The Turnip

This is the second game from this author in the Comp, after The Pinecone, and it shares a bunch of similarities: it’s written with a real literary flourish, it’s got a very appealing presentation, it’s adapted from a pre-existing piece of static fiction, the central action is surreal, and it’s more hypertext-based than choice-based. We’ll get back to all of that in a minute, but meantime what I’m really wondering is whether the author has just like a giant stack of flash-fiction about conical plant-matter. Will next year see The Bell Pepper, The Cyprus Tree, and The Top-Heavy Carrot? Inquiring minds want to know.

Anyway that wouldn’t necessarily be a bad thing, since I’ve enjoyed both contributions to this year’s Comp, though in a reverse of how nice they’d be to eat I liked Turnip much less than Pinecone. The strong points are pretty similar in both – the fonts and colors really are lovely to look at, and the writing continues to be really well-considered, with the short length allowing for a huge amount of craft per square inch of text.

The downsides are bigger here, though. While this one has a dog (point: Turnip), the protagonist’s world and job are odd and alienating, with the weird focus on deer-meat and the business with the holes – and the crazy description of your neighbor:

"Today is the day that your neighbor’s balance between vision and myopia finally tilts towards oblivion. As of midday, the whole world is a swirling, colorful omelet. She sees what seems to be a slice of ham wobbling beside a burnt piece of toast, but can’t distinguish hallucination from garbled reality just yet. She will need to call a doctor."

This is well-written, but is disconnected from the main thrust of the story and is I thought a bit too silly. Anyway, all this oddness means the turnip seems less strange when it invades this already-weird status quo – a shame because obscurely threatening vegetables are a good trope (did someone ask about a pickle?)

The game is also less responsive than the Pinecone, I thought – where that game had two different places where you could make choices and see a slightly different result, the Turnip really only had like half a dozen opportunities to click some text and get more detail, before going back to the linear trunk of the story. All told this means I didn’t find the game all that engaging, though I enjoyed the O Henry-ish button at the end. Definitely include a dog in next year’s The Coconut But It’s Sort of Mashed Up All Weird So It Looks Like A Cone If You Squint At It, though.