Reviews by Kinetic Mouse Car

The Witch’s Apprentice follows aspiring apprentice Esme Friggleswick, a young woman wishing to be a student of Madam Ingra. Her task is to retrieve a legendary staff from the villainous sorcerer Zandor.

I was not sure of what to expect when I saw the cover art. It gave the impression that it was going to be a Harry Potter riff but turns out I was wrong. I was surprised at how much I enjoyed this game. Its puzzles require strategic thinking, and its gameplay is well paced. I think many players will like this one.

Gameplay
The Witch’s Apprentice has straightforward yet cruel gameplay. Straightforward in the sense that the gameplay is not too difficult and most puzzles being intuitive (although some tripped me up, such as (Spoiler - click to show) finding the hidden coronet). But cruel in that there are a few instances where the game can become unwinnable. Some of these are instances are semi-obvious because it has to do with wasting resources. Do not eat the (Spoiler - click to show) dewberry, for example.

The central gameplay mechanic is collecting items to make potions. At the same time, there are a lot of puzzles that do not directly involve acquiring ingredients. Solving them does not result in finding an items. Rather it merely gets the player closer to a part of the game where there is a puzzle that does produce potion items. This made the game less linear and more complex.

One of the tricker elements of the game is knowing what potions you will need to use. You are limited to what you can make based on the items you find which helps in determining which potions are possible to create. Still, it is a fairly long list of potions, most of which sound like they could be relevant to the puzzles. Out of all of them you only need to make (Spoiler - click to show) three (and you find a fourth one). There are some red herrings but nothing too unmanageable.

Challenges aside, the creativity in the puzzles makes the game sparkle. They require you to think outside the box. For instance, (Spoiler - click to show) one of the potions requires fish scales. Now, you find a fishing rod in the castle. Your first instinct is to catch a fish in the river with the fishing rod, but it turns out the fishing rod is used for a different purpose. Instead, the fish scales are found from the plate of salmon in the banquet hall.

There are some guess-the-verb issues. The "use [object] on [subject]" syntax is frequently used in this game. For example, in the (Spoiler - click to show) cave you knock out the goblin by collapsing the rotting beam in the roof. The phrase, "Break beam with shovel" does not work but "use shovel on beam" does. Once I figured this out this syntax the guess the verb issues fell to the wayside.

Thoughts on Quest
The Witch’s Apprentice is a Quest game that wields a wide variety of puzzles with varying levels of difficulty. I am always hesitant about trying puzzle-heavy games made with Quest because typically the further I go into the gameplay the slower the game becomes. It can get to the point where it takes five full sections for the game to process a command which is why I try to crank through everything as fast as possible, so I have a chance to reach the end. This is NOT the case with game.

In fact, the funkiness with Quest is probably not even authors’ fault. Perhaps it has to do with the website or a problem on my end. I am not sure. All I know is that Quest games that have graphics or built-in maps (both of which are cool) tend to slow down faster than those without them (such as this one). If you have the same experience as me, know that this game take a while before it starts to lag.

Story
There is not a lot of written story content. Rather than having the game flat-out explain the history with Zandor and his wrath, the player learns bits and pieces through the places they visit. The subtleties of the guarded castle and ruined tower all hint at this story which I liked. It is an example of showing rather than just telling.

I would like to think that the game ends with the protagonist becoming an apprentice, but I must confess I only played 99% of the game. If you are able to save with Quest, make sure you save after you (Spoiler - click to show) retrieve Zandor's staff. When you return to Ingra’s cottage and give her the staff, Zandor appears and destroys the cottage. The game then only gives you one move to respond, or he kills you which immediately ends the game. I played a couple times to try to solve this, but I ran out of ideas. Do not let that deter you from playing, however. This is an excellent game, and I would love to see if anyone can (Spoiler - click to show) defeat Zandor. Please let me know if you do!

Characters
We do not learn much about the protagonist besides her name. The game focuses more on her goal of becoming a witch rather than discussing her backstory. While it would have been interesting to know more, I like how the game does not bog down in details.

There are almost a dozen NPCs including humans, animals, and mythical creatures. Game uses "talk to" command for characters, and dialog is brief and witty. I especially liked the talking Eagle who seemed like a character who could appear in The Lonely Troll by Amanda Walker. Character interactions typically consist of "I'll give you this if you'll give me that" transactions but this is offset by other types of puzzles.

