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About the Story
The War of Ten Dogs is over. Jueyuan and his ten mongrel generals have been defeated. The veterans have returned home. Many return to the city of Mythicus at the heart of the World Tree. Others return to the Windless Prairie, or the southern border towns. They return to piece together what's left of their war-scarred lives, many wondering with every breath why they survived and their comrades didn't? You begin as Silver Bear. He has arrived at the border of the Windless Prairie, guided there by the spirit of his comrade, Snapping Turtle. Snapping Turtle was killed in action in the war while saving Silver Bear's life; now the bear has come to the prairie to repay the life debt. But Silver Bear soon discovers there is far more at stake than the debt he owes. Something has sickened the prairie, imprisoning the wind. Can Silver Bear and a cast of others free the wind? Will Silver Bear finally come to terms with his survivor's guilt and the death of Snapping Turtle? Only you can decide their fate... Produced by No Sell Out Productions. Written by Southwest Underground Writing Krew: a collaboration of Iraq/Afghanistan war veterans scattered to the four winds across the Southwest United States who write about the good, the bad, and the ugly of Southwestern culture.
66th Place - 26th Annual Interactive Fiction Competition (2020)
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Number of Reviews: 2
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I’m not sure what I ever did to it, but the Comp randomizer apparently has decided to punish me by stacking rock-hard games one after the other. WtWOBF (that’s an awful acronym, but I’m stymied for alternatives) is a Twine game with extraordinarily lavish production values – there are lovely paintings, some video, a fancy interface with plenty of neat flourishes – set in a compelling world that features hard-edged examinations of trauma and moral compromise in a fantasy version of the American Southwest. Unfortunately for me, I also found that the copious RPG-style mechanics layered on top of the story tended to take me out of it, and even when playing in “God mode” I hit dead ends, meaning I couldn’t finish the game in two hours.
Right, starting with the story side of things: the world is a major draw here, as there’s clearly a lot of thought that’s gone into the relationships between different sets of people, how to translate real-world events and situations like the wars in Iraq and Afghanistan or the meth epidemic into a fantasy context, and developing a big cast of distinct, appealing characters. Some of this world-building comes in a little clumsily (partially due to how it’s tied to the game mechanics, for which see below), and whenever it talks about guns the voice shifts into a hyper-detailed mode that I’m not sure serves the overall tone and worldbuilding well (like, was there a like were-badger engineer named Glock in this setting?) – but on the whole it’s compelling stuff, and the writing does a good job of anchoring these grounded themes and concerns in a world of magic and talking animals.
The situations presented by the plot are also pretty grabby. The opening frame story does a good job of evoking survivor’s guilt, and the other major segments I encountered, involving a teenager’s difficult relationship with her aunt, and a compromised man attempting to live a moral life in a world that doesn’t give people like him that choice, are also dealing with serious issues in a serious way. It definitely gets grim – pay attention to the content warning on this one, folks, and don’t discount it just because there are furries! – in a way that I sometimes found hard to take, but I think WtWOBF comes to those moments fairly.
The game side of things I thought didn’t work so well, and at times served to undermine the solid writing and intriguing dilemmas the narrative presents. There are several layers of mechanics at play here – the most obvious is an RPG system where you assign points to various skills or traits, like Brains or Swift Feet, during character creation. Then during play, occasionally these traits will be tested, and if you succeed you might see them increase while unlocking a bonus backstory, or if you fail they might decrease.
Beyond these traits, there’s also a “Lore” score that seems to gate progress, and similarly goes up or down with your choices – you can get a game over screen if your Lore number isn’t sufficiently high at the end of a chapter, and I saw a lot of these. Partially this may be because I was playing the RPG minigame wrong – I have to confess I wasn’t sure what rhyme or reason there was to when they went up or down, and since the viewpoint character changes several times, it was pretty unclear whether they represent anything in-game, or are just meant as a sort of out-of-world plot token. There also may be an element of (unexplained) random chance, because sometimes on replays I think the same choices I’d succeeded with earlier failed when tried again. I also found character creation challenging, since it doesn’t feel like you’re given a large pool of points, there’s no advice on whether specialization is better than going for a generalist approach, and feedback on whether e.g. a 5 in Brains is good, bad, or mediocre.
Beyond the RPG system that allows you to try different actions in the world, most pages also have a minigame of sorts embedded in them (though some of the aspects described here were altered in a mid-Comp update -- see the addendum below). There are numbered hyperlinks in many of the passages, some of which advance to the next passage, some of which expand the text on the page. The sidebar will usually have a “hint” listed – these start out easy, for example just as “2”, which indicates that if you click the link labeled 2 first, you’ll probably get a reward of stats gain or Lore increase or see your backstory codex filled in. These quickly get more complex, with wildcards thrown in and not all the options visible from the off.
Here’s an example from the mid-game - the hint here says “1, 2, ?”:
"Bobcat surveyed the slaughterhouse. Time had not been kind to it. The place was old, rundown. Yet surprisingly all the equipment had been well-maintained or replaced with new gear. A row of new galvanized steel pens occupied a portion of the left wall. There were a great many (1.) tools and machines.
