Ratings and Reviews by Rovarsson

While flying through the air, your nose already preparing to courteously greet the gravel waiting to catch it, you ponder the manners of the butler who just threw you off the porch. Surely he overreacted just a tad...

Since a simple knock results in a rather unpleasant scraping of your face on a less than welcoming road of little rocks, and from the looks of that butler (and the fact he effortlessly hurled you several meters far), you decide that sneakiness and subterfuge might be a better tactic for delivering this package.

Instead of a Dungeon Crawl (although we are briefly entertained in one of those later in the game...), Recluse is an Estate Romp. Its basic structure remains the same though: a big ol' puzzlefest. In the best tradition of the genre, there isn't really a plot or story to speak of. Instead, the author finds other ways to engage the player.

--A good introduction goes a long way. It sets the mood and puts a question, a magnetic objective if you will, in the player's head. Even if the game itself doesn't tell much of a story, the intro resonates throughout the playthrough and pulls the player along. In Recluse, the adressee of the package you must deliver is a once-famous homo universalis.

> "J. Daggett Winton, archeologist, explorer, inventor, mathematician, philosopher. Director, Winton Antiquities Research Foundation. Chairman of the Board, Winton International. Holder of thirty-seven patents in fields as diverse as Genetics and Game Theory. Rumored to have the largest privately-held collection of historical artifacts in the world."

Since the untimely death of his wife however, he has locked himself away and became the titular "Recluse".

This character made me think of Howard Hughes, and especially of Leonardo Dicaprio's over-the-top portrayal of him in The Aviator. The prospect of meeting such a character at the end of my travails worked as precisely such a narrative magnet as I have described.

--The game exploits brilliantly the major strength of parser IF: leading the player on a tour of exploration and discovery. Recluse boasts an immensely gratifying map. The biggest part of the game-world is a grand manorly estate, with lots of varied environments. Its central fountain and gravel paths give way to wilder and more unkempt stretches of brush and rough clifftops. There are carefully locked off areas, some of which come as a surprise when finally unlocked, others enticingly visible from a high vantage point without obvious means to get to them...

--Modern IF heavily emphasizes the integration of puzzles into the story. This isn't quite possible for a puzzlefest that sports, at most, the flimsiest of framing stories. In Recluse, the puzzles are integrated with the surroundings. They flow organically from the environment. All the puzzle elements and the obstacles are naturally present in, even expected on a lordly manor estate. The one puzzle that could be viewed as overly convoluted is justified by the personality of the owner of the estate, J. Dagget Winton the recluse... Interestingly, this most complicated of puzzles yields an anticlimactically mundane reward. This sort of thing happens regularly in this game.

--The writing joyfully (perhaps even childishly) plays with lots of IF tropes, twisting them upside down and (sometimes) setting them back right side up for an extra twist.

The narrative voice in Recluse is the most powerful immersive element in the game in my experience. Not a true character in itself, it does act as a mediator between the player and the game. First and foremost, it does its job admirably: It clearly describes the locations, the protagonist's actions within them and the consequences of those actions. On top of that, it paints an elaborate and detailed picture of the surroundings and it evokes a sense of space by recounting the travels of the protagonist.

>NORTH
"You soon realize you're in for a bit of a hike. The path passes to the east of a large greenhouse, then bends northeast toward the cliffs overlooking the ocean. The ground turns rocky and starts sloping downward. Before long you're winding down stairs cut into the face of the cliff."

I love this. It opens up the map and lets me walk alongside the protagonist with the wind in my hair. The view from the cliffs, once you get there, broadens your sense of wide-open space even more.

But these things are not so special... Other games have them too...

What made the narrative voice stand out most were the many asides, serious and playful alike. Like a storyteller around the campfire stepping outside of the story and adressing the audience, pointing out a funny detail or drawing the attention to an important feature. Most of the time this happens in a gentle, almost confidential tone. The one time it nears the border with intrusiveness, it does so to great comedic effect.

--When the outdoors adventuring options on the estate grounds are at long last exhausted, the player enters a high stakes endgame. The reward for getting through is a delightfully lengthy epilogue which finally explains the backstory of J. Dagget Winton. It also provides an obvious opening for a sequel.

Alas! Recluse was written 14 years ago, which makes the chances of ever joining our protagonist on a next adventure seem slim. Perhaps, if it is not too forward, I could urge the author, Stephen Gorrell, to follow the example of Michael J. Coyne, who wrote Illuminizmo Iniziato 15 years after its predecessor Risorgimento Represso.

--A wonderful parser puzzler. Beautiful game-world and a friendly, welcoming narrator. Strongly recommended.

Quick recap: the protagonist of the movie/game finds a magic door that leads into John Malkovich'/Andrew Plotkin's mind. Shenanigans ensue.

For the most part, the game follows the plot of the movie quite closely. The biggest alterations are jokes and references to IF in general and Zarf's games in particular. Since I wasn't around in the era of sizzling and bubbling creativity on the intfiction newsgroups in the 90s, a lot of the references went over my head. I'm also not intimately familiar enough with Andrew Plotkin's work to recognize all the jokes and shout-outs.
However, having roamed the internet for IF-history sources, a lot of the game did ring a funny bell.

For a text-adventure about a PC who's a hobbyist text-adventure writer entering the mind of one of the most renowned text-adventure writers of the era, there's actually precious little actual text-adventuring to do.

Most of the game pushes you along the rails laid out by the movie, with frequent conversations where you can choose to say a silly thing or an even sillier thing. Only in the very last sequence before the epilogue does a puzzle show up. And it's a rather mediocre one at that. (One could call it a callback to the classic puzzles, if one were generously inclined...)

The writing and tempo are great though. Exciting scenes zip by at rollercoaster speed, the descriptions are detailed and evocative, the conversations are very funny indeed.

I enjoyed the ride.