So Are The Days consists of a suite of very short experimental stories that play with various qualities of sand, evoking a sense of the malleability of it, how it can represent the passage of time, and how the tiny pieces can wash away or form into something larger.
One story allows the reader to move backwards and forwards as events transpire in a town, shifting how randomized occurrences from the past rewrite the story that plays out in the future. Another is a single page of text with a sort of slider at the bottom that gradually erases letters or brings them back.
Most importantly, though, a sure writing voice holds together these formal experiments by maintaining focus on the underlying themes and ideas, infusing meaning into the structures. The combination of high quality prose and interesting experimental forms results in a work that I could see getting recognition in year-end awards.