"Long metal work tables occupied the back, along with cattle splitting saw, band saws, leg saws, and a giant (4.) Thompson 61000 Industrial Mixer Grinder.
"A handful of Synth crammed inside the pens started bellowing, as though pleading to be spared their grim fate."
This means I’m supposed to click the first link, which expands the text to show a link numbered (2), which I click in turn to reveal link (3). Then I’ve got a 50-50 chance of guessing right and unlocking the reward (I clicked 3, and failed).
I found trying to engage with this minigame required me to go out of world, since success seems random rather than linked to the world or text in any concrete way. The interface also doesn’t help – I found the interface sidebar sometimes moved to the side, but sometimes was below the main text, so I had to do a lot of clicking and scrolling. Winning a test often unlocked a new bit of backstory or a mission in the sidebar, which involved more clicking and being out of the story. All told, it’s a lot of cruft that I found messed with the story’s pacing, creating a juddering start-and-stop rhythm.
It would be one thing if it were possible to opt out of this part of the game, but I don’t think that’s possible without activating the God Mode that maxes all your stats – I tried to replay the second chapter five times, but failed due to insufficient lore each time, which seemed disconnected from the actual choices I’d made (perhaps I’d just done too badly In the first chapter, so I was in a dead man walking scenario)? Even after I restarted in God Mode, I still reached a dead end, due to a choice that was probably risky, but which didn’t seem completely unwarranted by any means (Spoiler - click to show)(as Diamondback, using magic to blast Bobcat.
By that time I’d used up the full two hours of the judging period, sadly. Not to be a broken record, but I would like to see more of this story and this world (the Book I subtitle is hopefully a good sign on that front), but retuning the difficulty and de-cluttering some of the gamier elements here would be helpful upgrades.
MUCH LATER ADDENDUM: The game has seen a pretty substantial update since I wrote this review, so I went back to check it out. A bunch of the issues I mentioned in this review have definitely been addressed, but I’d say they’ve been reduced in salience rather than completely ironed out. The hints have definitely gotten better – they’re now cryptic little sentences incorporating words from the passages, and engaging with them is more immersive than the non-diegetic numbered hints in the previous versions. The progress-gating lore checks have been relaxed a bit, though not eliminated – in a non-God-mode playthrough, I was able to get into Chapter 3 before getting stuck when Pink Belly refused to reveal his secret.
Seeing a little more of the game, I was able to discover that some things that seem like choices are actually a bit on rails – which I was actually impressed by, since it does a good job of creating an illusion of choice. I was also able to get close to the end of the story, as the different characters’ paths began to come together, but unfortunately ran into a bug that prevented me from seeing the end (I was told I unlocked “the gem of quickness” and got a bonus applied, but then couldn’t click anywhere). So still a little bit of technical stuff to clean up, but this version is definitely easier to get into, and the writing and worldbuilding remain strong throughout.
Given the popularity of Flexible Survival together with the excellent production values of this game, I predict that this game will find a lot of success with certain communities after the comp, perhaps ending up as the most-played game form this comp. I also think, though, that it has some features that will end up hurting it in this comp’s voting.
This is a hardnosed combat and storytelling game with furry characters (well, animal/human hybrids, including reptiles). It has very nice-looking screens, including an action video later on when an SUV pulls up that’s certainly the best-produced thing I’ve ever seen in IFComp.
You play as a series of characters in a run-down and dark world where mob bosses rule. Characters can pick up a variety of very specific weapons and ammo.
Gameplay is stat-based, with an initial point buy system and later gains. Every part of the game is turned into a puzzle that either depends on stats or correct choices. Even ‘click-reveals’ (when you click on a link and it expands) are gamified: you have to click them in the right order to get bonus points.
This game is difficult. Without God mode, you have to make very specific point buys to get past even the second challenge (when the truck comes by, if you don’t have quick feet or health, then you get hit for 0 damage, but your 0 health gets checked and results in death.
With God mode, I made it very far until I made a bad choice and got an instant death. I think I could have restored but I had the following bug:
"I can’t find a save slot named ‘AnimaliaBookI4’!►
I tried to save or load the game, but I couldn’t do it."
Overall, I actually like the writing quite a bit. The intense difficulty of the game will likely be a plus for the target audience, as I think this is meant to be a game you replay a lot and have strategy guides about, something like Sunless Skies or 80 Days.
For the comp, though, it makes it hard to play through in a short time, even with God Mode.
-Polish: Great production values, but bugs need fixing.
+Descriptiveness: Nice writing
+Interactivity: For the comp, it's no good, but I like the extra challenge for more replay value.
+Emotional impact: Yeah, I was invested.
+Would I play again? Yes, especially the finished version.
Fish Dreams, by Carolyn VanEseltine
Average member rating: (14 ratings)
Begegnung am Fluss, by Florian Edlbauer
Average member rating: (2 ratings)
"Wenn du über den Fluss kommst, hast du es geschafft. Dort ist der Wald so dicht, dass sie dich nie finden." [--blurb from Competition Aught-One]
|Beneath Fenwick, by Pete Gardner|
Average member rating: (8 ratings)
Fenwick is a serene, nineteenth-century township located deep within the wetland regions of western New England. Only a short drive from the storied academy known as Ealdian College, you have long been looking forward to experiencing...