Savoir-Faire

Gaming Enthusiast
It’s not a masterpiece, but a very enjoyable and memorable game nonetheless.
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IF-Review
Fait Accompli
This is, all in all, very Emily Short: clockwork and magic, affluent Rococo / Enlightenment scenery and pseudo-Continental setting, cheese, acerbic put-downs as parser responses, complex object code and the usual and inimitable tersely elegant turns of phrase. The central contraption in particular felt extremely Metamorphoses-esque; however, Savoir not only outdoes Metamorphoses in terms of scale, but also has a much more widespread and human touch, despite the lack of immediately present NPCs. The motivation changes subtly throughout the piece; initially, it appears to be just an old-skool grab-and-plunder, which then develops a recollection-of-past subtext: so far, so conventional. The nature of these memories adds a definite feeling of guilt to the indiscriminate raiding, though (I looked over my shoulder a couple of times before breaking the seal on the letter), as well as introducing the further motivation of finding out what happened to the house's residents.
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SPAG
Savoir-Faire is an excellent game, featuring a strong sense of place, an innovative backstory & magic system, and a protagonist whose idiosyncrasies are charming in a way that reminds me of Varicella. (Daphne Brinkerhoff)

When a game comes out and patently calls itself old school, comparisons to some of the more popular Infocom classics and early shareware games will be drawn. So the question is, does Savoir-Faire succeed in replicating the old Infocom standard? As far as I'm concerned, it doesn't just succeed in replicating it; it's better in every respect I can think of while still maintaining the illusion that the game could have been created in Infocom's heyday. (Francesco Bova)
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