Midnight. Swordfight.

As the title promises, this game begins with the player character about to engage in a sword duel. As soon becomes clear, the word "duel" is perhaps the wrong choice, because the PC is vastly outmatched by the opponent, known as The Countess. I came close to quitting at this point, because the work presents itself as a "one move" game. However, within a handful of cycles it is revealed that the PC has certain abilities that make it possible to evade certain death.

This game serves up thin slices of rich world-building with its vivid and evocative prose. The universe vaguely resembles ours with notable exceptions. First, everyone seems to be a hermaphrodite in the vein of Ursula K. LeGuin's 1969 novel The Left Hand of Darkness. Second, magic of some sort is real, in that the protagonist is able to perform impossible feats such as (Spoiler - click to show)flying to the moon. Third, the PC has the extraordinary capacity to move about in time as well as space, which is the core mechanic by which the story progresses.

Despite a limited range of locations and significant actions, this piece presents many contemplative and memorable moments to the player, and also many interesting experiments to the would-be author. In particular, a variety of NPC conversation styles are implemented, including a unique menu-driven interface with options phrased around question words (e.g. who, what, when, etc.) and a stripped-down enter-the-topic prompt that I found to be a remarkably smooth improvement over ASK/TELL. A very large number of endings are possible, too, giving it some replay value, which is welcome in a game this short.

Regrettably, the story is at certain points needlessly transgressive, apparently for no purpose other than shock value. It's rather a shame, because it limits my ability to recommend this otherwise exceptional work. Even though it is not suitable for young adults, it's well within bounds as fare for grown-ups, so if you're comfortable with NC-17 movies, you probably won't blink at this. For a more widely recommendable work by the same author, see Toby's Nose.