Electric word, "life"

I’m worried that this one might get overlooked and I’m guessing it’s because of the title which – and I say this as someone who has a game called “The Eleusinian Miseries” in the Comp, which I’m happy about since it’s the best name for anything I’ve ever come up with – is awful. Between the lack of capitalization, the weird quotation marks, and the difficulty of resolving how these three words fit together to form any sort of meaning (after having played the game I’m still struggling with making sense of it -- apparently it's a Prince lyric?), I think people might be giving this one a pass, despite the evocative cover art and a solid blurb. That’d be a real shame – EWL is good and folks should play it.

The setup here is low-key but nicely drawn: you’re the reluctant co-host of a Halloween party in 1999 (the opening maybe goes a little too far making winking references to LiveJournal and WinAmp, but things on that front thankfully calm down pretty quickly), and at first it seems like the business of the game will be awkwardly bumbling about with all the strangers flooding your apartment, with intermittent flashbacks to the player character’s childhood. There aren’t too many choices that have much of an impact on the overall plot, but there’s some light interactivity that switches up the order you see things, and gives you a chance to get more detail and bring a bit of characterization to the main character. Then you find some of your actual friends have shown up, and it becomes a slice of life hangout game, until the main thrust of the story kicks in.

Before I duck behind the curtain to talk that through – if you haven’t played the game yet, you should hold off on reading the spoiler-text until you do – let me just emphasize once again that this is worth your time. There are good jokes! Here are a couple of my favorites:

”A man in a vampire costume is leaning close to a woman with multicolored hair and fishnets. You’re not sure what she’s supposed to be, though “victim of a vampire” is starting to look pretty likely.”

“There’s more than one puddle on the floor half-heartedly mopped up with bits of mummy.”

The prose is super clean, with no typos or even any noticeable infelicities. The characters aren’t given incredible depth, but they’re sketched in cleanly and effectively, and once the story really gets into gear, it’s heartfelt and well done. Play EWL – just don’t think about the title, jump in, it’ll be fine!

(Spoiler - click to show)So, the deal here is that after your friends show up to the party and you start hanging out with them, it turns out that one of them, named Andy, died on their drive over, and is spending their last night with you all as a ghost. This is presented in a very understated way, and reasonably well telegraphed since the player character’s memories in the first sequence all revolving around Andy, as well as the cover photo and blurb hinting at something supernatural. The presentation isn’t that this is some shocking twist – what the game is clearly after is creating space for the main character and Andy to enjoy some last time together, and say goodbye.

It’s all very restrained – there are no teary jags of emotion, but I think that fits these characters as they’re presented to us, and Andy says he doesn’t want a fuss made over him. The ghost aspect is maybe a bit underplayed, as the main character and Andy himself both seem to adjust to this insane thing happening without spending too much time grappling with it. There’s a bit of an indication that Andy might have romantic feelings for the main character, but it’s not spelled out (or at least, it wasn’t spelled out given the choices I made, though I don’t really see any places where things might have gone differently). Again, it’s low key, even down to the final goodbye.

Does this work, and is it emotionally effective? It’s presenting a universal experience and yearning – someone very close to me died earlier this year, and while it wasn’t a bolt from the blue, I still very much fantasize about the things I wish we’d been able to talk about before the end – but presents it very concretely, with characters whose relationship and emotional makeup feel specific to them. The last conversation they have does come off a bit unsatisfying as it doesn’t lead to any sort of revelation or catharsis, but I’m also aware that even if I did have that last conversation I’m wishing for, the results would be much the same. You can’t sum up and say goodbye to a whole human in a night, much less a few exchanges of words. EWL recognizes that, and captures it effectively – it’s not trying to leave you in tears or fundamentally change how you think about death. It just offers its characters a few moments of grace, and invites you to share those moments with them. And I think that’s enough.