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Fine but formulaic and unfinished, March 9, 2012by Victor Gijsbers (The Netherlands) There are those who claim that zombies symbolise consumerism and mass culture. Perhaps they do, and perhaps some writers and directors use them to explore such issues. But it seems to me that most zombie fiction receives its appeal from that peculiar combination of nostalgia and distrust that forms the core of "apocalypse survivor" scenarios: nostalgia for the old U.S.A. frontier values (radical self-reliance, man's ability to form small groups that can survive in a hostile environment) and distrust of one's fellow men and especially the government. Add to the that facile good versus evil thinking that zombies encourage more than any other type of monster -- being unconscious, they cannot even be in the right from their own point of view, since they have none -- and you can understand why the genre might be attractive to some, and also what is so dubious about it. Was this review helpful to you? Yes No Remove vote | Add a comment
Comments on this reviewPrevious | << 1 >> | Next Joey Jones, April 2, 2012 - Reply I'm going to make a guess and say that the choice you didn't want to make was (Spoiler - click to show)leaving Devlan (or was it Derrick, or Declan?) behind. If so, I felt the same: even if he was an arse, I'd be a bigger arse in leaving him to be eaten by zombies. Victor Gijsbers, April 3, 2012 - Reply Absolutely correct. |