We All Fall Together

This game has a really interesting premise -- you wake up and you're falling toward a void in the middle of cyclone, and you make sense of your predicament by grabbing onto a Fellow Faller and chatting about life, the afterlife (?), and your regrets. The game begins with the promise of a surreal short interactive story, but the interesting bits flatten out pretty quickly.

There are two aspects that could have been addressed that would have really livened up this game to make it the weird and engaging experience that I was hoping for. First, there's very little in the way of interesting characterization of either the protagonist or the Fellow Faller. This FF is described as Rock Star, and fits the bill pretty stereotypically (leather jacket, etc.). There's really just one time that the protagonist shares something about themself, and it's a memory without concrete details. We learn something about the Rock Star's regrets and his motivations for wanting to escape the terminal fall, but this (Spoiler - click to show)(feeling bad about leaving his partner) is also kind of bland and not developed with any specificity. Some distinctive characterization through interesting conversations that push beyond cliches would have made me care much more about these characters and their fates.

The other aspect that could have been addressed was the limited range of interactions and branching options. For most passages, there are a couple of the same interactions: to grab (onto your Fellow Faller), to dive, or to look. In most cases, these actions have the same kind of results. I get that the point of the game is to (Spoiler - click to show)dive into the unknown of the cyclone-void, perhaps dying or perhaps escaping back into life but these actions felt constrained and without real stakes. A game with a limited set of actions or a mostly linear trajectory can work well, but only if other aspects of the game are sufficiently robust to motivate the player -- perhaps if sometimes these actions led to unexpected results, or if the 'morale of the story' was not telegraphed so early on.