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I'm Not Worthy, July 12, 2023Adapted from a SpringThing23 Review
Played: 4/17/23
Playtime: 4.25hrs score 23/33
I, ah, wow.
Boy do I owe my randomizer an apology. Deferring this particular work to the end absolves whatever sins I attributed to it. The Thing would have been an altogether different experience if chance had front loaded RTE. This is an incredibly layered work, taking on a broad collection of themes and commentary with some central conceits that I found… deeply dispiriting in that it kind of shamed any similar artistic ambitions of my own.
But because I am a heroic reviewer of Epic Scale I must cast all that aside to describe what a wonder Repeat the Ending is. The game purports to be a “25th Anniversary, Critical Directors Cut Rerelease” of a technically crippled but thematically unique 1996 IFComp game. The remainder of this review takes that claim at face value.
There are at least 5 layers to this work: 1) the original troubled magical realist/mental health focused game (itself with several layers!); 2) the historical context of psychological narrative IF and its reception 3) the updated version of the game, most especially the significance of the modern changes; 4) tropes of IF, including “post-puzzle” tropes; and 5) the critical analysis of all that.
It is a collected work, a collage, the playable portion of which is the minority. There is companion text in separate pdf-eelies and integrated into the hint/GUIDE system. There are context-building historical blog posts, critical essays and reviews. Exhaustive explications of the limitations of the original game that act as stealth training. Deep annotations by a trio of critics that act as hints as well as context builders. I was over a half hour in before typing my first command. I was still reading for 45 minutes after typing my last command. It is deeply effective in portraying a body of discourse surrounding the work, compelling in its breadth and vision. Each component of the patchwork has a distinctive voice, especially the trio of critics that are our guides (with varying levels of esteem for the project), and the author themself whose wry commentary peppers everything with suspect honesty.
All of it tonally perfect, from the erudite critiques, the playful and perhaps disingenuous hints, to the raw sometimes immature game play at the heart of the work. As I do, I grabbed a few lines that tickled me early on, before the scope of the work overwhelmed me and I just clung to the dashboard for the rest of the ride.
"In a recent survey of parser IF fans, four out of five respondents were found to care far less about mimesis than they initially believed."
"author's hegemony" (which you are conseled to fight)
"Cook's use of 'score' is almost certainly ironic. Audiences who consider themselves too sophisticated for such outdated narrative features might better enjoy themselves by referring to it as a 'failure index,' 'success deficit,' 'flop quotient,' or, more portentously, a 'present assessment of counter-narrative guerrilla action.' "
It would be easy to just grab funny/well-written/cutting quotes, but man, out of context they are insufficient, and even somewhat deceptive, in conveying the scope of the work.
There is so much to latch onto here. The historical context stuff was a clever, yet melancholy series of observations about artistic endeavor. The way the author subverted his own game, by layering a counter-narrative motivation that started funny but got increasingly unpleasant. The critical commentary that was in some ways a gentle parody of facile criticism, of the insufficiency of both fawning and ‘takedown’ critiques. Girded with legitimate caveats and observations that acknowledge the simultaneous importance and unachievability of full perspective.
(Sidebar: I topped out my “flop quotient” at 23/33 by choice. While my completist nature initially pushed to get all the ‘soft’ endings reflected in the score, the tongue in cheek humor sublimated to something altogether uncomfortable as time went on and made completism less attractive. This seems a deliberate, and effective, artistic choice.)
Awash in all that, to me the most compelling thread was the contrast between the original work and the 25-year-later revision. The early work rings like the work of a young artist - in love with their narrative conceits, possessed by a powerful emotion demanding documentation, convinced of the importance of their artistic vision to the exclusion of mundane craftsmanship. And fraught with an epic helplessness, a not uncommon youthful preoccupation. The modern revisions (some small, some dramatic) showcase a more mature artist, actively rebutting his younger self with nuance, generosity and insight. "Yes, and"ing his earlier work, both acknowledging its power, and offering additional perspective. And, not for nothing, smoother game play. The picture is a compelling one, most especially in the progressive ‘new’ endings created for the later revision, suggesting a final gift of freedom from the raw suffering inherent in the original work. (Spoiler - click to show)It’s not just the devastatingly gentle rebuke of those alternate endings, but the fact that the way to achieve them is to actively resist the defeatist track of the main story. UNTIL THAT RESISTANCE ITSELF BECOMES DEFEATIST! How perfect is that?? Yeah, I don’t know why that observation deserves a spoiler and not the whole rest of it, but that’s just where my head’s at twisting over this thing.
The work is simultaneously super controlled and shaggy as life. As a reader/player, you can bounce around this vast creative space engaging any or all of these themes as your mood strikes. It is a rich environment, with many ecosystems, each with their own marvels - some standalone and no less compelling for it, others that shed new light on previously superficially understood areas.
It is a compelling achievement. Deeply immersive. Demanding a lot from the reader, but pretty consistently rewarding for it. I hate how much I love it.
Spice Girl: Posh Spice
Vibe: Psychological Meta
Polish: Gleaming
Is this TADS? No.
Gimme the Wheel! If this were my project I would burn it to the ground, and deny its existence forward. I’d probably take legal action to silence the beta testers and even the cast of Spring Thing 23. Just expunge this thing from the record and people’s memories. I wouldn’t want this impossible miracle to POISON THE GROUND FOR THOSE THAT MIGHT COME LATER.
Spice Girl Ratings: Scary(Horror), Sporty (Gamey), Baby (Light-Hearted), Ginger (non-CWM/political), Posh (Meaningful)
Polish scale: Gleaming, Smooth, Textured, Rough, Distressed
Gimme the Wheel: What I would do next, if it were my project.