The only character interaction that had some vagueness was meeting (Spoiler - click to show) Madam Elsa. We find her confined in a cell with chains that bind her magical powers. But there is no reaction to her predicament when you enter her cell. When you speak to her there are no dialog options that lets the player ask or acknowledge her imprisonment. Nothing like, “gee, what happened here?” Instead, the dialog only consists of either asking her about Madam Ingra (her cousin) or if she has any advice for the player’s quest. At least, the player can free her.

Final thoughts
I would say that this is one of the best puzzle-heavy Quest games I have played (although I guess I cannot say that I have played many to compare it to). But The Witch’s Apprentice would be a great game regardless of if it were made with Quest or not. I was pleasantly surprised with the story and immersed in the puzzles. I recommend this game to anyone.

And on that note, Halloween, at the time of this review, is on the horizon. Over the next several weeks, this may be a festive game to play if you are in the mood for magic, witches, and other spooky themes.

The story is one of finding a place in a welcoming community. You have been granted a cottage in a town on a new island and have access to a range of locations and townspeople. With this new start, you find ways of making the cottage your home.

There is one thing I want to say about content. When I first played this game on itchio it came with one of those “You must be 18+ to view this content” popup warnings but there is little explicit content to be worried about. The game’s content warning includes (Spoiler - click to show) language, violent events, and brief blood, which is true. However, after playing the game I sincerely feel that the content implemented is nowhere near an 18+ rating. I am only saying this because the +18 rating may discourage some players from even trying it which would mean missing out on an excellent and light-hearted game. That is my take on it. I would describe this game as not for kids but reasonable for most ages.

Gameplay
The gameplay is broken into days. Each day begins at the player’s cottage. At the start of each day the player can travel, harvest their garden, craft items, read books, and invite people over if they have a good enough relationship. Sometimes the player will get notifications in their mailbox about events and festivals held by the island community.

The travel locations are the town, forest, coast, and river, each having one main character that the player can build a relationship with (and possibly pursue romance). At each location the player can scavenge for raw materials and then craft items from them. You can then sell these creations at the market or give them to other characters as gifts. Sometimes new locations will briefly be available, such as (Spoiler - click to show) a shipwreck.

You can sell and buy things at the market which was exciting at first. However, it does not take long for you to buy out everything in the market. It also felt unrealistic that you can harvest a fresh crop from your garden every single day. Selling all that produce contributed to the excess of coins that I accumulated. I was surprised there was no way to customize your cottage beyond books and plants. A room extension or remodeling would burn off those extra coins.

One of the biggest strengths in this game is that quests are smoothly implemented. Quests usually involve finding and talking to new characters for information or crafting special items. Even though quests follow a similar model they avoid feeling repetitive. Sometimes they overlap which makes the game’s world more fluid.

Story
The ultimate goal is to become a happy member of the community but there is no variation in endings. The only ending is to (Spoiler - click to show) complete every task and achievement which is shown in a list. Because of this, players may not be compelled to replay it. I could see this as a game that you play again several months later when you stumble across it and decide to revisit it.

Characters
The game requires that the player become friends with the other characters. The only way to move forward in character interactions is to (Spoiler - click to show) alternate between giving them gifts and talking to them. It feels sort of awkward to have a heated interaction with a character and then earning points with them by giving them things out of nowhere. It is like in the Sims games where you give someone a high five until they become your best friend. Nonetheless, characters are richly implemented. They may be found strolling along in locations you normally would not find them, giving you an opportunity to chat. I also liked the idea of (Spoiler - click to show) recruiting the characters as teachers if you decide to turn the abandoned house into a school because it ties back to the theme of community building.

There is also a mild stat system that is used in character dialog. Gameplay choices affect your Sanguine, Melancholic, Choleric, and Phlegmatic levels. There is no way of checking your stat levels and it is not clear on what choices contribute to a particular stat, but it does add some extra depth. You might be presented with a list of options such as these: Here is an example of three links you could click on to respond to a character:

'Sorry. I didn't mean to intrude.'
'You left your door open.'
(Choleric) 'Looking around. Who are you?'

Each one of these would be a response to a character. If you did not have a high enough Choleric stat for the last option, it would be crossed out. Using stats in Twine games always adds a little complexity to the gameplay and Ataraxia is no exception.

Visuals
Game uses a simple colour scheme of teal background and orange text with occasional text effects in some of the quests. Everything is easy to read and navigate which is especially helpful in an RPG game where you are constantly flipping through inventories and stat statistics. I think its appearance is one of the game’s strongest points.

Final thoughts
Ataraxia is a nice ambient game with lighthearted themes of aspiration and productive community-building (along with just a touch of fantasy). Its gameplay is complex but not puzzle heavy and is an excellent example of a choice-based RPG.