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1-9 of 9 >INVENTORY - Paul O'Brian writes about interactive fiction Four In One is a the most character-intensive piece of IF I've ever played. Almost every location has one or more characters in it at all times, and these characters are as fully implemented as they need to be. The gaffer, for example, is not terribly talkative -- ask him about the movie and he'll say "A job's a job," but ask him about the lights and he has an opinion, as he should. Every character has responses about the things they should know about, though if you spend much time in conversations with them you will run afoul of the game's time limit. The Marx brothers can tell you about each other, the movie, MGM (Groucho says, "MGM stands for 'more godless movies.'"), and anything else they ought to know about. Four in One does an outstanding job juggling all these characters, giving them just the appropriate depth of implementation so that the game really rewards replay. After I had solved the game, I went back and just chatted with the various characters, and was delighted with the extent to which they are implemented. The author's research is quite apparent in these moments, and it makes a big difference. Four In One taught me things about the Marx Brothers that I had never known before, and made me want to go out and rent A Night at the Opera again. That's entertainment.
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An extraordinarily complex group of active NPCs in a groucho marx scene, July 16, 2017by MathBrush You are a director filming the Marx brothers, and you have to herd all of them together before you can film them. Was this review helpful to you? Yes No Remove vote | Add a comment
- Galena, October 9, 2013 - Perry Simm (Vienna, Austria), December 3, 2012 - rec53, June 9, 2012 - Stickz (Atlanta, Georgia), January 10, 2011 - Audiart (Davis, CA), January 3, 2009 - Wesley (Iowa City, Iowa), September 1, 2008 Baf's GuideA highly unusual effort. You're Sam Wood, film director, trying to put together the last scene of the latest Marx Brothers picture--but that means getting the brothers to stay in one place for more than a few minutes, which, as one reviewer aptly observed, is akin to herding cats. Finishing the game depends in part on discovering how the Marx family dynamics work, but also in part on randomness, which means that this can be one frustrating game; so much trial and error is necessary that the fun tends to wane after a while. On the other hand, the writing is impeccable, Groucho's one-liners are hilarious, the attention to detail is impressive--lots of Easter eggs are scattered around--and there are literally dozens of reasonably realistic NPCs. It's a richly done game world, and if the central puzzle were just a little less maddening, this would be a whole lot of fun; as it is, it's still worth a look. -- Duncan Stevens
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