Graveyard Strolls

(This is a lightly-edited version of a review I posted to the IntFiction forums during 2022's IFComp).

Graveyard Strolls is a game of halves. All games are games of halves, the pedantic part of me wants to point out –and I just did, spoiler alert, “the pedantic part of me” is just me – but in this case, it really does feel like there are two distinct pieces to Graveyard Strolls. The first half is a relatively lighthearted, mostly linear help-ghosts-resolve-their-issues-and-move-on kind of setup, while the second, entirely linear, piece swerves into the intensely personal, with the threat of the supernatural functioning as a veil-thin metaphor for trauma. There’s things to like about both of them, but I’m not convinced that they sit together easily, and the skeletal nature of the game’s choice elements don’t make much of a case for interactivity.

Taking the first piece first, the game opens with you having decided to go to a graveyard to see whether it might be haunted, on the advice of one of your favorite YouTubers. So far so Scooby Doo, but after you hear a spooky groan on the wind, you quickly encounter the first of a series of ghosts, all of whom seem more or less in denial or confusion about their deaths, and all of whom look to you for guidance. Other than their tendency to float and annoying bouts of amnesia, these spooks are understandably human, with relatable challenges. Hank, the first one you meet, is working through some issues with his wife; the second one fell in with a bad crowd and hasn’t quite internalized his mistakes. As for the third, on reflection I suppose he’s not technically “understandably human,” but I found him quite relatable all the same (Spoiler - click to show)(he’s a dog).

Persuading them into the great beyond is a straightforward affair. In just about every passage, you’re given a choice of two options, one of which typically involves engaging with the ghost, being sympathetic to them, or putting pieces together, while the other usually ignores them, is dismissive of their feelings, or otherwise seems clearly marked as a bad choice. This doesn’t make for very compelling gameplay, unfortunately, all the more so because it doesn’t take much to get a game over. In the first real choice, for example, I decided to believe that the spooky noise was just the wind – which led to me getting freaked out, leaving the cemetery, and being brutally attacked in a way that makes sense in retrospect now that I’ve finished the game, but initially just seemed like out-of-context, incongruously brutal violence.

This means that I quickly stopped experimenting and just defaulted to the choice the game seemed to be pushing me towards, which, as you can imagine, wasn’t especially engaging, since felt like I was being presented with false choice after false choice. I liked exploring the backstories of the first two ghosts, and interacting with the third, though, and was ready to finish my time with Graveyard Strolls chalking it up as a fairly enjoyable but very low-key spooky story. But then I got to the final sequence, and everything changed.

I don’t want to spoil the plot points here, since this surprise is much of what makes the game interesting (though nor are the specifics especially relevant to my evaluation of the game, so I’m not going to blurry-text them – the game’s short, just play it if you’re curious). It’s a fairly visceral twist that involves the protagonist’s backstory, injecting an element of psychological horror into proceedings. But it doesn’t seem to build in a meaningful way on anything that’s come before, and the protagonist’s lack of subjectivity or interiority in the first part of the game – you mostly seem like a player-insert who’s just there to listed to ghosts, not a specific character with their own experience of the world – makes the sudden shift feel jarring.

The final sequence is well written, or at least I found it fairly gripping, but to me it felt too disconnected both narratively and thematically from the rest of the game, as if the aforementioned Scooby Doo episode had ten minutes of The Haunting of Hill House spliced onto the end. There’s maybe a way to make that work, but it would probably require more connective tissue than Graveyard Strolls offers – as well as leveraging interactivity to engage the player more fully than the current, rather desultory, approach does. I’d gladly play something else by the author, but once again feel like a little more expansion and refinement would make for a more compelling experience.