Ratings and Reviews by Kastel

The Warbler's Nest is about one strong idea and commits to it.

At first, your character is tasked to do some strange ritual with eggshells in the middle of the reeds. And the mystery deepens as more steps trickle in through the player interacting more with the parser.

Much of the touted psychological horror involves you trying to understand what the player character is actually doing and, later on, whether you agree with their actions. The parser becomes an obstacle between the player and the protagonist. You're trying to convince her that things are alright, but her state of mind refuses to accept this.

How do you tell someone that their fears are unfounded? The main puzzle is pretty simple as parser games go, but the protagonist's reluctance means the parser implementation can get a bit finicky. And part of that is intentional; the parser is the protagonist's state of mind. The character is frustrating to work with, but you can't also blame her for what she's going through: (Spoiler - click to show)a mother indoctrinated by awful folklore would easily have their judgment be clouded by uncertainty. It reminds me of 9:05 in that sense. As a result, I find the use of the parser to be really effective. It would've been easy to adapt this to a hypertext game, but the player struggling to guess the action feels intended. The protagonist is after all having a bad day.

The game does have its flaws. While I do think the limited implementation works for the most part, the game doesn't really give you much to examine or interact with. Very unfortunate as the reeds are a unique setting -- there's just too little description to place the player in the protagonist's shoes. The game feels aimless in the very beginning because of this. You're trying to figure out what you're supposed to do and that's fine, but I do think more interaction with scenery objects would keep the player more engaged. I also found it strange that the game doesn't really advertise it has multiple endings, which may mean people probably went with the worst ending and thought that was that.

But as far as short games go, I do think this title deserves some praise. It delivers an intense experience and it's hard to not be moved by the happier endings. The afterword provides some thematic context that really brings the point home. I admit I'm giving an extra star to the title, but I do appreciate any short game that can enunciate its message and leave a long-lasting impact on the player.

That's not easy to do and The Warbler's Nest does it without breaking a sweat.

Moquette is an interesting title that is best described as a sparse simulation with a rather confusingly written narrative slapped onto it.

Your protagonist has a hangover on a Tuesday morning and ostensibly you're supposed to go to work or check out a park, but the entire game is about the player guiding the protagonist through the labyrinth of the London Underground. Indeed, the entire game has lovingly created this network so well that one could play this with the Underground map on another page in the browser.

I've actually ridden this subway many times, so I've found myself figuring out which station to go next. It's fun to read descriptions of the passengers, the station history, and the "tips" for quicker and safer transits because I found it to be more or less accurate. And there's a few bits of trivia that I learned along the way. I imagine Londoners would've had more a kick out of this experience too.

But while I find this simulation aspect to be fun, it's definitely no Fire Tower or a city sim. What I mean is that the game lacks interactivity and simulation aspects. You're not interacting with the scenery except the passengers who would come in and out of the train. In parser games, you'd be typing "smell" or "listen". In Twine games, you'd click on hyperlinks that let you focus onto objects like the seats. This game forgoes this interactivity for a certain atmosphere to help aid the narrative (more on that later), but I find this to be detrimental. The dearth of sensuous experiences is simply jarring for a simulation that does go out its way in recreating the train networks. The game needs far more text to accomplish its simulation goals because, as it stands, the entire game is just about riding the train and switching lanes. None of that vicariously experiencing of the train through the text, only the chores of switching lines. You're aimlessly wandering through different station lines and it's pretty easy to feel like you're doing nothing without much stimuli.

Which is why there's a narrative added into the mix, I suppose. I'm not sure how to feel about it because it dabbles in some psychiatry cliches and has a muddled message about agency. While I've mentioned that the descriptions are clearly sparse in order to supplement the narrative, the narrative ironically doesn't feel connected to the simulated experience of riding the train. It may seek the chance encounters we may have on the train, but it is more interested in (briefly) exploring the psychology of the protagonist. And I found that to be weak too since it's so quick that the explanation feels ambiguous. This narrative is only tolerable with the help of some admittedly impressive text visual effects, but I wasn't too won over by them either. The story just loses itself in these effects. And while there is a line or two about being part of the London masses, that feels more like a reach than anything.

It also seems that the web app for Quest is very buggy on Firefox. I've had the game crash on me multiple times and was surprised that the game could time out if you leave it for too long. This was my first Quest game, so I'm not deducting points for that -- this is mostly a warning to anyone who wants to play the game.

Regardless, I find this game interesting, which is why I'm overrating it a bit. If I wasn't so interested in the London Underground, I'd imagine I'd not even finish the game. But I was pretty happy going around the Underground and wished there was more to the simulation. The narrative, I'm not too fond of and wish it was either more relevant or just gone; it's divorced enough that it doesn't affect the experience but is still jarring enough when it does emerge. Moquette is short enough to give it a whirl, but I definitely feel like I wanted more from this experience and players with sympathies like mine would probably agree.