in the text: Birth family or found family?
This isn’t Give Yourself Goosebumps, so the game is completely linear (aside from a few text expansions), which means you don’t have a choice as the inevitable unfolds. But narratively and emotionally, the question does have a satisfying answer.
As dark as it gets (here is the horror part), the story ends on a hopeful note as the protagonist picks up the pieces, before the frame tale returns and we are left to wonder: Why did R.L. Stine write such an unusual story? Why (perhaps this is easier to answer) was it never published? And where did he learn all those curse words?