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Perhaps we are all just children of Asemia, March 14, 2023I am very frustrated right now. I just completed a very long review of this game, hit preview, and then it switched onto the Log In page and all my work vanished. I'd forgotten I had cleared my history (and cookies) in the midst of doing this. Well. Lessons learned. Next time don't type directly in the box when writing reviews (or at least copy everything before you hit the button to leave the page), and maybe don't spontaneously clear your history (and cookies!) when you're in the middle of doing something.
A shortened version of what I wrote before:
I liked this game, mostly. The writing? Inherently poetic. I found it a very accurate (and if not accurate — because I have never been a refugee in my life up until this point, factually speaking — then at the very least, immersive) of the refugee experience, and a moving depiction of war / the effects of war / and what it does to a people, to a country. I had no idea how the glyphs worked, not really (I intend to spend some time trying to unravel that mystery with an investigation, if I have the time, later), but they were very pretty. The fact that I had no idea what I was doing with the glyphs kind of resonates with (Spoiler - click to show)the translator's (the character that the player plays as in this story) frustration over her work in-game, creating parallels in fiction and reality, which I like and thus didn't mind half as much as I usually would've. The soundtrack was distressing, but I suppose distressing is fitting for works with subject matter such as this.
I think I'm going to go back after this, sometime, and try to get all the variations (the ones that make sense, anyways) of the paragraphs in this game.
Fingers crossed.