Last Valentine's Day

Adapted from an IFCOMP23 Review

Time Loop stories have been with us for over a hundred years, but it seems fair to say that their broad cultural impact is back loaded to the last 30. One might be forgiven thinking “Groundhog Day” (1993) inaugurated the sub-genre in whole cloth, given its quantum leap in cultural awareness. Of course nothing is new under the sun and there are ALWAYS precursors.

It is hard to believe the rise of video games as mainstream entertainment isn’t a factor, what with restart/respawn/try again being a fairly ubiquitous game mechanic. It kind of gives people the experiential touchstone and familiarity to launch the riffing. There’s also something very human about believing if we try hard enough and long enough we can ‘do over’ to make things right. Or maybe just wanting to believe, really badly.

At first, LVD suggests it might be feeding that desperate, yearning beast in us. It quickly dispels that notion. The setup is, our protagonist picking up Valentine’s Day tokens for their lover on a short walk through the city and home. (Spoiler - click to show)There they get some hearbreaking news. Then the day seemingly repeats.

This is going to be hard to talk about with minimal spoilers. LVD kind of presents as a time loop story, but puckishly isn’t really that. Broad strokes locations, events and encounters echo themselves, (Spoiler - click to show)but each time different in a way difficult to dismiss as mere ‘interpretation’. It is definitively the same Holiday, and kind of has to be the same year, but many details evolve over multiple cycles, independent of player actions. The world, including NPCs, physical objects, and even the weather, take on shades and details that reflect an evolution in the protagonist. It is all very competently done. The story is documenting some dramatic emotional changes through external details rather than internal monologue, but in discrete, nuanced steps with each loop. I found the stages of progress to be well done in conveying its gradual, perhaps inexorable, flow. The changing landscape leaves the player/reader somewhat at sea. Are we actually Time Looping? Are we revisiting a scene, gradually removing delusions from the protagonist to get to an underlying ‘reality?’ Are we able to affect anything about subsequent loops at all? It is kind of a nifty uncertainty the story holds us in.

I think though, that the mystery has a specific answer that feels quietly satisfying but on reflection falls apart a bit? There’s no way around this, sorry. (Spoiler - click to show)Through the looping (for want of a better word), the protagonist goes from denial, to heartbreak and loss, to healing. Intriguingly, empathy seems to be a key factor in that slow transition. It’s a touching narrative, carefully curated step by step. That slow building makes the final pass feel earned and hopeful and what kind of monster doesn’t appreciate that?

Well Rhaaah, Rhaah, (brandish claw hands) I guess? There are two things that kept me from fully embracing the work, and I think they both trace to that central looping conceit. The first is that in order to take this deliberate, detailed emotional journey we have to start with a deeply oblivious protagonist. That would be fine if we had something else to latch onto about them, but it’s kind of their defining characteristic. To the point I’m like "Wait, if this blindsided you, maybe the problem was you to begin with?" And sure, that could lead into the self-delusion interpretation, but doesn’t that kind of make them EVEN LESS sympathetic?

The interactivity underscores (or can underscore) this gap. If you play as a reasonably empathic human being to NPCs, the protagonist’s seeming obliviousness with their primary relationship jars MORE, not less. Interestingly though, as things progress, (Spoiler - click to show)that empathy reads as a key factor in healing which is both a more subtle and more satisfying message. The message that I think was omitted was any kind of awareness or resolve around how it got to that point in the first place.

[sidebar: this kind of begged the question to me how much influence the interactivity had on things. Late in my run I made a deliberately counter-empathic choice to see if it changed anything, and it didn’t feel like it? Maybe I was already baked at that point per the game’s algorithm, hard to know.]

The second sticking point for me is the central metaphor itself. As a metaphor, time loop can cover a lot of bases. Self improvement. Expanding narrow perspectives. Recognizing importance in everyday things. Value of perseverence. Control (or Lack of it) of your own destiny. The one thing it REALLY doesn’t convey is “passage of time.” It’s all the same day! The story seemed to be making a case that some hurts (Spoiler - click to show)get worse, a lot worse, before they get better and you just keep moving forward until they improve. Told through the lens of NOT moving forward, but repeating! Kind of a 12-step program on 120xFF. Next day, you’ll be fine! It is certainly a hopeful climax for the protagonists’ journey, but the time loop conceit really muddied it for me.

Look, these kind of meaty emotional and metaphorical dissections are my crack cocaine. I am grateful that IF so often provides opportunity to ham-handedly indulge it. I am grateful THIS work did! The emotional narrative was well written, and I thought building empathy into the interactivity worked well. Clearly I was on board for the central conceit! These are Sparks for me. My own obsessive over-analysis just kept it from Engaging is all.

I would be remiss if I didn’t mention one of the biggest Sparks, the (Spoiler - click to show)total trolling headfake of its blurb: “You find yourself in an inexplicable time loop, reliving the same day over and over again. Can you find a way to stop your lover from leaving you?” THAT is some top-tier (Spoiler - click to show)artistic bait and switch.

Played: 10/18/23
Playtime: 20min, finished
Artistic/Technical ratings:Sparks of Joy, Mostly Seamless
Would Play After Comp?: No, experience feels complete

Artistic scale: Bouncy, Mechanical, Sparks of Joy, Engaging, Transcendent
Technical scale: Unplayable, Intrusive, Notable (Bugginess), Mostly Seamless, Seamless